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قراءة كتاب Edinburgh: Picturesque Notes

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Edinburgh: Picturesque Notes

Edinburgh: Picturesque Notes

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دار النشر: Project Gutenberg
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have said, ready for riotous acts, and fresh from throwing stones at the author of ‘Robinson Crusoe’ as he looked out of window.

John Knox’s House in the High Street

One of the pious in the seventeenth century, going to pass his trials (examinations as we now say) for the Scottish Bar, beheld the Parliament Close open and had a vision of the mouth of Hell.  This, and small wonder, was the means of his conversion.  Nor was the vision unsuitable to the locality; for after an hospital, what uglier piece is there in civilisation than a court of law?  Hither come envy, malice, and all uncharitableness to wrestle it out in public tourney; crimes, broken fortunes, severed households, the knave and his victim, gravitate to this low building with the arcade.  To how many has not St. Giles’s bell told the first hour after ruin?  I think I see them pause to count the strokes, and wander on again into the moving High Street, stunned and sick at heart.

A pair of swing doors gives admittance to a hall with a carved roof, hung with legal portraits, adorned with legal statuary, lighted by windows of painted glass, and warmed by three vast fires.  This is the Salle des pas perdus of the Scottish Bar.  Here, by a ferocious custom, idle youths must promenade from ten till two.  From end to end, singly or in pairs or trios, the gowns and wigs go back and forward.  Through a hum of talk and footfalls, the piping tones of a Macer announce a fresh cause and call upon the names of those concerned.  Intelligent men have been walking here daily for ten or twenty years without a rag of business or a shilling of reward.  In process of time, they may perhaps be made the Sheriff-Substitute and Fountain of Justice at Lerwick or Tobermory.  There is nothing required, you would say, but a little patience and a taste for exercise and bad air.  To breathe dust and bombazine, to feed the mind on cackling gossip, to hear three parts of a case and drink a glass of sherry, to long with indescribable longings for the hour when a man may slip out of his travesty and devote himself to golf for the rest of the afternoon, and to do this day by day and year after year, may seem so small a thing to the inexperienced!  But those who have made the experiment are of a different way of thinking, and count it the most arduous form of idleness.

More swing doors open into pigeon-holes where judges of the First Appeal sit singly, and halls of audience where the supreme Lords sit by three or four.  Here, you may see Scott’s place within the bar, where he wrote many a page of Waverley novels to the drone of judicial proceeding.  You will hear a good deal of shrewdness, and, as their Lordships do not altogether disdain pleasantry, a fair proportion of dry fun.  The broadest of broad Scotch is now banished from the bench; but the courts still retain a certain national flavour.  We have a solemn enjoyable way of lingering on a case.  We treat law as a fine art, and relish and digest a good distinction.  There is no hurry: point after point must be rightly examined and reduced to principle; judge after judge must utter forth his obiter dicta to delighted brethren.

Besides the courts, there are installed under the same roof no less than three libraries: two of no mean order; confused and semi-subterranean, full of stairs and galleries; where you may see the most studious-looking wigs fishing out novels by lanthorn light, in the very place where the old Privy Council tortured Covenanters.  As the Parliament House is built upon a slope, although it presents only one story to the north, it measures half-a-dozen at least upon the south; and range after range of vaults extend below the libraries.  Few places are more characteristic of this hilly capital.  You descend one stone stair after another, and wander, by the flicker of a match, in a labyrinth of stone cellars.  Now, you pass below the Outer Hall and hear overhead, brisk but ghostly, the interminable pattering of legal feet.  Now, you come upon a strong door with a wicket: on the other side are the cells of the police office and the trap-stair that gives admittance to the dock in the Justiciary Court.  Many a foot that has gone up there lightly enough, has been dead-heavy in the descent.  Many a man’s life has been argued away from him during long hours in the court above.  But just now that tragic stage is empty and silent like a church on a week-day, with the bench all sheeted up and nothing moving but the sunbeams on the wall.  A little farther and you strike upon a room, not empty like the rest, but crowded with productions from bygone criminal cases: a grim lumber: lethal weapons, poisoned organs in a jar, a door with a shot-hole through the panel, behind which a man fell dead.  I cannot fancy why they should preserve them unless it were against the Judgment Day.  At length, as you continue to descend, you see a peep of yellow gaslight and hear a jostling, whispering noise ahead; next moment you turn a corner, and there, in a whitewashed passage, is a machinery belt industriously turning on its wheels.  You would think the engine had grown there of its own accord, like a cellar fungus, and would soon spin itself out and fill the vaults from end to end with its mysterious labours.  In truth, it is only some gear of the steam ventilator; and you will find the engineers at hand, and may step out of their door into the sunlight.  For all this while, you have not been descending towards the earth’s centre, but only to the bottom of the hill and the foundations of the Parliament House; low down, to be sure, but still under the open heaven and in a field of grass.  The daylight shines garishly on the back windows of the Irish quarter; on broken shutters, wry gables, old palsied houses on the brink of ruin, a crumbling human pig-sty fit for human pigs.  There are few signs of life, besides a scanty washing or a face at a window: the dwellers are abroad, but they will return at night and stagger to their pallets.

CHAPTER IV. LEGENDS.

The character of a place is often most perfectly expressed in its associations.  An event strikes root and grows into a legend, when it has happened amongst congenial surroundings.  Ugly actions, above all in ugly places, have the true romantic quality, and become an undying property of their scene.  To a man like Scott, the different appearances of nature seemed each to contain its own legend ready made, which it was his to call forth: in such or such a place, only such or such events ought with propriety to happen; and in this spirit he made the Lady of the Lake for Ben Venue, the Heart of Midlothian for Edinburgh, and the Pirate, so indifferently written but so romantically conceived, for the desolate islands and roaring tideways of the North.  The common run of mankind have, from generation to generation, an instinct almost as delicate as that of Scott; but where he created new things, they only forget what is unsuitable among the old; and by survival of the fittest, a body of tradition becomes a work of art.  So, in the low dens and high-flying garrets of Edinburgh, people may go back upon dark passages in the town’s adventures, and chill their marrow with winter’s tales about the fire: tales that are singularly apposite and characteristic, not only of the old life, but of the very constitution of built nature in that part, and singularly well qualified to add horror to horror, when the wind pipes around the tall lands, and hoots adown arched passages, and the far-spread wilderness of city lamps keeps quavering and flaring in the gusts.

The Canongate

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