The news from Weimar and Tichatschek's greetings and accounts have again strengthened me. I once more have courage to suffer.

This also I owe to you!

D.V.—I shall soon see you again, dear, worthy, helpful friend. Last week it was impossible to ask my tormentor for a short leave of absence; otherwise I should have liked to come, if only to spend a few cheerful and animated hours with you and to tell you the delight I feel in you. In the meantime be satisfied with this. It comes from my fullest heart, and tears are in my eyes.

From Herren von Zigesar, Biedenfeld, and Genast I simultaneously received letters of joyfullest and friendliest import; I answer them all at once by making you my interpreter, and through you greet those gentlemen with all my heart. Hold me dear as before. I give to you in return what is in me, and what therefore I call my own.

God bless you, dear Liszt.

Your

RICHARD WAGNER

DRESDEN, February 20th, 1849

14.

DEAREST FRIEND,

So much do I owe to your bold and high genius, to the fiery and magnificent pages of your "Tannhauser," that I feel quite awkward in accepting the gratitude you are good enough to express with regard to the two performances I had the honour and happiness to conduct. However that may be, your letter has given me the liveliest pleasure of friendship. I thank you with all my heart for the thanks you proffer me. Once for all, number me in future amongst your most zealous and devoted admirers; far or near, count on me and dispose of me.

Herren Zigesar, Genast, and Biedenfeld have described to you in detail the impression which your masterpiece has made on our public. In the Deutsche Allgemeine Zeitung you will find a few lines I have sent to Brockhaus by his demand. Biedenfeld has put the little article into shape. I shall send you by post the article that appeared in our Gemeindeblatt, where is also printed the prologue of Schober, who had the sense to turn "Tannhauser" to good account. Talking of people with good sense, do you know what I mean to do? No more nor less than to appropriate for the piano, after my fashion, the overture of "Tannhauser and" the whole scene "O du mein holder Abendstern" of the third act. As to the former, I believe that it will meet with few executants capable of mastering its technical difficulties, but the scene of the "Abendstern" should be within easy reach of second-class pianists.

If you will propose to Meser to have it engraved, or if you will allow me to dispose of it for the benefit of H. or Sch., I should like to have it published soon. Perhaps, if you have no objection, I should dispose of it in favour of an album for which my assistance has been asked for the last two months—the album published by the "Ladies' Society for the German Fleet." In vain I told them that I suffered from a drought of both manuscripts and ideas; they would not leave me alone; and I have just received another letter from a nice lady, who gives it me nicely.

Write to me as to the destination you prefer for your "Abendstern;" and when we meet, I shall have the impertinence to play you with my two hands your overture, such as I have prepared it for my particular use.

Remember me very affectionately to Tichatschek; he has been an admirable artist and a charming comrade and friend. It will be a true pleasure to me to see him here again in the month of May, according to his promise. If you could on the same occasion dispose of a few days, we should be only too happy to see you. In the meantime, dearest friend, believe me from my heart and soul your devoted admirer and friend,

FR. LISZT

February 26th, 1849

P.S.—A very beautiful and accomplished hand wishes to add a few lines to this letter; if you have found if tedious to read me, you could have no better compensation.

15.

Allow me, dear sir, to add another voice to the chorus of admiration which sings "Gloria" to the author of the double poem of "Tannhauser." If others have more right than I to speak to you of the sublime artistic expression which you have given to such deep emotions, I yet venture to tell you how souls lost in the crowd who chant to themselves your "Sangerkrieg" are penetrated by your harmonies, which contain all the fine and delicate shades of idea, sentiment, and passion.

We had hoped to see you for a moment at Weimar, and I clung to that hope all the more as I wanted to express to you my thanks for the kindness you showed me during my stay at Dresden. Let me add to these the other thanks which I owe you for the wonderful moments during which I listened to your melodies, expressive of the fascinating charms of the sirens who dwell on the banks of our imagination, and of those piercing cries wrung from us by the extinction of the perfumes of their enchanted home,—for those thoughts which elevate us in their humility, that despair which throws us "without fear against swords, when the soul is pierced by a very different sword of grief," those elegies which one whispers only to the evening star, those prayers which bear away the soul on their wings.

Grant, sir, that the thoughts which so much passion and beauty awake in hearts knowing what strange secrets lie hidden in passion, and adoring splendour and beauty, may reach you and tell you how deep is the admiration which this master work will excite at all times and everywhere in those who have once visited these resplendent and dolorous regions of the soul.

Believe, above all, in the admiration which has been given to you here, and which we should be so happy to express to you personally. I am amongst those most desirous of seeing you, sir, and of repeating from mouth to mouth the expression of the admiring and devoted sentiments of which I ask you to be a thousand times assured.

CAROLYNE WITTGENSTEIN

February 25th, 1849

16.

DEAREST FRIEND,

A thousand thanks for your letter! We are going on nicely together. If the world belonged to us, I believe we should do something to give pleasure to the people living therein. I hope we two at least shall agree with each other; let those who will not go with us remain behind,—and thus be our alliance sealed!

What shall I do with the beautiful letter I received together with your own? Have I really so pleased your esteemed friend with my feeble work that she thought it worth while to give me such great and unexpected joy in return? She indeed has fully effected her purpose, but I can scarcely credit that my work alone should have produced a similar impression upon the spirituelle Princess; and I am probably right in surmising that here also my friend Liszt has wooed for me with his wondrous fire. However that may be, I feel too silly today to thank your esteemed friend otherwise than through your medium, through your mouth, and therefore I pray you with all my power to express my gratitude to her as fervently, as joyfully, as you are able. Will you grant me this favour?

Before I knew anything about your intention, several years ago, when I was writing the overture, I wondered whether I should ever hear it played by you. I should never have mentioned it to you, for in such matters one must not be too forward, but now that I hear you are employed in making this piece your own, after your own fashion, I must tell you that I feel as if a wonderful dream were realized. Is it possible? Why not? All is possible to you. About the "Abendstern," dear friend, do exactly as you like. I have spoken to Meser about it, and he will write to you at once to place himself