with driver, horses, and cans that can be unloaded. It is something their minds can grasp. One comes forth with a penny goldfish of pasteboard clutched tightly in his hand, and, casting cautious glances right and left, speeds across the way to the door of a tenement, where a little girl stands waiting. “It’s yer Chris’mas, Kate,” he says, and thrusts it into her eager fist. The black doorway swallows them up.

Across the narrow yard, in the basement of the rear house, the lights of a Christmas tree show against the grimy window-pane. The hare would never have gone around it, it is so very small. The two children are busily engaged fixing the goldfish upon one of its branches. Three little candles that burn there shed light upon a scene of utmost desolation. The room is black with smoke and dirt. In the middle of the floor oozes an oil-stove that serves at once to take the raw edge off the cold and to cook the meals by. Half the window-panes are broken, and the holes stuffed with rags. The sleeve of an old coat hangs out of one, and beats drearily upon the sash when the wind sweeps over the fence and rattles the rotten shutters. The family wash, clammy and gray, hangs on a clothes-line stretched across the room. Under it, at a table set with cracked and empty plates, a discouraged woman sits eying the children’s show gloomily. It is evident that she has been drinking. The peaked faces of the little ones wear a famished look. There are three—the third an infant, put to bed in what was once a baby-carriage. The two from the street are pulling it around to get the tree in range. The baby sees it, and crows with delight. The boy shakes a branch, and the goldfish leaps and sparkles in the candle-light.

“See, sister!” he pipes; “see Santa Claus!” And they clap their hands in glee. The woman at the table wakes out of her stupor, gazes around her, and bursts into a fit of maudlin weeping.

The door falls to. Five flights up, another opens upon a bare attic room which a patient little woman is setting to rights. There are only three chairs, a box, and a bedstead in the room, but they take a deal of careful arranging. The bed hides the broken plaster in the wall through which the wind came in; each chair-leg stands over a rat-hole, at once to hide it and to keep the rats out. One is left; the box is for that. The plaster of the ceiling is held up with pasteboard patches. I know the story of that attic. It is one of cruel desertion. The woman’s husband is even now living in plenty with the creature for whom he forsook her, not a dozen blocks away, while she “keeps the home together for the childer.” She sought justice, but the lawyer demanded a retainer; so she gave it up, and went back to her little ones. For this room that barely keeps the winter wind out she pays four dollars a month, and is behind with the rent. There is scarce bread in the house; but the spirit of Christmas has found her attic. Against a broken wall is tacked a hemlock branch, the leavings of the corner grocer’s fitting-block; pink string from the packing-counter hangs on it in festoons. A tallow dip on the box furnishes the illumination. The children sit up in bed, and watch it with shining eyes.

“We’re having Christmas!” they say.

The lights of the Bowery glow like a myriad twinkling stars upon the ceaseless flood of humanity that surges ever through the great highway of the homeless. They shine upon long rows of lodging-houses, in which hundreds of young men, cast helpless upon the reef of the strange city, are learning their first lessons of utter loneliness; for what desolation is there like that of the careless crowd when all the world rejoices? They shine upon the tempter, setting his snares there, and upon the missionary and the Salvation Army lass, disputing his catch with him; upon the police detective going his rounds with coldly observant eye intent upon the outcome of the contest; upon the wreck that is past hope, and upon the youth pausing on the verge of the pit in which the other has long ceased to struggle. Sights and sounds of Christmas there are in plenty in the Bowery. Juniper and tamarack and fir stand in groves along the busy thoroughfare, and garlands of green embower mission and dive impartially. Once a year the old street recalls its youth with an effort. It is true that it is largely a commercial effort—that the evergreen, with an instinct that is not of its native hills, haunts saloon-corners by preference; but the smell of the pine-woods is in the air, and—Christmas is not too critical—one is grateful for the effort. It varies with the opportunity. At “Beefsteak John’s” it is content with artistically embalming crullers and mince-pies in green cabbage under the window lamp. Over yonder, where the mile-post of the old lane still stands,—in its unhonored old age become the vehicle of publishing the latest “sure cure” to the world,—a florist, whose undenominational zeal for the holiday and trade outstrips alike distinction of creed and property, has transformed the sidewalk and the ugly railroad structure into a veritable bower, spanning it with a canopy of green, under which dwell with him, in neighborly good-will, the Young Men’s Christian Association and the Gentile tailor next door.

In the next block a “turkey-shoot” is in progress. Crowds are trying their luck at breaking the glass balls that dance upon tiny jets of water in front of a marine view with the moon rising, yellow and big, out of a silver sea. A man-of-war, with lights burning aloft, labors under a rocky coast. Groggy sailormen, on shore leave, make unsteady attempts upon the dancing balls. One mistakes the moon for the target, but is discovered in season. “Don’t shoot that,” says the man who loads the guns; “there’s a lamp behind it.” Three scared birds in the window-recess try vainly to snatch a moment’s sleep between shots and the trains that go roaring over-head on the elevated road. Roused by the sharp crack of the rifles, they blink at the lights in the street, and peck moodily at a crust in their bed of shavings.

The dime-museum gong clatters out its noisy warning that “the lecture” is about to begin. From the concert-hall, where men sit drinking beer in clouds of smoke, comes the thin voice of a short-skirted singer warbling, “Do they think of me at home?” The young fellow who sits near the door, abstractedly making figures in the wet track of the “schooners,” buries something there with a sudden restless turn, and calls for another beer. Out in the street a band strikes up. A host with banners advances, chanting an unfamiliar hymn. In the ranks marches a cripple on crutches. Newsboys follow, gaping. Under the illuminated clock of the Cooper Institute the procession halts, and the leader, turning his face to the sky, offers a prayer. The passing crowds stop to listen. A few bare their heads. The devoted group, the flapping banners, and the changing torchlight on upturned faces, make a strange, weird picture. Then the drum-beat, and the band files into its barracks across the street. A few of the listeners follow, among them the lad from the concert-hall, who slinks shamefacedly in when he thinks no one is looking.

Down at the foot of the Bowery is the “pan-handlers’ beat,” where the saloons elbow one another at every step, crowding out all other business than that of keeping lodgers to support them. Within call of it, across the square, stands a church which, in the memory of men yet living, was built to shelter the fashionable Baptist audiences of a day when Madison Square was out in the fields, and Harlem had a foreign sound. The fashionable audiences are gone long since. To-day