from Archbishop Sancroft's mss., among the Tanner mss. in the Bodleian. These I have named 'Airelles,' after the little Alpine flowers that are dug out beneath the mountain masses of snow and ice, with abiding touches of beauty and perfume, as though they had been sheltered within walls and glass. The formerly printed Poems have been collated and recollated anxiously with the original and other early and authoritative editions, the results of which are shown in Notes and Illustrations at the close of each poem. Many of the various readings are of rare interest, and collation has revealed successive additions and revisions altogether unrecorded by modern editors. In their places I have pointed out the flagrant carelessness of the last Editor, W.B. Turnbull, Esq., in Smith's 'Library of Old Authors.'

As was meet, I have adhered to the first titles of 'Steps to the Temple' and 'The Delights of the Muses,' the former embracing the Sacred, and the latter the Secular Poems. The original Editor (whoever he was), not the Author, gave these titles. In the Preface to 'the learned Reader,' he says, 'we stile his sacred Poems, Steps to the Temple.' At one time I was disposed to assign the editorship of the volumes of 1646 and 1648 to Sancroft; but inasmuch as both contained Bp. Rainbow's verses prefixed to Isaacson's 'Chronologie,' while the piece is not in the Sancroft ms., it seems he could not have been the editor. His pathetic closing words reveal much love: 'I will conclude all that I have impartially writ of this learned young Gent. (now dead to us) as hee himselfe doth, with the last line of his poem upon Bishop Andrewes' picture before his Sermons, Verte paginas—Look on his following leaves, and see him breath.'

I would now give an account of previous editions of our Worthy, and our use of them. The earliest of his publications—excluding minor pieces in University Collections as recorded in our Essay—was a volume of Latin Epigrams published at Cambridge in 1634 in a small 8vo. The name of Crashaw nowhere appears, but his initials R.C. are appended to the Dedication to his friend Laney. The title-page was as follows: 'Epigrammatum Sacrorum Liber. Cantabrigiæ, ex Academiæ celeberrimæ typographo, 1634.' Besides the Epigrams, this now rare volume contained certain of his 'Poemata' before the Epigrams. A second edition was published in 1670 with a few additional Epigrams, and those in Greek. A third edition appeared in 1674. Fuller details, with collation of each, are given in Vol. II. in their places.

Nothing more of any considerableness was published until 1646, two years after the Poet's ejection. Then appeared a small volume of Poems, chiefly English, arranged in two distinct classes, Sacred and Secular, the latter with a separate title-page. In the Note which follows this Preface, the title-pages of the volume will be found, along with those of the subsequent editions of 1648 and 1670. With reference to the volume of 1646, a mistake in the printing was thus pointed out: 'Reader, there was a sudden mistake ('tis too late to recover it): thou wilt quickly find it out, and I hope as soone passe it over; some of the humane Poems are misplaced amongst the Divine.' These 'humane' poems, that belonged not to the 'Steps' but the 'Delights of the Muses,' were fifteen in all. They were assigned their own places in the new edition of 1648. With two exceptions, we have adhered to the classification of the 1648 edition: the exceptions are, that we have placed 'Vexilla Regis' immediately after the 'Office of the Holy Crosse,' as belonging properly to that composition; and the 'Apologie' for the Hymn to Teresa after the first, not after the second Hymn, seeing the 'Apologie' is only for the first. The new edition bore on its title-page the announcement: 'The second Edition, wherein are added divers pieces not before extant.' Our contents of the present Volume (immediately following our Dedication) shows these additions, which were important and precious; viz. twenty-nine new English Poems and eighteen new Latin Poems.

The next edition was published in Paris in 1652. In our Note (as supra) the title-page is given. This volume is an elegant one, and is adorned with twelve dainty engravings after the Author's own designs, though we possess a copy without the engravings, having blanks left. This exceedingly rare book contains most of the Sacred Poems and some of the more serious of the Secular Poems; but as the contents (as supra) show, there were large omissions, notably the Sospetto and Musick's Duel. It was edited by Thomas Car, who prefixes two poems of his own, as follows:

I. Crashawe, the Anagramme 'He was Car.'