professions; some have balconies and verandahs which make it difficult to believe that one has not met them, like their occupiers, at some watering place in the summer.

The square is divided into two by a road on which frequent tramcars run to the City, and the two central enclosures are neatly laid out with gravelled paths and garden seats; in the one there is a dovecot, in the other there are large terra-cotta oil-jars, bringing recollections of the Arabian Nights and the devoted Morgiana.

All this, I know, is not strictly to the point, but I am anxious to make it clear that the locality, though not perhaps a chosen haunt of Rank and Fashion, possesses compensations of its own.

Strolling round Canonbury Square, then, I happened to glance at a certain ground floor window in which an art-pot, in the form of a chipped egg hanging in gilded chains and enamelled shrimp-pink, gave a note of femininity that softened the dusty severity of a wire blind.

The exquisite face looking out
over the wire blind.

Under the chipped egg, and above the top of the blind, gazing out with an air of listless disdain and utter weariness, was a lovely vivid face, which, with its hint of pent-up passion and tropical languor, I mentally likened to a pomegranate flower; not that I have ever seen a pomegranate flower, though I am more familiar with the fruit—which, to my palate, has too much the flavour of firewood to be wholly agreeable—but somehow it seemed the only appropriate comparison.

After that, few days passed on which I did not saunter at least once round the square, and several times I was rewarded by the sight of that same exquisite face, looking out over the wire blind, always with the same look of intense boredom and haughty resentment of her surroundings—a kind of modern Mariana, with an area to represent the moat.

Æneas Polkinghorne.

I was hopelessly in love from the very first; I thought of nothing but how to obtain admission to her presence; as time went on, I fancied that when I passed there was a gleam of recognition, of half-awakened interest in her long-lashed eyes, but it was difficult to be certain. On the railing by the door was a large brass plate, on which was engraved: "Æneas Polkinghorne, Professor of Elocution. Prospectus within." So I knew the name of my divinity. I can give no greater indication of the extent of my passion, even at this stage, than by saying that I found this surname musical, and lingered over each syllable with delight.

But that brought me no nearer to her, and at last a plan occurred to me by which the abyss of the area that separated us might possibly be bridged over. Nothing could be simpler than my device—and yet there was an audacity about it that rather startled me at first. It was this: the brass plate said "Prospectus within." Very well, all I had to do was to knock boldly and ask for one, which, after some natural hesitation, I did.

Any wild hope of obtaining an interview with Miss Polkinghorne was doomed to instant disappointment. I was received by the Professor himself, a tall, stout, flabby person, with sandy hair combed back over his brow and worn long behind, who showed a most sympathetic interest in me, inquiring whether I wished to be prepared for the Church, the Stage, or the Bar, or whether I had any idea of entering Parliament. I fear I allowed him to suppose the latter, although I am about as likely to get into Parliament as into an imperial pint measure; but I had to say something to account for my visit, and the tea-trade does not call for much in the way of oratorical skill from its votaries.

Our interview was brief, but I came away, not only with a prospectus, but with tickets, for which I paid cash, entitling me to a course of six lessons in elocution.

This was rather more than I had calculated upon—but, at least, it gave me the entrée to the house, and it might lead to something more.

It did not seem as if it was going to lead to much; the Professor's method of teaching was peculiar: he would post me in a study at the back of the house, where I was instructed to declaim some celebrated oration at the top of my voice while he retired upstairs to discover how far my voice would carry.

After twenty minutes or so he would return with the information, which I have no reason to disbelieve, that he had not heard a single word above the first landing.

Still I persevered, sustained by the thought that, when I was delivering the oration of Brutus over Cæsar, or the famous passage about the Queen of France and the "ten thousand swords leaping from their scabbards," my words might perchance reach Miss Polkinghorne's ear and excite in her a passing emotion.

But I came to the end of my tickets and still I was as far as ever from my goal, while the exertion of shouting had rendered me painfully husky.

Still I persevered.

Yet I would not give in; I set myself to gain the Professor's good opinion; I took more tickets. It was not till after I had run through these that I ascertained, by an apparently careless inquiry, that there was no such person as Miss Polkinghorne—the Professor was a widower and had never had a daughter!

The thought that I had wasted so much time and money for nothing was bitter at first, and I very nearly decided to discontinue my studies there and then. But I conquered my feelings. Though the Professor was no relation to this young lady, he must know her name, he must be able to give me some information about her; a little judicious pumping might render him communicative.

"My dear Sir," he said, after I had been beating about the bush for some time with cautious delicacy, "I think I understand. You are anxious to make this young lady's acquaintance with a view to paying your addresses to her? Is not that so?"

I confessed that he had managed to penetrate my motives, though I could not imagine how.

"You will not be the first who has sought to win Lurana's affections," he said; "more than one of my pupils—but the child is ambitious, difficult to please. Unfortunately, this is your final lesson—otherwise I might, after preparing the ground, so to say, have presented you to her, and I daresay she would have been pleased to give you a cup of tea occasionally after your labours. Indeed, as Miss Lurana de Castro's stepfather, I can answer for that—however, since our acquaintance unhappily ceases here——"

It did not cease there; I took another dozen tickets at once, and if even Polkinghorne had sounded sweetly to my enamoured ear, you may conceive what enchanting melody lay in a name so romantic and so euphonious as Lurana de Castro.

The Professor was as good as his word; at the end of the very next lesson I was invited to follow him to the drawing-room, where I found the owner of the brilliant face that had so possessed me seated at her tea-table.

She gave me a cup of tea, and I can pay her witchery no higher