You are here

قراءة كتاب Zoological Mythology; or, The Legends of Animals, Volume 1 (of 2)

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
Zoological Mythology; or, The Legends of Animals, Volume 1 (of 2)

Zoological Mythology; or, The Legends of Animals, Volume 1 (of 2)

تقييمك:
0
No votes yet
المؤلف:
دار النشر: Project Gutenberg
الصفحة رقم: 8

id="FNanchor_75_75"/>[75]

But Indras, whose special function it is to lighten, to thunder, to fight the monster of darkness, and to prepare the light, generally figures in the popular imagination, at dawn (aurora), as the sun, under his three names of Sûryas, of Ṛitas, and of Savitar.

The sun, with respect to the aurora, is now the father, now the husband, now the son, and now the brother. As begotten of Indras simultaneously with the aurora, he is the brother; as following and embracing the aurora, he is the husband; as simply coming after the aurora, he is the son; and as sending the cow or the aurora before him, he is the father. These four relationships of the sun to the aurora or dawn are all mentioned in the Ṛigvedas.

In one of the hymns, the pure effulgence with which the aurora chases away the shadows of night is said to resemble the milk of a cow;[76] that is, the whitish light of the daybreak precedes in the eastern heavens the rosy light of aurora. The aurora is the cow-nurse, and the oriental mother of the old sun; at the sound of the hymn in praise of the dawn, the two horsemen of twilight, the Açvinâu, awaken.[77] Two cows—[i.e., the two twilights, that of the evening and that of the morning, related to the two horsemen, the evening one and the morning one, whom we also find together in the morning, the one white and the other red, the one in company with daybreak and the other with the aurora, and who may therefore be sometimes identified with the two morning dawns, the white dawn (alba) or daybreak, and the red dawn (aurora), and, from another point of view, the lunar dawn and the solar one]—drop milk towards the sun, in the heaven.[78] The aurora is the mother of the cows.[79]

As the sun approaches, the heavenly cows, who walk without covering themselves with dust, celebrate him[80] with songs. The red rays of the high sun fly and join themselves to the sun's cows.[81] The seven wise Añgirasas (the seven solar rays, or else the Angiras, the seven-rayed or seven-faced sun, as another hymn[82] represents him) celebrate in their songs the herds of cows which belong to the aurora, who appears upon the mountain.[83] Let us notice more particularly what is said of the aurora that appears with the cows upon the mountain. It is the sun that enables the Añgirasas to split the mountain, to bellow along with the cows, and to surround themselves with the splendour of the aurora.[84] The aurora, the daughter of the sky, the splendid one, appears; at the same time, the sun draws up the cows.[85] The aurora is carried by red luminous cows, whilst the . sun, the hero-archer, kills the enemies.[86] The aurora breaks open the prison of the cows; the cows exult towards the aurora;[87] the aurora comes out of the darkness as cows come out of their stable.[88] As the solar hero, Indras, is the guardian or shepherd of horses and of cows,[89] so the auroras are often celebrated in the Ṛigvedas as açvâvatîs and gomatîs, that is, as provided with and attended by horses and cows. The aurora keeps together the herd of red cows, and always accompanies them.[90]

Thus have we passed from the pastor-hero to the pastoral heroine upon the mountain. The pastoral aurora, unveiling her body in the east, follows the path of the sun;[91] and the sun is represented to us in the following riddle as a wonderful cowherd:—"I have seen a shepherd who never set down his foot, and yet went and disappeared on the roads; and who, taking the same and yet different roads, goes round and round amidst the worlds."[92] The sun goes round in the ether, and never puts down a foot, for he has none; and he takes the same, yet different, roads in the sky, i.e., luminous by day, and gloomy by night. The puzzle of the riddle lies in its self-contradiction; and the beautiful girl is the prize appointed for him who, by his actions, resolves it. A similar riddle is, in the Ṛigvedas itself, proposed to Mitras, the sun, and to Varuṇas, the night. The riddle is as follows:—"The first of them who walk afoot (padvatînam) comes without feet (apâd);" and the two divine heroes are asked, "Which of you two has guessed it?"[93] He who solves this enigma we may be sure is Mitras, the sun, who recognises the aurora, the girl who

Pages