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قراءة كتاب Witch, Warlock, and Magician Historical Sketches of Magic and Witchcraft in England and Scotland

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‏اللغة: English
Witch, Warlock, and Magician
Historical Sketches of Magic and Witchcraft in England and Scotland

Witch, Warlock, and Magician Historical Sketches of Magic and Witchcraft in England and Scotland

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دار النشر: Project Gutenberg
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they had discovered or possessed this substance.

The arch-quack Paracelsus makes the assertion, of course; unblushing mendacity was part of his stock-in-trade; and he pretends even to define the methods by which it may be realized. Unfortunately, to ordinary mortals his description is absolutely unintelligible. Others there are who affirm that they had seen it, and seen it in operation, transmuting lead, quicksilver, and other of the inferior metals into ruddy gold. One wonders that they did not claim a share in a process which involved such boundless potentialities of wealth!

Helvetius, the physician, though no believer in the magical art, tells the following wild story in his ‘Vitulus Aureus’:

On December 26, 1666, a stranger called upon him, and, after discussing the supposed properties of the universal medicine, showed him a yellow powder, which he declared to be the lapis, and also five large plates of gold, which, he said, were the product of its action. Naturally enough, Helvetius begged for a few grains of this marvellous powder, or that the stranger would at least exhibit its potency in his presence. He refused, however, but promised that he would return in six weeks. He kept his promise, and then, after much entreaty, gave Helvetius a pinch of the powder—about as much as a rape-seed. The physician expressed his fear that so minute a quantity would not convert as much as four grains of lead; whereupon the stranger broke off one-half, and declared that the remainder was more than sufficient for the purpose. During their first conference, Helvetius had contrived to conceal a little of the powder beneath his thumb-nail. This he dropped into some molten lead, but it was nearly all exhaled in smoke, and the residue was simply of a vitreous character.

On mentioning this circumstance to his visitor, he explained that the powder should have been enclosed in wax before it was thrown into the molten lead, to prevent the fumes of the lead from affecting it. He added that he would come back next day, and show him how to make the projection; but as he failed to appear, Helvetius, in the presence of his wife and son, put six drachms of lead into a crucible, and as soon as the lead was melted, flung into it the atoms of powder given to him by his mysterious visitor, having first rolled them up in a little ball of wax. At the end of a quarter of an hour he found the lead transmuted (so he avers) into gold. Its colour at first was a deep green; but the mixture, when poured into a conical vessel, turned blood-red, and, after cooling, acquired the true tint of gold. A goldsmith who examined it pronounced it to be genuine. Helvetius requested Purelius, the keeper of the Dutch Mint, to test its value; and two drachms, after being exposed to aquafortis, were found to have increased a couple of scruples in weight—an increase doubtlessly owing to the silver, which still remained enveloped in the gold, despite the action of the aquafortis.

It is obvious that this narrative is a complete mystification, and that either the stranger was a myth or Helvetius was the victim of a deception.

The recipes that the alchemists formulate—those, that is, who profess to have discovered the stone, or to have known somebody who enjoyed so rare a fortune—are always unintelligible or impracticable. What is to be understood, for example, of the following elaborate process, or series of processes, which are recorded by Mangetus, in his preface to the ponderous ‘Bibliotheca Chemica’ (to which reference has already been made)?

1. Prepare a quantity of spirits of wine, so free from water as to be wholly combustible, and so volatile that a drop of it, if let fall, will evaporate before it reaches the ground. This constitutes the first menstruum.

2. Take pure mercury, revived in the usual manner from cinnabar; put it into a glass vessel with common salt and distilled vinegar; shake violently, and when the vinegar turns black, pour it off, and add fresh vinegar. Shake again, and continue these repeated shakings and additions until the mercury no longer turns the vinegar black; the mercury will then be quite pure and very brilliant.

3. Take of this mercury four parts; of sublimed mercury (mercurii meteoresati—probably corrosive sublimate), prepared with your own hands, eight parts; triturate them together in a wooden mortar with a wooden pestle, till all the grains of running mercury disappear. (This process is truly described as ‘tedious and rather difficult.’)

4. The mixture thus prepared is to be put into a sand-bath, and exposed to a subliming heat, which is to be gradually increased until the whole sublimes. Collect the sublimed matter, put it again into the sand-bath, and sublime a second time; this process must be repeated five times. The product is a very sweet crystallized sublimate, constituting the sal sapientum, or wise men’s salt (probably calomel), and possessing wonderful properties.

5. Grind it in a wooden mortar, reducing it to powder; put this powder into a glass retort, and pour upon it the spirit of wine (see No. 1) till it stands about three finger-breadths above the powder. Seal the retort hermetically, and expose it to a very gentle heat for seventy-four hours, shaking it several times a day; then distil with a gentle heat, and the spirit of wine will pass over, together with spirit of mercury. Keep this liquid in a well-stoppered bottle, lest it should evaporate. More spirit of wine is to be poured upon the residual salt, and after digestion must be distilled off, as before; and this operation must be repeated until all the salt is dissolved and given off with the spirit of wine. A great work will then have been accomplished! For the mercury, having to some extent been rendered volatile, will gradually become fit to receive the tincture of gold and silver. Now return thanks to God, who has hitherto crowned your wonderful work with success. Nor is this wonderful work enveloped in Cimmerian darkness; it is clearer than the sun, though preceding writers have sought to impose upon us with parables, hieroglyphs, fables, and enigmas.

6. Take this mercurial spirit, which contains our magical steel in its belly (sic), and put it into a glass retort, to which a receiver must be well and carefully adjusted; draw off the spirit by a very gentle heat, and in the bottom of the retort will remain the quintessence or soul of mercury. This is to be sublimed by applying a stronger heat to the retort that it may become volatile, as all the philosophers affirm:

‘Si fixum solvas faciesque volare solutum,
Et volucrum figas faciet te vivere tutum.’

This is our luna, our fountain, in which ‘the king’ and ‘the queen’ may bathe. Preserve this precious quintessence of mercury, which is exceedingly volatile, in a well-closed vessel for further use.

8. Let us now proceed to the production of common gold, which we shall communicate clearly and distinctly, without digression or obscurity, in order that from this common gold we may obtain our philosophical gold, just as from common mercury we have obtained, by the foregoing processes, philosophical mercury. In the name of God, then, take common gold, purified in the usual way by antimony, and reduce it into small grains, which must be washed with salt and vinegar until they are quite pure. Take one part of this gold, and pour on it three parts of the quintessence of mercury: as philosophers reckon from seven to ten, so do we also reckon our number as philosophical, and begin with three and one. Let them be married together, like husband

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