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قراءة كتاب Garden-Craft Old and New

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‏اللغة: English
Garden-Craft Old and New

Garden-Craft Old and New

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دار النشر: Project Gutenberg
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GARDEN-CRAFT
OLD AND NEW

BY THE LATE
JOHN D. SEDDING

WITH MEMORIAL NOTICE BY THE
REV. E. F. RUSSELL

WITH NINE ILLUSTRATIONS

NEW EDITION

LONDON
KEGAN PAUL, TRENCH, TRÜBNER & CO., Ltd.
PATERNOSTER HOUSE, CHARING CROSS ROAD
1895


A GARDEN ENCLOSED.


CONTENTS.

CHAP. PAGE
I. The Theory of a Garden 1
II. Art in a Garden 28
III. Historical and Comparative Sketch 41
IV. The Stiff Garden 70
V. The "Landscape-Garden" 98
VI. The Technics of Gardening 133
VII. The Technics of Gardening (continued) 153
 
ON THE OTHER SIDE.
VIII. A Plea for Savagery 183
IX. In Praise of Both 202

LIST OF ILLUSTRATIONS.

A Garden Enclosed Frontispiece
Plan of Rosary with Sundial to face p. 156
Plan of Tennis Lawn, Terraces, and Flower Garden 158
General Plan of the Pleasaunce, Villa Albani, Rome 160
Plan showing Arrangement of Sunk Flower Garden, Yew Walk, and Tennis Court 164
Plan of Sunk Flower Garden and Yew Hedges 166
Plan Showing Arrangement of Fountain, Yew Walk, and Flower Beds for a Large Garden 180
Perspective View of Garden in the preceding Plan 180
Perspective View of a Design for a Garden, with Clipped Yew Hedges and Flower Beds 182

PREFACE.

"What am I to say for my book?" asks Mr Stevenson in the Preface to "An Inland Voyage." "Caleb and Joshua brought back from Palestine a formidable bunch of grapes; alas! my book produces naught so nourishing; and, for the matter of that, we live in an age when people prefer a definition to any quantity of fruit."

As this apology is so uncalled for in the case of this fruitful little volume, I would venture to purloin it, and apply it where it is wholly suitable. Here, the critic will say, is an architect who makes gardens for the houses he builds, writing upon his proper craft, pandering to that popular preference for a definition of which Mr Stevenson speaks, by offering descriptions of what he thinks a fine garden should be, instead of useful figured plans of its beauties!

And yet, to tell truth, it is more my subject than myself that is to blame if my book be unpractical. Once upon a time complete in itself, as a brief treatise upon the technics of gardening delivered to my brethren of the Art-worker's Guild a year ago, the essay had no sooner arrived with me at home, than it fell to pieces, lost gravity and compactness, and became a garden-plaything—a sort of gardener's "open letter," to take loose pages as fancies occurred. So have these errant thoughts, jotted down in the broken leisure of a busy life, grown solid unawares and expanded into a would-be-serious contribution to garden-literature.

Following upon the original lines of the Essay on the For and Against of Modern Gardening, I became the more confirmed as to the general rightness of the old ways of applying Art, and of interpreting Nature the more I studied old gardens and the point of view of their makers; until I now appear as advocate of old types of design, which, I am persuaded, are more consonant with the traditions of English life, and more

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