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قراءة كتاب Garden-Craft Old and New
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
GARDEN-CRAFT
OLD AND NEW
BY THE LATE
JOHN D. SEDDING
WITH MEMORIAL NOTICE BY THE
REV. E. F. RUSSELL
WITH NINE ILLUSTRATIONS
NEW EDITION
LONDON
KEGAN PAUL, TRENCH, TRÜBNER & CO., Ltd.
PATERNOSTER HOUSE, CHARING CROSS ROAD
1895
A GARDEN ENCLOSED.
CONTENTS.
CHAP. | PAGE | |
I. | The Theory of a Garden | 1 |
II. | Art in a Garden | 28 |
III. | Historical and Comparative Sketch | 41 |
IV. | The Stiff Garden | 70 |
V. | The "Landscape-Garden" | 98 |
VI. | The Technics of Gardening | 133 |
VII. | The Technics of Gardening (continued) | 153 |
ON THE OTHER SIDE. | ||
VIII. | A Plea for Savagery | 183 |
IX. | In Praise of Both | 202 |
LIST OF ILLUSTRATIONS.
PREFACE.
"What am I to say for my book?" asks Mr Stevenson in the Preface to "An Inland Voyage." "Caleb and Joshua brought back from Palestine a formidable bunch of grapes; alas! my book produces naught so nourishing; and, for the matter of that, we live in an age when people prefer a definition to any quantity of fruit."
As this apology is so uncalled for in the case of this fruitful little volume, I would venture to purloin it, and apply it where it is wholly suitable. Here, the critic will say, is an architect who makes gardens for the houses he builds, writing upon his proper craft, pandering to that popular preference for a definition of which Mr Stevenson speaks, by offering descriptions of what he thinks a fine garden should be, instead of useful figured plans of its beauties!
And yet, to tell truth, it is more my subject than myself that is to blame if my book be unpractical. Once upon a time complete in itself, as a brief treatise upon the technics of gardening delivered to my brethren of the Art-worker's Guild a year ago, the essay had no sooner arrived with me at home, than it fell to pieces, lost gravity and compactness, and became a garden-plaything—a sort of gardener's "open letter," to take loose pages as fancies occurred. So have these errant thoughts, jotted down in the broken leisure of a busy life, grown solid unawares and expanded into a would-be-serious contribution to garden-literature.
Following upon the original lines of the Essay on the For and Against of Modern Gardening, I became the more confirmed as to the general rightness of the old ways of applying Art, and of interpreting Nature the more I studied old gardens and the point of view of their makers; until I now appear as advocate of old types of design, which, I am persuaded, are more consonant with the traditions of English life, and more