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قراءة كتاب The Evolution of Photography With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
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The Evolution of Photography With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
was the coolness of the illumination, that even infusoria in single drops of water were perfectly happy and playful (vide abstracts of the ‘Philosophical Transactions,’ December 22nd, 1836). The continued expense of an artist—though, at first, I employed my friend, Lens Aldons—to copy the pictures on the screen was out of the question. I therefore fell back, but without any sanguine expectations as to the result, upon the photographic process adopted by Wedgwood, with which I happened to be well acquainted. It was a weary while, however, before any satisfactory impression was made, either on chloride or nitrate paper. I succeeded better with the leather; but my fortunate inability to replenish the little stock of this latter article induced me to apply the tannin solution to paper, and thus I was at once placed, by a very decided step, in advance of earlier experimenters, and I had the pleasure of succeeding where Talbot acknowledges that he failed.
“Naturally enough, the solution which I used at first was too strong, but, if you have ever been in what I may call the agony of a find, you can conceive my sensations on witnessing the unwilling paper become in a few seconds almost as black as my hat. There was just a passing glimpse of outline, ‘and in a moment all was dark.’ It was evident, however, that I was in possession of all, and more than all, I wanted, and that the dilution of so powerful an accelerator would probably give successful results. The large amount of dilution greatly surprised me; and, indeed, before I obtained a satisfactory picture, the quantity of gallic acid in the infusion must have been quite homœopathic; but this is in exact accordance with modern practice and known laws. In reference to this point, Sir John Herschel, writing from Slough, in April, 1840, says to Mr. Redman, then of Peckham (where I had resided), ‘I am surprised at the weak solution employed, and how, with such, you have been able to get a depth of shadow sufficient for so very sharp a re-transfer is to me marvellous.’ I may speak of Mr. Redmond as a photographic pupil of mine, and at my request, he communicated the process to Sir John, which, ‘on account of the extreme clearness and sharpness of the results,’ to use Sir John’s words, much interested him.
“Dr. Diamond also, whose labours are universally appreciated, first saw my early attempts at Peckham in 1837, and heard of my use of gallate of silver, and was thus led to adopt what Admiral Smyth then called ‘a quick mode of taking bad pictures’; but, as I told the Admiral in reply, he was born a baby. Whether our philosophical baby is ‘out of its teens’ may be a question; at all events, it is a very fine child, and handles the pencil of nature with consummate skill.
“But of all the persons who heard of my new accelerator, it is most important to state that my old and valued friend, the late Andrew Ross, told Mr. Talbot how first of all, by means of the solar microscope, I threw the image of the object on prepared paper, and then, while the paper was yet wet, washed it over with the infusion of galls, when a sufficiently dense negative was quickly obtained. In the celebrated trial, “Talbot versus Laroche,” Mr. Talbot, in his cross-examination, and in an almost breathless court, acknowledged that he had received this information from Ross, and from that moment it became the unavoidable impression that he was scarcely justified in taking out a patent for applying my accelerator to any known photogenic paper.