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CHAPTER V |
STUDIES IN LITERARY TECHNIQUE |
Narrative Art |
63 |
Movement |
66 |
Aids to Description: The Point of View |
67 |
Selecting the Main Features |
70 |
Description by Suggestion |
73 |
Facts to Remember |
75 |
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CHAPTER VI |
STUDIES IN LITERARY TECHNIQUE—CONTINUED |
Colour: Local and Otherwise |
79 |
What about Dialect? |
84 |
On Dialogue |
86 |
Points in Conversation |
91 |
"Atmosphere" |
94 |
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CHAPTER VII |
PITFALLS |
Items of General Knowledge |
96 |
Specific Subjects |
98 |
Topography and Geography |
100 |
Scientific Facts |
101 |
Grammar |
103 |
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CHAPTER VIII |
THE SECRET OF STYLE |
Communicable Elements |
105 |
Incommunicable Elements |
110 |
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CHAPTER IX |
HOW AUTHORS WORK |
Quick and Slow |
116 |
How many Words a Day? |
119 |
Charles Reade and Anthony Trollope |
122 |
The Mission of Fancy |
127 |
Fancies of another Type |
129 |
Some of our Younger Writers: Mr Zangwill, Mr Coulson Kernahan, Mr Robert Barr, Mr H. G. Wells |
132 |
Curious Methods |
134 |
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CHAPTER X |
IS THE SUBJECT-MATTER OF NOVELS EXHAUSTED? |
The Question Stated |
138 |
"Change" not "Exhaustion" |
142 |
Why we talk about Exhaustion |
145 |
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