قراءة كتاب Vignettes of Manhattan; Outlines in Local Color

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Vignettes of Manhattan; Outlines in Local Color

Vignettes of Manhattan; Outlines in Local Color

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دار النشر: Project Gutenberg
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263 The Solo Orchestra 277 The Rehearsal of the New Play 295 A Candle in the Plate 323 Men and Women and Horses 337 In the Watches of the Night 357     ILLUSTRATIONS   People who thronged the floor were wellnigh as various as the paintings    Frontispiece FACING PAGE Distracted by the crossing shouts of loud-voiced men 48 Two slim Japanese gentlemen 108 Coming from church 134 "Winifred!" he cried 234 "The air was thick and heavy" 278 Explanations 340 She almost shivered, the place seemed to her so cheerless 360

 

 

VIGNETTES OF MANHATTAN

IN THE LITTLE CHURCH DOWN THE STREET

THE little church stands back from the street, with a scrap of lawn on either side of the path that winds from the iron gate to the church door. On this chill January morning the snow lay a foot deep on the grass-plots, with the water frozen out of it by the midnight wind. The small fountain on one side was sheathed with ice; and where its tiny spirtle fell a glittering stalagmite was rising rapidly, so the rotund sparrows had difficulty in getting at their usual drinking-trough. The sky was ashen, yet there was a hope that the sun might break out later in the morning. A sharp breeze blew down the street from the river, bearing with it, now and again, the tinkle of sleigh-bells from the Avenue, only fifty yards away.

There was the customary crowd of curious idlers gathered about the gate as the hearse drew up before it. The pall-bearers alighted from the carriages which followed, and took up their positions on the sidewalk, while the undertaker's assistants were lifting out the coffin. Then the bareheaded and gray-haired rector came from out the church porch, and went down to the gate to meet the funeral procession. He held the prayer-book open in his hand, and when he came to the coffin he began to read the solemn words of the order for the burial of the dead:

"I am the resurrection and the life, saith the Lord: he that believeth in me, though he were dead, yet shall he live: and whosoever liveth and believeth in me, shall never die."

Preceding the pall-bearers the rector led the way to the church, which was already filled with the dead actor's comrades and with his friends, and with mere strangers who had come out of curiosity, and to see actresses by daylight and off the stage. The interior was dusky, although the gas had been lighted here and there. The Christmas greens still twined about the pillars, and still hung in heavy festoons from the low arched roof. As the coffin passed slowly through the porch, the rector spoke again:

"We brought nothing into this world, and it is certain we can carry nothing out. The Lord gave, and the Lord hath taken away; blessed be the Name of the Lord."

Throughout the church there was a stir, and all heads were turned towards the entrance. There were tears in the eyes of more than one man, for the actor had been a favorite, and not a few women were weeping silently. In a pew near the door were two young actresses who had been in the same company with the dead man when he had made his first appearance on the stage, only three years before; and now, possessed by the emotion of the moment, these two sobbed aloud. By their side stood a tall, handsome, fair-haired woman, evidently not an actress; she was clad in simple black; she gave but a single glance at the coffin as it passed up the aisle, half hidden by the heaped-up wreaths of flowers, and then she stared straight before her, with a rigid face, but without a tear in her eye.

Slowly the rector preceded the pall-bearers up the central aisle of the church, while the vestured choir began the stately anthem:

"Lord, let me know my end, and the number of my days; that I may be certified how long I have to live.

"Behold, thou hast made my days as it were a span long, and mine age is even as nothing in respect of thee; and verily every man living is altogether vanity."

It was for a young man that this solemn anthem was being sung—for a man who had died in his twenty-fifth year, at the moment of his first success, and when life opened temptingly before him. He bore a name known in American history, and his friends had supposed that he would be called to the bar, like his father and his grandfather before him. He was a handsome young fellow, with a speaking eye and a rich, alluring voice; and his father's friends saw in him a moving advocate. But the year he was graduated from college his father had died, and his mother also, and he was left alone in the world. As it happened, his father's investments were ill-advised, and there was little or no income to be hoped from them for years. In

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