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قراءة كتاب The History of Painting in Italy, Vol. 4 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
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The History of Painting in Italy, Vol. 4 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
الصفحة رقم: 1
THE
HISTORY OF PAINTING
IN
ITALY.
VOL. IV.
THE
HISTORY OF PAINTING
IN
ITALY,
FROM THE PERIOD OF THE REVIVAL OF
THE FINE ARTS
TO THE END OF THE EIGHTEENTH CENTURY:
TRANSLATED
From the Original Italian
OF THE
ABATE LUIGI LANZI.
By THOMAS ROSCOE.
IN SIX VOLUMES.
VOL. IV.
CONTAINING THE SCHOOLS OF LOMBARDY, MANTUA,
MODENA, PARMA, CREMONA, AND MILAN.
LONDON:
PRINTED FOR
W. SIMPKIN AND R. MARSHALL,
STATIONERS'-HALL COURT, LUDGATE STREET.
1828.
J. M'Creery, Tooks Court,
Chancery Lane, London.
CONTENTS
OF
THE FOURTH VOLUME.
HISTORY OF PAINTING IN UPPER ITALY.
BOOK THE SECOND.
SCHOOLS OF LOMBARDY.
CHAP. I. | ||
MANTUAN SCHOOL. | ||
Page | ||
Epoch I. | Of Mantegna and his successors | 5 |
Epoch II. | Giulio Romano and his school | 14 |
Epoch III. | Decline of the school, and foundation of an academy in order to restore it | 26 |
CHAP. II. | ||
MODENESE SCHOOL. | ||
Epoch I. | The old masters | 32 |
Epoch II. | Imitation of Raffaello and Coreggio in the sixteenth century | 42 |
Epoch III. | The Modenese artists of the seventeenth century chiefly follow the example of the Bolognese | 57 |
CHAP. III. | ||
SCHOOL OF PARMA. | ||
Epoch I. | The ancients | 74 |
Epoch II. | Coreggio, and those who succeeded him in his school | 79 |
Epoch III. | Parmese school of the Caracci, and of other foreigners until the period of the foundation of the academy | 134 |
CHAP. IV. | ||
SCHOOL OF CREMONA. | ||
Epoch I. | The ancients | 148 |
Epoch II. | Camillo Boccaccino, Il Soiaro, the Campi | 163 |
Epoch III. | Decline of the school of the Campi. Trotti and other artists support it | 182 |
Epoch IV. | Foreign manners introduced into Cremona | 194 |
CHAP. V. | ||
SCHOOL OF MILAN. | ||
Epoch I. | Account of the ancient masters until the time of Vinci | 206[a] |
Epoch II. | Vinci establishes an academy of design at Milan. His pupils and the best native artists down to the time of Gaudenzio | 238 |
Epoch III. | The Procaccini and other foreign and native artists form a new academy, with new styles, in the city and state of Milan | 283 |
Epoch IV. | After the time of Daniele Crespi the art declines. A third academy is founded for its improvement | 305 |