result, is best for short stories or incidents. Fables and parables may be used well in this way. The action follows continuously with the development of the thought.

In the case of a story which has a more detailed plot and which involves more complicated situations the development may go further: the wording is carefully worked out by the children and the language of the Bible is employed. The words which are finally used by the children may be composite results developed by the group as a whole, or after they have gone as far as they can with them the leader, or a committee composed of several children with the leader, may suggest a final form which is good from a literary standpoint.

Children either volunteer or are chosen by the others to take finally certain parts. There is a marked socializing influence evident in the fact that a child is chosen by the other children for the good of the group and not for self-aggrandizement or partiality toward a friend. It is always the case after a few rehearsals that each child knows every part and can easily adapt himself to the part of any character. There is no trouble about a substitute when one or two children fail to arrive. Each child has lived the story until it has become a very vital part of him. The finished product belongs to the children; they have developed it; it is not the production of someone else which they have learned by heart.

At the final presentation of the play the children invite parents and friends. This is not thought of as a climax toward which they have been working; it is hardly more important than any of the rehearsals; it is simply an opportunity for others to enjoy the story with them. The encouragement of this attitude toward the public presentation of a play is important in that it does away with the self-conscious feeling of a child that he is acting before people, or that people are interested in him rather than in the character that he portrays. Much harm can be done by allowing a child to feel that he is "showing off" on a stage.

This mode of procedure in developing a dramatization illustrates the general method which is employed in order to secure the results herein discussed. It should be helpful as a method which may be varied or built upon according to the circumstances. Detailed descriptions of exact modes of procedure in presenting different kinds of Bible stories to the dramatic club will follow. Costumes and stage settings have always been of the simplest nature and will be discussed at length in a separate chapter.

In order that this method may be of greatest practical value to those who are unfamiliar with it, a summary may give the steps in logical sequence. This outline is not to be taken as unchangeable, but merely as a working basis for the beginner.

CHAPTER III

THE DRAMATIZATION OF JOSEPH

As will be noted in the following chapter, it is well in beginning dramatic work with children to use for the first efforts very simple stories. Joseph is too long and complicated for an early experiment. We may begin our exposition of method with this story, however, as it illustrates especially well the details of the developing process.

At the first meeting the story was told in terms that followed closely the Bible version. The children were asked to select the big events, or pictures, in Joseph's life. They readily spoke of his life in Canaan as a boy; his being put into the pit and sold to the merchants; his life in Egypt with Potiphar; the prison experience and the interpretation of Pharaoh's dream; the change of fortune in becoming ruler of the land; the famine and the visits of his brothers; and, finally, his kindness to his father and brothers in giving them a home in Egypt.

The story was told to the children very much as follows: