قراءة كتاب Punch, or the London Charivari, Volume 93, December 3, 1887
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Punch, or the London Charivari, Volume 93, December 3, 1887
similarly apparelled heading a procession of Sandwich-men walking down Waterloo Place. In the Hall of the Bazaar lads in the same sort of dresses, were selling programmes (marked sixpence) for twopence. I entered by a small canvass-cottage "y'clept" (as the Sale of Workers would call it) "the Rose of Normandy," and found myself in the once famous "Hall of Kings" without the figures. I discovered two or three dwarf trees, some lattice-work and a lot of canvass-covering. I must confess it did not cause me much surprise to find only a few spectators. The moment I appeared, a lady advanced and asked me in a tone of authority to take a button-hole. I refused with courtesy suggestive at once of the gallant and the miser, and the Sale of Work-woman retired rather crest-fallen. Then two girls, costumed as two females of a past but vague period, dashed at me as I turned away, and breathlessly explained that if I bought a half-crown ticket I should be entitled to a chance in a raffle for a five-guinea sofa-cushion. I slightly frowned as I expeditiously refused the invitation, and the ladies disappeared into a corner—I trust more in sorrow than in anger—to read the evening paper. In the centre of the room was a "fish pond" full of presents, where a mild-looking curate was feebly attempting to secure a prize. On the whole the entertainment was scarcely exhilarating. The programme promised "from V to VI of ye clocke" (how silly!) "a séance of Mesmerism," in two "partes," (how really stupid!) and "Maister Charles Bertram" (Why "Maister?") was to appear later on. Then at eight "of ye clocke" (dear, dear! how idiotic!) "the Welbeck Dramatic Club" (what a name!) was "to performe ye Comic Drama by L. S. Buckingham, y'clept" (of course!) "Take that Girl away." Later still "Mistresse Jarley" was to give her waxworks with the assistance of "Maister Sidney Ward," (tut, tut!) the Festival finally closing with "Music" at "X of ye clocke" (stuff and nonsense!). It will be seen that I cannot even now look at the programme (priced at sixpence and sold for twopence) without some signs of impatience. The afternoon was too young to allow of my assisting at any of these toothsome merry-makings, so after mooning about for a quarter of an hour I came away. As I left, a newly-arrived dame of mature years was putting on a nurse's cap hurriedly, evidently with the view to starting in hot pursuit of me to secure my custom for some toys. The ladies with the cushion looked at me languidly as I passed them, and then returned to a perusal of their paper. When last I had had the advantage of paying a visit to "the Portman Rooms, formerly Mme. Tussaud's," I had seen nothing but waxwork figures in eccentric attitudes. On the whole, I think the former denizens of the place looked more at home in their quaint costumes than the Sale of Workers "from Tuesday, November 22 to Saturday, November 26, inclusive!"
Finding myself in its neighbourhood, I could not help taking a turn in the present palace of the eminent "Portrait Modellist." I paid the necessary shilling and the optional sixpence, and renewed my acquaintance with "The Kings and Queens," "The Coronation Group," and "The Chamber of Horrors." A group representing a reception at the Vatican was quite new, if I except two or three funeral attendants, who, I fancy I remember, made their last (but one) appearance at the Lying in State of Pio Nono. After examining a rather cheerful presentment of the latest assassin in "The Chamber of Comparative Physiognomy" (as the Chamber of Horrors was once, for a short period, "y'clept"), I passed through a turnstile, and entered the Refreshment Department. Here I noticed that an "overflow meeting," consisting, amongst other more-or-less-interesting exhibits of Mr. Lewis Wingfield's historical costume-wearers (from the Healtheries), and that now rather-imperfectly-remembered worthy, the late Sir Bartle Frere (from the rooms above), had been humorously arranged, no doubt with a view to provoking healthy and hearty laughter. Having refreshed my mind with a hurried inspection of this delightful, albeit, somewhat miscellaneous gathering, and my body with a twopenny Bath bun, I gracefully retired, greatly pleased with the afternoon's entertainment.
OUR BOOKING-OFFICE.
What a set these Emperors, Empresses, Kings, Queens, Princes and Princesses, Dukes and Duchesses, &c., &c., and all such great people everywhere seem to have been, according to the Memoirs of Count Horace de Viel Castel (published by Messrs. Remington & Co.), who was a kind of small French Pepys, a great snob, and a Parisian Sir Benjamin Backbite. Yet there is in this Horace something of the Horatian satirist, only without the poetry.
"But Horace, Sir, was delicate, was nice," which is not exactly the characteristic of the writings of M. de Viel Castel, who tells us
"Of birth-nights, balls, and shows,
More than ten Hollinsheds, or Halls, or Stowes.
When the Queen frowned, or smiled, he knows; and what
A subtle Minister may make of that:
Who sins with whom:"——
And such like tittle-tattle ad nauseam, not sparing his own father and brother. Imagine the sort of man who, night after night, could sit down and chuckle over the composition of this precious diary! "With the exception of the President and the Princess" (Mathilde, at whose house he was perpetually dining), he says, "all the (Buonaparte) family are good for nothing."
Of the bourgeois class he writes, "They are always the same stupid, craven-hearted, vain race." He was shocked at the production of La Dame aux Camelias, and considered it as a degradation of the French stage and a disgrace to the Public that patronised the performance. To have shocked M. de Viel Castel was a feat indeed. Fould "the foxy Jew" got ten millions out of the Crédit Foncier; so the public was fool'd also. D'Orsay was "a ridiculous old doll," and the Duke of Brunswick "an old fool." He sneered at England, but considered at the moment that an alliance with us was the best policy. The Empress at one time went in for spirit-rapping, and consulted a table which told her a variety of lies about the result and duration of the Crimean War. Such a table must have been very black and supported by blacklegs, though it had sufficient french polish about it to be silent in the presence of a bishop. It is not until the last page of the Memoirs, 1864, that the name of M. de Bismarck appears. I suppose that "Society," high, low, or middle-class, has always gone on in much the same way, more or less openly, according to the spirit of the Court, since what is called "Society" came into existence; and invariably with a Viel Castel, or a Greville, or some one even less particular and more observant "among them takin' notes" for future publication. Mr. Bousfield, the translator, seems to have done his work with a judicious regard for a certain section of English readers. It strikes me that he has had the good taste to