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قراءة كتاب Delusion; or, The Witch of New England

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‏اللغة: English
Delusion; or, The Witch of New England

Delusion; or, The Witch of New England

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دار النشر: Project Gutenberg
الصفحة رقم: 7

cultivated with unusual care. A beautiful brook ran winding in the midst, and the whole domain was enclosed in strong fences of stone. About midway was built a low, irregular, but very large farmhouse. It consisted of smaller buildings, connected by very strong palisades; and the whole was enclosed, at some distance, by a fence built of strong timbers. It was evidently a dwelling designed for defence against Indians. They entered the enclosure by an iron gate, so highly wrought and finished that it must have been imported from the mother country.

Edith found herself in a large garden, that had once been cultivated with much care and expense. It had been filled with rose-bushes, honeysuckles, and choice English flowers; but all was now in a state of neglect and decay. The walks were overrun with weeds, the arbors in ruins, and the tendrils of the vines wandering at their own wanton will. It seemed as if neglect had aided the autumn frost to cover this favorite spot with the garb of mourning.

There was no front entrance to this singular building; and the visitors rode round to a low door at the back, partly concealed by a pent roof. After knocking several minutes, it was opened by a very old negro, dressed in a tarnished livery, with his woolly hair drawn out into a queue, and powdered. He smiled a welcome, and, with much show of respect, led them through many dark passages to a low but very comfortable room. The walls were hung with faded tapestry; and the low ceiling, crossed with heavy beams, would have made the apartment gloomy, but for two large windows that looked into the sunny garden. The sashes were of small, lozenge panes of glass set in lead; while the bright autumn sun streamed through, and shone with cheerful light on the black oak furniture, and showed every mote dancing in its beams.

Edith looked around with surprise and delight. A lady not much past the meridian of life came forward to greet them. She was dressed in an olive-colored brocade, with a snowy lawn apron and neckerchief folded across her breast. The sleeve reached just below the elbow, and was finished with a ruffle, and black silk mitts met the ruffle at the elbow. A rich lace shaded her face, and a small black velvet hood was tied closely under the chin.

The lady's manner was rather stately and formal, as she greeted Mr. Grafton with all the ceremony of the old school of politeness, and looked at his daughter.

"She is the image of her mother," said Lady C——.

"She is a precious flower," answered Mr. Grafton, looking at Edith with pride and affection, as she stood, half respectful, half bashful, before the lady.

"You have called her Mary, I hope,—her mother's name."

"No," answered Mr. Grafton; "I have but one Mary,"—and he looked upwards.

Edith pressed closer to her father. "Call me Edith, madam," she said, with a timid smile.

Lady C—— smiled also, and was soon in earnest conversation with Mr. Grafton.

Edith was engaged in examining a room so much more elegant than any she had seen before. Her eyes were soon attracted by a full-length portrait on the opposite side of the apartment. It was a lady in the bloom of youth, dressed in the costume of the second Charles. It was evidently an exquisite work of art. To Edith, the somewhat startling exposure of the bust, which the fashion of the period demanded, was redeemed by the chaste and nunlike expression of the face. Tender blue eyes were cast down on a wounded dove that she cherished in her bosom; and the long, dark eyelash shaded a pale and pensive cheek.

Edith was fascinated by this beautiful picture. Who was she? where did she live? what was her fate? were questions hovering on her lips, which she dared not ask of the stately lady on the couch; but, as she stood riveted before it, "O that I had such a friend!" passed through her mind; and, like inexperienced and enthusiastic youth, she thought how fondly she could have loved her, and, if it were necessary, have sacrificed her own life for hers.

Lady C—— observed her fixed attention.

"That is a portrait of the Lady Ursula," she said, "who built this house, and brought over from England the fruits and flowers of the garden. Alas! they are now much wasted and destroyed."

At this moment, the old negro appeared, to say that the dinner was served.

They passed into another low room, in the centre of which was a long oaken dining-table, the upper end raised two steps higher than the lower, and the whole was fixed to the floor. At this time, the upper end only was covered with a rich damask cloth, where the lady and her guests took their seats; the other half of the table extending bare beneath them.

"In this chair, and at this table, the Lady Ursula was wont to dine with her maidens and serving-men," said Lady C——, as she took her seat in a high-backed, richly-carved chair of oak; "and I have retained the custom, though my serving-men are much reduced;" and she glanced her eye on the trembling old negro.

Edith thought how dreary it must be to dine there in solitary state, with no one to speak to except the old negro, and she cast a pitying look around the apartment.

A beauffet was in one corner, well filled with massive plate, and the walls were adorned with pictures in needle-work, framed in dark ebony.

The picture opposite Edith was much faded and defaced, but it was meant to represent Abraham offering his son Isaac in sacrifice.

"It was the work of the Lady Ursula's fingers," said Lady C——, "as every thing else you see here was created by her."

"Is she now living?" asked Edith, very innocently.

"Alas! no, my dear; hers was a sad fate; but her story is too long for the dining hour;" and as dinner was soon over, they returned to the other apartment.

Edith longed for a ramble in the garden. When she returned, the horses were at the door, and she took a reluctant leave, for she had not heard the story of the Lady Ursula.

As soon as they had turned their horses' heads outside the iron gate, Edith began her eager questions:

"Who was that beautiful woman, the original of the portrait? Where did she live? How did she die? What was her fate?" Her father smiled, and related the following particulars, which deserve another chapter.


CHAPTER VII.

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