was hot, but her dear little face was pink with her exertions, and her small plump hands so moist that to pull off the gloves was quite a business.

The sound of a piano was loudly audible—a jingly piano, very much out of tune, up and down which scales were being rattled lightly and evenly.

"I really think I shall tell the child not to practise any more," said Miss Fanny. "Charlotte is certainly a trifle exacting this warm weather."

So saying, she opened a door to her right, and entered a room which was evidently sacred to the purposes of education—the education of a former day. A reclining-board and two large globes were its principal features. The book-shelves were stocked with such works as "Mangnall's Questions," "Child's Guide," "Mrs. Markham's England," and the like. On the square table in the window was a slate full of sums, and what used to be known as a "copy slip"—bearing a statement of doubtful veracity:

This sentence comprised exactly the system on which Elaine Brabourne's aunts had brought her up.

They loved her very dearly, but they would have thought it a criminal weakness to tell her so. They acted always on that strange system which was in vogue when they were young—namely, that you always would be naughty if you could, and that the only thing to keep you under was a constant atmosphere of repression. If you learned your lesson, you were given to understand that the fact was due to the excellence of the manner in which you were taught—not to any effort of your own. If you did not learn it, you were conscious that this deficiency on your part was only to be expected from one who habitually made so small a use of such exceptional advantages. You were never encouraged to form an opinion of your own. It was an understood thing that you accepted that of your elders. For example: "A plate basket," said Miss Charlotte, "should always be kept in the parlor closet;" and her niece Elaine would have regarded the woman who ventured to keep hers elsewhere as out of the pale of civilization.

This plan of education had answered very well for the Misses Willoughby, whose lives had been peaceful and secluded as modern lives rarely are, and who passed their days always in the same place, and in nobody's society but their own. Their delightful unanimity of opinion was the great bond of peace between them; but they had never reflected that Elaine Brabourne could not pass her life in Avilion as they had done, nor paused to consider what would be the result when this girl, who had never been allowed to think for herself, even in such a matter as the color of her gowns, should be suddenly precipitated into London life as the eldest daughter of a rich man.

Elaine did not cease her scales, nor look round as her aunt entered. The metronome's loud ticks were in her ear, and she dared not halt; but sweet-tempered little Miss Fanny crossed the room with light step, and stopped the instrument of torture with a smile.

"Oh, Aunt Fanny! Aunt Char said I was to play scales for an hour!"

"My dear, it is so excessively warm," said Miss Fanny, apologetically, "I feel sure you should lie down till the luncheon-bell rings. It is really quite exceptional weather; I am so glad for the hay-makers."

Elaine, like a machine, had busied herself in closing the piano and putting away her music. Now she rose, and followed her aunt to the table by the window.

She was such a very odd mixture of what was pleasing and what was not, that it was hard to say what was the impression she first conveyed.

She was a head taller than her aunt, and looked like an overgrown child. She wore a hideous green and white cotton frock, and a black holland apron. The frock had shrunk above her ankles, and was an agonising misfit. Of the said ankles it was impossible to judge, for their proportions were shrouded in white cotton stockings and cashmere boots without heels.

She was quite a blonde, and her hair was abundant. It was combed back very tightly from a rather high forehead, plaited and coiled in a lump behind, which lump, in profile, stuck straight out from the head.

The eye seemed to take in and absorb these details before one realised the brilliancy of the complexion, the delicate outline of the short nose, the fine grey eyes, perhaps a shade too light in color, but relieved by heavy dark lashes, and the almost faultless curve of the upper lip.

Such was Miss Brabourne at nineteen. A child, with a mind utterly unformed, and a person to match. The dull expression of the pretty face when at rest was quite noticeable. It looked as if the girl had no thoughts; and this was sometimes varied by a look of discontent, which was anything but an improvement. She felt, vaguely, that she was dull; and that her life bored her; but her mind had not been trained enough to enable her to realise anything.

She had read astonishingly little. There was a deeply-rooted conviction in the minds of her aunts Fanny, Charlotte and Emily that reading was a waste of time,—except it were history, read aloud.

It was hard to see wherein the great charm of this reading aloud lay; it had sometimes occurred to Elaine to wonder why she was made to read "Markham's France" aloud to her aunts by the hour together, yet, if found perusing the same book to herself in the corner, it was taken away, and she was told to "get her mending."

She did not care conspicuously for reading. She did not care for anything much, so far as she knew. The only thing which evoked any warm interest was music, and the one piece of restraint which she deeply resented was the being forbidden to play on the beautiful grand piano in the drawing-room. It never occurred to her aunts for a moment that their pupil could play far better than her teachers; it never dawned upon them that she was fifty times more able to do justice to the grand piano than they were. Elaine was the child—under their authority. It stood to reason that she must not play on the best piano, any more than she might loll in arm-chairs, stand on the hearthrug, or go up and down the front staircase. And so, at an age when most girls are going out to balls, admiring and being admired, Elaine was playing her scales, getting up at half-past six, going to bed at half-past nine, not happy, but quite ignorant of what she needed to make her so.

There was one aunt who did not quite agree with the plans adopted for their niece's education, but she was far too gentle to tell her sisters so. This was Aunt Ellen, the eldest, and Elaine's god-mother.

She was far the most intellectual of the four sisters, but had resigned any active part in her god-daughter's education because of her ill-health. She reserved to herself the task of amusing the child, and this she wished to do by teaching her fancy-work, and occupations for the fingers. But if there was one thing Elaine disliked, it was fancy-work, or occupation of any sort for the fingers. In fact, it puzzled them to know what she did like, though it never occurred to them to think how narrow was their range of interests—so narrow as to make it quite likely that the girl might have a thousand, and they not discover them. Miss Ellen was a great reader, and would have dearly liked Elaine to read the books she read; but out of deference to her sisters' theories she lent her only such books as they approved—memoirs, essays and biographies; and Elaine hated memoirs, essays and biographies.

She did not decline to read them, any more than she declined to do fancy-work—she was too well-trained for that. Her individuality was not powerful enough to resist that of her aunts, three of whom were women of strong character, accustomed to be obeyed. And so the days went on, and she passed from child to woman, no one but Aunt Ellen being aware of the fact; and Ellen Willoughby dreaded unspeakably the day, which she felt certain must come soon, when the girl would awake to all the