begins to wilt, what a pity that the cuticle does not peel as a sign of rejuvenation! There is also a hint of a sanitary law requiring people averse to bathing to peel every spring.

There is a sense of relief in getting lost now and then in the impenetrable fastnesses of the woods; and a shade of novelty in the thought that no foot-fall has been heard in some of these dells and jungles for a thousand years. It is not so easy a matter to get lost after all. The bark of every forest tree will show which is the north side, and a bright cambric needle dropped gently upon a dipper of water is a compass of unerring accuracy. A scrap of old newspaper serves as a connecting link with the world beyond. The pyramids were probably the first newspapers—a clumsy but rather permanent edition. Stereotyping in granite was the pioneer process. Then came the pictured rocks—the illustrated newspaper of the aborigines, free, so far as I know, from the diabolism which pollutes the pictorial papers of our time. There are some heights of civilization which are the fruitful subject of gabble and mild contemplation. But who fathoms the slums so deep and bottomless, out of whose depths springs the inspiration of some of the illustrated prints of our time? Photography is the herald of pictorial illustrations which are yet to flood the world. The mentotype has not yet been discovered—a little machine to take the impression of the secret thoughts of a friend, as now his features are transfixed in the twinkling of an eye. The world is not yet sober and circumspect enough for this last invention. And these interior lives might lose something of imaginary symmetry by turning inside out.

But let us hope that the musician is born who will yet come to the woods and take down all the bird songs. What a splendid baritone the horned owl has! Who has written the music of the orioles and thrushes? Who goes to these bird operas at four o'clock in the morning? There is room for one fresh, original music book, the whole of which can be written at a few sittings upon a log just where the forests are shaded off into copses and islands of verdure beyond.

It is something to have lived three weeks without a sight of the sheriff, the doctor or the undertaker. Something of a victory to have passed out from under the burden of intense anxiety into a condition of serene indifference as to how this boisterous old world was getting on. If so much as a fugitive letter had reached us, it would have been construed into a mild case of assault and battery. The business of rejuvenation commences with lying down on the ground at night with the head due north, that the polar current may strike the weary brain first and gently charge the whole mortal system. The days of renewal may end by circumventing a two-pound trout, or with a long range rifle shooting at a running deer. But as no pilgrim ever reached the gates of Paradise with a pack on his back, so it is reasonably certain that heaven never came down to one who carried his burden into the wilderness in vacation.

What a great repose there is in these mountains draped in purple and camping like giants hard by the sea! And yet what an infinite shifting of light and shadow there is on sea and shore! Is the artist yet to be born on this soil who will paint the mountains in the glory of an evening transfiguration; or who will catch the inspiration of these grand defiles, opening vistas, and landscapes ripened and subdued under the harvest sun? We will leave him our bill of fare, that he may take heart on finding that while fame follows translation, a good dinner may safely precede that event. And as for you, oh friend, with the sallow face and sunken eyes—you had better get to the woods and read it for very life.

LOCUSTS AND WILD HONEY.

LOCUSTS AND WILD HONEY.[A]

It matters little how one betakes himself to the wilderness, so that he gets there in some fitting mood to enjoy its great hospitality. If a bruised and battered guest, so much the more need of the profound peace and restfulness of the woods. There is a fine contrast in the autumn tints of yellow stubble fields set with the unfading green of oaks, like emeralds in settings of gold. The mysteries of the uplifted mountains are veiled in with a dreamy haze, as if all harsh and jerky outlines were the unfinished places yet to be rounded into fullness and beauty before the day of unveiling comes. These mighty throes of nature may be in accordance with some law of adjustment working towards an eternal perfection of finish, of which we have not yet attained so much as a dim conception. If our playhouses are toppled over, so much the better for some of the shams which now and then need the wholesome revision of fires and earthquakes. You see that ambitious wooden palace down the valley. What does it symbolize more than pretence, weakness and barrenness of all æsthetic culture? Some day nature will feel the affront, and this blot in the foreground of a noble picture will be gone. Is it because this type of civilization is but for a day, that the habitations of men are built for a day also? Where do our architects get their inspiration, that they cut such fantastic capers in wood? It might be well to put a new padlock on the tomb of Cicero before any further imitations of the villa at Tusculum are perpetrated. The savage leaves behind some show of broken pottery, or at least, here and there, an arrowhead of flint. We do not build well enough to secure any respectable ruins. What other antiquities, besides debts, are we likely to bequeath to posterity?

The trailing dust of the beaten thoroughfare comes to an end at last. The ox-teams have crawled down into the valley, more patient than the driver, who causes a perpetual series of undulations to run along their backs by an inhuman prodding. There are some vocations which seem to develop all the hatefulness and cruelty of human nature, and this is evidently one of them. In five minutes more there will be no visible sign of civilization in all the horizon. If one is piqued at the silence of a reception in the wilderness, let him consider how gracious it is, withal. It will grow upon him from day to day, until he may come to think that these very solitudes have been waiting for his coming a thousand years. It is not to go apart from ourselves, but to recover a more intense self-consciousness, that we need this seclusion. The ceaseless jar and uproar of life set in a hard materialism at last, because there has been an absence of all softening influences and all seasons of communion. It is a small thing that the dead are sometimes turned to stone by some chemistry of nature. But what of the living who are every day turning to stone by an increasing deadness to all human sympathies?

The host is at home in the wilderness, but you may not see his face for many a day. In the meantime there is the guest chamber; enter and make no ado about it. The trees overarch you gently, and bend with graceful salutations; the rocks are most generous hearth-stones, and the pools