always brought bottles and little packages from the apothecary. Sometimes he was accompanied by the physician, a large man, very much dressed and perfumed, who panted for breath after climbing the five flights of stairs. Once Amedee saw this stranger put his arms around his mother as she sat in her bed, and lay his head for a long time against her back. The child asked, "What for, mamma?"

M. Violette, more nervous than ever, and continually throwing back the rebellious lock behind his ear, would accompany the doctor to the door and stop there to talk with him. Then Amedee's mother would call to him, and he would climb upon the bed, where she would gaze at him with her bright eyes and press him to her breast, saying, in a sad tone, as if she pitied him: "My poor little Medee! My poor little Medee!" Why was it? What did it all mean?

His father would return with a forced smile which was pitiful to see.

"Well, what did the doctor say?"

"Oh, nothing, nothing! You are much better. Only, my poor Lucie, we must put on another blister to-night."

Oh, how monotonous and slow these days were to the little Amedee, near the drowsy invalid, in the close room smelling of drugs, where only the old snuff-taker entered once an hour to bring a cup of tea or put charcoal upon the fire!

Sometimes their neighbor, Madame Gerard, would come to inquire after the sick lady.

"Still very feeble, my good Madame Gerard," his mother would respond.
"Ah, I am beginning to get discouraged."

But Madame Gerard would not let her be despondent.

"You see, Madame Violette, it is this horrible, endless winter. It is almost March now; they are already selling boxes of primroses in little carts on the sidewalks. You will surely be better as soon as the sun shines. If you like, I will take little Amedee back with me to play with my little girls. It will amuse the child."

So it happened that the good neighbor kept the child every afternoon, and he became very fond of the little Gerard children.

Four little rooms, that is all; but with a quantity of old, picturesque furniture; engravings, casts, and pictures painted by comrades were on the walls; the doors were always open, and the children could always play where they liked, chase each other through the apartments or pillage them. In the drawing-room, which had been transformed into a work-room, the artist sat upon a high stool, point in hand; the light from a curtainless window, sifting through the transparent paper, made the worthy man's skull shine as he leaned over his copper plate. He worked hard all day; with an expensive house and two girls to bring up, it was necessary. In spite of his advanced opinions, he continued to engrave his Prince Louis—"A rogue who is trying to juggle us out of a Republic." At the very most, he stopped only two or three times a day to smoke his Abu-el-Kader. Nothing distracted him from his work; not even the little ones, who, tired of playing their piece for four hands upon the piano, would organize, with Amedee, a game of hide-and-seek close by their father, behind the old Empire sofa ornamented with bronze lions' heads. But Madame Gerard, in her kitchen, where she was always cooking something good for dinner, sometimes thought they made too great an uproar. Then Maria, a real hoyden, in trying to catch her sister, would push an old armchair against a Renaissance chest and make all the Rouen crockery tremble.

"Now then, now then, children!" exclaimed Madame Gerard, from the depths of her lair, from which escaped a delicious odor of bacon. "Let your father have a little quiet, and go and play in the dining-room."

They obeyed; for there they could move chairs as they liked, build houses of them, and play at making calls. Did ever anybody have such wild ideas at five years of age as this Maria? She took the arm of Amedee, whom she called her little husband, and went to call upon her sister and show her her little child, a pasteboard doll with a large head, wrapped up in a napkin.

"As you see, Madame, it is a boy."

"What do you intend to make of him when he grows up?" asked Louise, who lent herself complacently to the play, for she was ten years old and quite a young lady, if you please.

"Why, Madame," replied Maria, gravely, "he will be a soldier."

At that moment the engraver, who had left his bench to stretch his legs a little and to light his Abd-el-Kader for the third time, came and stood at the threshold of his room. Madame Gerard, reassured as to the state of her stew, which was slowly cooking—and oh, how good it smelled in the kitchen!—entered the dining-room. Both looked at the children, so comical and so graceful, as they made their little grimaces! Then the husband glanced at his wife, and the wife at the husband, and both burst out into hearty laughter.

There never was any laughter in the apartment of the Violettes. It was cough! cough! cough! almost to suffocation, almost to death! This gentle young woman with the heavy hair was about to die! When the beautiful starry evenings should come again, she would no longer linger on the balcony, or press her husband's hand as they gazed at the stars. Little Amedee did not understand it; but he felt a vague terror of something dreadful happening in the house. Everything alarmed him now. He was afraid of the old woman who smelled of snuff, and who, when she dressed him in the morning, looked at him with a pitying air; he was afraid of the doctor, who climbed the five flights of stairs twice a day now, and left a whiff of perfume behind him; afraid of his father, who did not go to his office any more, whose beard was often three days old, and who feverishly paced the little parlor, tossing back with a distracted gesture the lock of hair behind his ear. He was afraid of his mother, alas! of his mother, whom he had seen that evening, by the light from the night-lamp, buried in the pillows, her delicate nose and chin thrown up, and who did not seem to recognize him, in spite of her wide-open eyes, when his father took her child in his arms and leaned over her with him that he might kiss her cold forehead covered with sweat!

At last the terrible day arrived, a day that Amedee never will forget, although he was then a very small child.

What awakened him that morning was his father's embrace as he came and took him from his bed. His father's eyes were wild and bloodshot from so much crying. Why was their neighbor, M. Gerard, there so early in the morning, and with great tears rolling down his cheeks too? He kept beside M. Violette, as if watching him, and patted him upon the back affectionately, saying:

"Now then, my poor friend! Have courage, courage!"

But the poor friend had no more. He let M. Gerard take the child from him, and then his head fell like a dead person's upon the good engraver's shoulder, and he began to weep with heavy sobs that shook his whole body.

"Mamma! See mamma!" cried the little Amedee, full of terror.

Alas! he never will see her again! At the Gerards, where they carried him and the kind neighbor dressed him, they told him that his mother had gone for a long time, a very long time; that he must love his papa very much and think only of him; and other things that he could not understand and dared not ask the meaning of, but which filled him with consternation.

It was strange! The engraver and his wife busied themselves entirely with him, watching him every moment. The little ones, too, treated him in a singular, almost respectful manner. What had caused such a change? Louise did not open her piano, and when little Maria wished to take her "menagerie" from