Margot, while with you it is very different. It gives me pleasure to talk with you. It recalls Mamma Gerard, who was so kind to me. What has become of her, tell me? and her husband and her daughters?"

"Monsieur Gerard is dead," replied Amedee; "but the ladies are well, and
I see them often."

"Do not tell them that you met me here, will you? It is better not. If I had had a good 'mother, like those girls, things would have turned out differently for me. But, you remember, papa was always interested in his politics. When I was fifteen years old he apprenticed me to a florist. He was a fine master, a perfect monster of a man, who ruined me! I say, Pere Combarieu has a droll trade now; he is manager of a Republican journal—nothing to do—only a few months in prison now and then. I am always working in flowers, and I have a little friend, a pupil at Val-de-Grace, but he has just left as a medical officer for Algeria. I was lonely all by myself, and this evening big Margot, whom I got acquainted with in the shop, brought me here to amuse myself. But you—what are you doing? Your friend said just now that you were a poet. Do you write songs? I always liked them. Do you remember when I used to play airs with one finger upon the Gerards' old piano? You were such a pretty little boy then, and as gentle as a girl. You still have your nice blue eyes, but they are a little darker. I remember them. No, you can not know how glad I am to see you again!"

They continued to chatter, bringing up old reminiscences, and when she spoke of the Gerard ladies she put on a respectful little air which pleased Amedee very much. She was a poor feather-headed little thing, he did not doubt; but she had kept at least the poor man's treasure, a simple heart. The young man was pleased with her prattling, and as he looked at the young girl he thought of the past and felt a sort of compassion for her. As she was silent for a moment, the poet said to her, "Do you know that you have become very pretty? What a charming complexion you have! such a lovely pallor!"

The grisette, who had known what poverty was, gave a bitter little laugh:

"Oh, my pallor! that is nothing! It is not the pallor of wealth."

Then, recovering her good-humor at once, she continued:

"Tell me, Monsieur Amedee, does this big Margot, whom you began to pay attentions to a little while ago, please you?"

Amedee quickly denied it. "That immense creature? Never! Now then, Rosine, I came here to amuse myself a little, I will admit. That is not forbidden at my age, is it? But this ball disgusts me. You have no appointment here? No? Is it truly no? Very well, take my arm and let us go. Do you live far from here?"

"In the Avenue d'Orleans, near the Montrouge church."

"Will you allow me to escort you home, then?"

She would be happy to, and they arose and left the ball. It seemed to the young poet as if the pretty girl's arm trembled a little in his; but once upon the boulevard, flooded by the light from the silvery moon, Rosine slackened her steps and became pensive, and her eyes were lowered when Amedee sought a glance from them in the obscurity. How sweet was this new desire that troubled the young man's heart! It was mixed with a little sentiment; his heart beat with emotion, and Rosine was not less moved. They could both find only insignificant things to say.

"What a beautiful night!"

"Yes! It does one good to breathe the fresh air."

They continued their walk without speaking. Oh, how fresh and sweet it was under these trees!

At last they reached the door of Rosine's dwelling. With a slow movement she pressed her hand upon the bell-button. Then Amedee, with a great effort, and in a confused, husky voice, asked whether he might go up with her and see her little room.

She looked at him steadily, with a tender sadness in her eyes, and then said to him, softly:

"No, certainly not! One must be sensible. I please you this evening, and you know very well that I think you are charming. It is true we knew each other when we were young, and now that we have met again, it seems as if it would be pleasant to love each other. But, believe me, we should commit a great folly, perhaps a wrong. It is better, I assure you, to forget that you ever met me at Bullier's with big Margot, and only remember your little playmate of the Rue Notre-Dame-des-Champs. It will be better than a caprice, it will be something pure that you can keep in your heart. Do not let us spoil the remembrance of our childhood, Monsieur Amedee, and let us part good friends."

Before the young man could find a reply, the bell pealed again, and Rosine gave Amedee a parting smile, lightly kissing the tips of her fingers, and disappeared behind the doer, which fell together, with a loud bang. The poet's first movements was one of rage. Giddy weather- cock of a woman! But he had hardly taken twenty steps upon the sidewalk before he said to himself, with a feeling of remorse, "She was right!" He thought that this poor girl had kept in one corner of her heart a shadow of reserve and modesty, and he was happy to feel rise within him a sacred respect for woman!

Amedee, my good fellow, you are quite worthless as a man of pleasure.
You had better give it up!

CHAPTER XII

SOCIAL TRIUMPHS

For one month now Amedee Violette's volume of verses, entitled Poems from Nature, had embellished with its pale-blue covers the shelves of the book-shops. The commotion raised by the book's success, and the favorable criticisms given by the journals, had not yet calmed down at the Cafe de Seville.

This emotion, let it be understood, did not exist except among the literary men. The politicians disdained poets and poetry, and did not trouble them selves over such commonplace matters. They had affairs of a great deal more importance to determine the overthrow of the government first, then to remodel the map of Europe! What was necessary to over throw the Empire? First, conspiracy; second, barricades. Nothing was easier than to conspire. Every body conspired at the Seville. It is the character of the French, who are born cunning, but are light and talkative, to conspire in public places. As soon as one of our compatriots joins a secret society his first care is to go to his favorite restaurant and to confide, under a bond of the most absolute secrecy, to his most intimate friend, what he has known for about five minutes, the aim of the conspiracy, names of the actors, the day, hour, and place of the rendezvous, the passwords and countersigns. A little while after he has thus relieved himself, he is surprised that the police interfere and spoil an enterprise that has been prepared with so much mystery and discretion. It was in this way that the "beards" dealt in dark deeds of conspiracy at the Cafe de Seville. At the hour for absinthe and mazagran a certain number of Fiesques and Catilines were grouped around each table. At one of the tables in the foreground five old "beards," whitened by political crime, were planning an infernal machine; and in the back of the room ten robust hands had sworn upon the billiard-table to arm themselves for regicide; only, as with all "beards," there were necessarily some false ones among them, that is to say, spies. All the plots planned at the Seville had miserably miscarried.

The art of building barricades was also—you never would suspect it!— very ardently and conscientiously studied. This special branch of the science of fortification reckoned more than one Vauban and Gribeauval among its numbers. "Professor of barricading," was a title