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BOOK V.

ROBIN HOOD.

There is no one of the royal heroes of England that enjoys a more enviable reputation than the bold outlaw of Barnsdale and Sherwood. His chance for a substantial immortality is at least as good as that of stout Lion Heart, wild Prince Hal, or merry Charles. His fame began with the yeomanry full five hundred years ago, was constantly increasing for two or three centuries, has extended to all classes of society, and, with some changes of aspect, is as great as ever. Bishops sheriffs, and game-keepers, the only enemies he ever had, have relinquished their ancient grudges, and Englishmen would be almost as loath to surrender his exploits as any part of the national glory. His free life in the woods, his unerring eye and strong arm, his open hand and love of fair-play, his never-forgotten courtesy, his respect for women and devotion to Mary, form a picture eminently healthful and agreeable to the imagination, and commend him to the hearty favor of all genial minds.

But securely established as Robin Hood is in popular esteem, his historical position is by no means well ascertained, and his actual existence has been a subject of shrewd doubt and discussion. "A tale of Robin Hood"[1] is an old proverb for the idlest of stories, yet all the materials at our command for making up an opinion on these questions are precisely of this description. They consist, that is to say, in a few ballads of unknown antiquity. These ballads, or others like them, are clearly the authority upon which the statements of the earlier chroniclers who take notice of Robin Hood are founded. They are also, to all appearances, the original source of the numerous and widespread traditions concerning him; which, unless the contrary can be shown, must be regarded, after what we have observed in similar cases, as having been suggested by the very legends to which, in the vulgar belief, they afford an irresistible confirmation.

Various periods, ranging from the time of Richard the First to near the end of the reign of Edward the Second, have been selected by different writers as the age of Robin Hood; but (excepting always the most ancient ballads, which may possibly be placed within these limits) no mention whatever is made of him in literature before the latter half of the reign of Edward the Third. "Rhymes of Robin Hood"[2] are then spoken of by the author of Piers Ploughman, (assigned to about 1362,) as better known to idle fellows than pious songs, and from the manner of the allusion it is a just inference that such rhymes were at that time no novelties. The next notice is in Wyntown's Scottish Chronicle, written about 1420, where the following lines occur—without any connection, and in the form of an entry—under the year 1283.

At last we encounter Robin Hood in what may be called history; first of all in a passage of the Scotichronicon, often quoted, and highly curious as containing the earliest theory upon this subject. The Scotichronicon was written partly by Fordun, canon of Aberdeen, between 1377 and 1384, and partly by his pupil Bower, abbot of St. Columba, about 1450. Fordun has the character of a man of judgment and research, and any statement or opinion delivered by him would be entitled to respect. Of Bower, not so much can be said. He largely interpolated the work of his master, and sometimes with the absurdest fictions.[4] Among his interpolations,[5] and forming, it is important to observe, no part of the original text, is a passage translated as follows.[6] It is inserted immediately after Fordun's account of the defeat of Simon de Montfort, and the punishments inflicted on his adherents.

"At this time, (sc. 1266,) from the number of those who had been deprived of their estates, arose the celebrated bandit Robert Hood (with Little John and their accomplices) whose achievements the foolish vulgar delight to celebrate in comedies and tragedies, while the ballads upon his adventures sung by the jesters