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قراءة كتاب Nooks and Corners of Old England

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‏اللغة: English
Nooks and Corners of Old England

Nooks and Corners of Old England

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دار النشر: Project Gutenberg
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archway leading into the courtyard has also been somewhat modernised, as may be judged from the corresponding internal arch, with its original curved dripstone above.

We came upon this inn, tramping northwards in a bitter day in March. It looked homely and inviting, the waning sunlight tinting the stonework and lighting up the window casements. Enthusiastic with pleasing imaginings of panelled chambers and ghostly echoing corridors, we entered only to have our dreams speedily dispersed. In vain we sought for such a "best room" as greeted Mr. Chester at the "Maypole." There were no rich rustling hangings here, nor oaken screens enriched with grotesque carvings. Alas! not even a cheery fire of fagots. Nor, indeed, was there a bed to rest our weary bones upon. Spring cleaning was rampant, and the merciless east wind sweeping along the bare passages made one shudder more than usual at the thought of that terrible annual necessity (but the glory of energetic house-wives). But surely mine hostess of the good old days would have scrupled to thrust the traveller from her door: moreover to a house of refreshment, or rather eating-house, a stone's-throw off, uncomfortably near that rickety propped-up red-brick residence.

With visions of the smoking bowl and lavender-scented sheets dashed to the ground, we turned away. But, lo! and behold a good angel had come to the rescue. So absorbed had we been with the possibilities of the "Bell" that the "Angel" opposite had quite been overlooked. This rival inn of Georgian date furnished us with cosy quarters. From our flower-bedecked window the whole front of the old "Bell" could be leisurely studied in all its varying stages of light and shade—an inn with a past; an object-lesson for the philosopher to ruminate upon. Yes, in its day one can picture scenes of lavish, shall we say Ainsworthian hospitality. There is a smack of huge venison pasties, fatted capons, and of roasted peacocks about this hoary hostel. And its stables; one has but to stroll up an adjacent lane to get some idea of the once vast extent of its outbuildings. The ground they covered must have occupied nearly half the village. Here was stabling for over eighty horses, and before the birth of trains, thirty-six coaches pulled up daily at the portal for hungry passengers to refresh or rest.

The famous cheese, by the way, was first sold at this inn; but why it was dubbed Stilton instead of Dalby in Leicestershire, where it was first manufactured, is a mystery. Like its vis-à-vis, the "Angel" is far different from what it was in its flourishing days. The main building is now occupied for other purposes, and its dignity has long since departed. To-day Stilton looks on its last legs. The goggled motor-fiend sweeps by to Huntingdon or Peterborough while Stilton rubs its sleepy eyes. But who can tell but that its fortunes may yet revive. Was not Broadway dying a natural death when Jonathan, who invariably tells us what treasures we possess, stepped in and made it popular? Some enterprising landlord might do worse than take the old "Bell" in hand and ring it to a profitable tune. But judging by appearances, visitors to-day, at least in March, are few and far between.

Half the charm of Stilton lies in the fact that there is no hurry. It is quite refreshing in these days of rush. For instance, you want to catch a train at Peterborough,—at least we did, for that was the handiest way of reaching Oundle, some seven miles to the west of Stilton as the crow flies. Sitting on thorns, we awaited the convenience of the horse as to whether his accustomed jog-trot would enable us to catch our train. We did catch it truly, but the anxiety was a terrible experience.

Oundle is full of old inns. The "Turk's Head," facing the church, is a fine and compact specimen of Jacobean architecture. It was a brilliant morning when we stood in the churchyard looking up at the ball-surmounted gables standing out in bold relief against the clear blue sky, while the caw of a colony of rooks sailing overhead seemed quite in harmony with the old-world surroundings.

More important and flourishing is the "Talbot," which looks self-conscious of the fact that in its walls are incorporated some of the remains of no less historic a building than Fotheringay Castle, whose moat and fragmentary walls are to be seen some three and a half miles to the north of the town. The fortress, with its sad and tragic memories of Mary Queen of Scots, was demolished after James came to the throne, and its fine oak staircase, by repute the same by which she descended to the scaffold, was re-erected in the "Talbot." The courtyard is picturesque. The old windows which light the staircase, which also are said to have come from Fotheringay, are angular at the base, and have an odd and pleasing appearance.

Two ancient almshouses, with imposing entrance gates, are well worth inspection. There is a graceful little pinnacle surmounting one of the gable ends, at which we were curiously gazing when one of the aged inmates came out in alarm to see if the chimney was on fire.

Fotheringay church, with its lantern tower and flying buttresses, is picturesquely situated close to the river Nene, and with the bridge makes a charming picture. The older bridge of Queen Mary's time was angular, with square arches, as may be seen from a print of the early part of the eighteenth century. In this is shown the same scanty remains of the historic Castle: a wall with a couple of Gothic doorways, all that survived of the formidable fortress that was the unfortunate queen's last prison-house. As at Cumnor, where poor Amy Robsart was done to death in a manner which certainly Elizabeth hinted at regarding her troublesome cousin, there is little beyond the foundations from which to form an idea of the building. It was divided by a double moat, which is still to be seen, as well as the natural earthwork upon which the keep stood. The queen's apartments, that towards the end were stripped of all emblems of royalty, were situated above and to the south of the great hall, into which she had to descend by a staircase to the scaffold. Some ancient thorn trees now flourish upon the spot. The historian Fuller, who visited the castle prior to its demolition, found the following lines from an old ballad scratched with a diamond upon a window-pane of Mary's prison-chamber:

"From the top of all my trust
Mishap hath laid me in the dust."

Though Mary's mock trial took place at Fotheringay in the "Presence Chamber," she was actually condemned in the Star Chamber at Westminster; and it may here be stated that that fine old room may yet be seen not very many miles away, at Wormleighton, near the Northamptonshire border of south-east Warwickshire. A farmhouse near Fotheringay is still pointed out where the executioner lodged the night before the deed; and some claim this distinction for the ancient inn in which are incorporated some remains of the castle.

As is known, the Queen of Scots' body was buried first in Peterborough Cathedral, whence it was removed to Westminster Abbey. There is a superstition in Northamptonshire that if a body after interment be removed, it bodes misfortune to the surviving members of the family. This was pointed out at the time to James I.; but superstitious as he was, he did not alter his plans, and the death of Prince Henry shortly afterwards seemed to confirm this belief.[4]

But there are other memories of famous

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