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قراءة كتاب The Ink-Stain (Tache d'encre) — Volume 1
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This etext was produced by David Widger <[email protected]>
[NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them. D.W.]
THE INK STAIN BY RENE BAZIN
(Tache d'Encre)
By RENE BAZIN
Preface by E. LAVISSE
BOOK 1.
RENE BAZIN
RENE-NICHOLAS-MARIE BAZIN was born at Angers, December 26, 1853. He studied for the bar, became a lawyer and professor of jurisprudence at the Catholic University in his native city, and early contributed to 'Le Correspondant, L'Illustration, Journal des Debats, Revue du Deux Mondes,' etc. Although quietly writing fiction for the last fifteen years or so, he was not well known until the dawn of the twentieth century, when his moral studies of provincial life under the form of novels and romances became appreciated. He is a profound psychologist, a force in literature, and his style is very pure and attractive. He advocates resignation and the domestic virtues, yet his books are neither dull, nor tiresome, nor priggish; and as he has advanced in years and experience M. Bazin has shown an increasing ambition to deal with larger problems than are involved for instance, in the innocent love-affairs of 'Ma Tante Giron' (1886), a book which enraptured Ludovic Halevy. His novel, 'Une Tache d'Encre' (1888), a romance of scholarly life, was crowned by the French Academy, to which he was elected in 1903.
It is safe to say that Bazin will never develop into an author dangerous to morals. His works may be put into the hands of cloistered virgins, and there are not, to my knowledge, many other contemporary French imaginative writers who could endure this stringent test. Some critics, indeed, while praising him, scoff at his chaste and surprising optimism; but it is refreshing to recommend to English readers, in these days of Realism and Naturalism, the works of a recent French writer which do not require maturity of years in the reader. 'Une Tache d'Encre', as I have said, was crowned by the French Academy; and Bazin received from the same exalted body the "Prix Vitet" for the ensemble of his writings in 1896, being finally admitted a member of the Academy in June, 1903. He occupies the chair of Ernest Legouve.
Bazin's first romance, 'Stephanette', was published under the pseudonym "Bernard Seigny," in 1884; then followed 'Victor Pavie (1887); Noellet (1890); A l'Aventure (1891) and Sicile (1892)', two books on Italy, of which the last mentioned was likewise crowned by the French Academy; 'La Legende de Sainte-Bega (1892); La Sarcelle Bleue (1892); Madame Corentine (1893); Les Italiens d'aujousd'hui (1894); Humble Amour (1894); En Province (1896); De toute son Ame (1897)', a realistic but moderate romance of a workingman's life; 'Les Contes de Perrette (1898); La Terre qui Meurt (1899); Le Guide de l'Empereur (1901); Les Oberle (1902), a tale from Alsace of to-day, sketching the political situation, approximately correct, and lately adapted for the stage; 'Donatienne' (1903).
With Bazin literary life does not become a mirage obscuring the vision of real life. Before being an author Rene Bazin is a man, with a family attached to the country, rooted in the soil; a guaranty of the dignity of his work as well as of the writer, and a safeguard against many extravagances. He has remained faithful to his province. He lives in the attractive city of Angers. When he leaves it, it is for a little tour through France, or a rare journey-once to Sicily and once to Spain. He is seldom to be met on the Parisian boulevards. Not that he has any prejudice against Paris, or fails to appreciate the tone of its society, or the quality of its diversions; but he is conscious that he has nothing to gain from a residence in the capital, but, on the contrary, would run a risk of losing his intense originality and the freshness of his genius.
E. LAVISSE de l'Academie Francaise.
THE INK-STAIN
CHAPTER I
THE ACCIDENT
All I have to record of the first twenty-three years of my life is the enumeration of them. A simple bead-roll is enough; it represents their family likeness and family monotony.
I lost my parents when I was very young. I can hardly recall their faces; and I should keep no memories of La Chatre, our home, had I not been brought up quite close to it. It was sold, however, and lost to me, like all the rest. Yes, fate is hard, sometimes. I was born at La Chatre; the college of La Chatre absorbed eighteen years of my life. Our head master used to remark that college is a second home; whereby I have always fancied he did some injustice to the first.
My school-days were hardly over when my uncle and guardian, M. Brutus Mouillard, solicitor, of Bourges, packed me off to Paris to go through my law course. I took three years over it: At the end of that time, just eighteen months ago, I became a licentiate, and "in the said capacity"—as my uncle would say took an oath that transformed me into a probationary barrister. Every Monday, regularly, I go to sign my name among many others on an attendance list, and thereby, it appears, I am establishing a claim upon the confidence of the widow and the orphan.
In the intervals of my legal studies I have succeeded in taking my Arts Degree. At present I am seeking that of Doctor of Law. My examinations have been passed meritoriously, but without brilliance; my tastes run too much after letters. My professor, M. Flamaran, once told me the truth of the matter: "Law, young man, is a jealous mistress; she allows no divided affection." Are my affections divided? I think not, and I certainly do not confess any such thing to M. Mouillard, who has not yet forgotten what he calls "that freak" of a Degree in Arts. He builds some hopes upon me, and, in return, it is natural that I should build a few upon him.
Really, that sums up all my past: two certificates! A third diploma in prospect and an uncle to leave me his money—that is my future. Can anything more commonplace be imagined?
I may add that I never felt any temptation at all to put these things on record until to-day, the tenth of December, 1884. Nothing had ever happened to me; my history was a blank. I might have died thus. But who can foresee life's sudden transformations? Who can foretell that the skein, hitherto so tranquilly unwound, will not suddenly become tangled? This afternoon a serious adventure befell me. It agitated me at the time, and it agitates me still more upon reflection. A voice within me whispers that this cause will have a series of effects, that I am on the threshold of an epoch, or, as the novelists say, a crisis in my existence. It has struck me that I owe it to myself to write my Memoirs, and that is the reason why I have just purchased this brown memorandum- book in the Odeon Arcade. I intend to make a detailed and particular entry of the event,