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قراءة كتاب Fromont and Risler — Volume 2

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‏اللغة: English
Fromont and Risler — Volume 2

Fromont and Risler — Volume 2

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دار النشر: Project Gutenberg
الصفحة رقم: 8

sort of feverish activity which was strange to them. Every moment the great scissors that Mamma Delobelle used to cut the brass wire were seized with strange fits of trembling, and Desiree's little fingers, as she mounted an insect, moved so fast that it made one dizzy to watch them. Even the long feathers of the little birds scattered about on the table before her seemed more brilliant, more richly colored, than on other days. It was because a lovely visitor named Hope had called upon them that evening. She had made the tremendous effort required to climb five dark flights of stairs, and had opened the door of the little room to cast a luminous glance therein. However much you may have been deceived in life, those magic gleams always dazzle you.

"Oh! if your father could only succeed!" said Mamma Delobelle from time to time, as if to sum up a whole world of happy thoughts to which her reverie abandoned itself.

"He will succeed, mamma, never fear. Monsieur Risler is so kind, I will answer for him. And Sidonie is very fond of us, too, although since she was married she does seem to neglect her old friends a little. But we must make allowance for the difference in our positions. Besides, I never shall forget what she did for me."

And, at the thought of what Sidonie had done for her, the little cripple applied herself with even more feverish energy to her work. Her electrified fingers moved with redoubled swiftness. You would have said that they were running after some fleeing, elusive thing, like happiness, for example, or the love of some one who loves you not.

"What was it that she did for you?" her mother would naturally have asked her; but at that moment she was only slightly interested in what her daughter said. She was thinking exclusively of her great man.

"No! do you think so, my dear? Just suppose your father should have a theatre of his own and act again as in former days. You don't remember; you were too small then. But he had tremendous success, no end of recalls. One night, at Alencon, the subscribers to the theatre gave him a gold wreath. Ah! he was a brilliant man in those days, so lighthearted, so glad to be alive. Those who see him now don't know him, poor man, misfortune has changed him so. Oh, well! I feel sure that all that's necessary is a little success to make him young and happy again. And then there's money to be made managing theatres. The manager at Nantes had a carriage. Can you imagine us with a carriage? Can you imagine it, I say? That's what would be good for you. You could go out, leave your armchair once in a while. Your father would take us into the country. You would see the water and the trees you have had such a longing to see."

"Oh! the trees," murmured the pale little recluse, trembling from head to foot.

At that moment the street door of the house was closed violently, and M. Delobelle's measured step echoed in the vestibule. There was a moment of speechless, breathless anguish. The women dared not look at each other, and mamma's great scissors trembled so that they cut the wire crooked.

The poor devil had unquestionably received a terrible blow. His illusions crushed, the humiliation of a refusal, the jests of his comrades, the bill at the cafe where he had breakfasted on credit during the whole period of his managership, a bill which must be paid—all these things occurred to him in the silence and gloom of the five flights he had to climb. His heart was torn. Even so, the actor's nature was so strong in him that he deemed it his duty to envelop his distress, genuine as it was, in a conventional tragic mask.

As he entered, he paused, cast an ominous glance around the work-room, at the table covered with work, his little supper waiting for him in a corner, and the two dear, anxious faces looking up at him with glistening eyes. He stood a full minute without speaking—and you know how long a minute's silence seems on the stage; then he took three steps forward, sank upon a low chair beside the table, and exclaimed in a hissing voice:

"Ah! I am accursed!"

At the same time he dealt the table such a terrible blow with his fist that the "birds and insects for ornament" flew to the four corners of the room. His terrified wife rose and timidly approached him, while Desiree half rose in her armchair with an expression of nervous agony that distorted all her features.

Lolling in his chair, his arms hanging despondently by his sides, his head on his chest, the actor soliloquized—a fragmentary soliloquy, interrupted by sighs and dramatic hiccoughs, overflowing with imprecations against the pitiless, selfish bourgeois, those monsters to whom the artist gives his flesh and blood for food and drink.

Then he reviewed his whole theatrical life, his early triumphs, the golden wreath from the subscribers at Alencon, his marriage to this "sainted woman," and he pointed to the poor creature who stood by his side, with tears streaming from her eyes, and trembling lips, nodding her head dotingly at every word her husband said.

In very truth, a person who never had heard of the illustrious Delobelle could have told his history in detail after that long monologue. He recalled his arrival in Paris, his humiliations, his privations. Alas! he was not the one who had known privation. One had but to look at his full, rotund face beside the thin, drawn faces of the two women. But the actor did not look so closely.

"Oh!" he said, continuing to intoxicate himself with declamatory phrases, "oh! to have struggled so long. For ten years, fifteen years, have I struggled on, supported by these devoted creatures, fed by them."

"Papa, papa, hush," cried Desiree, clasping her hands.

"Yes, fed by them, I say—and I do not blush for it. For I accept all this devotion in the name of sacred art. But this is too much. Too much has been put upon me. I renounce the stage!"

"Oh! my dear, what is that you say?" cried Mamma Delobelle, rushing to his side.

"No, leave me. I have reached the end of my strength. They have slain the artist in me. It is all over. I renounce the stage."

If you had seen the two women throw their arms about him then, implore him to struggle on, prove to him that he had no right to give up, you could not have restrained your tears. But Delobelle resisted.

He yielded at last, however, and promised to continue the fight a little while, since it was their wish; but it required many an entreaty and caress to carry the point.

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