the secret of the red stain. No more did Shadow Mountain know the reason for its grayness. The square sandstones quarried from it and faced to support thin wooden walls, the unconcealing glass fired out of its materials into goblets and vases, could not tell their origin. Nor could the rough red boulders carted away to hungry charcoal-fed furnaces, nor the iron sows and pigs, and the tempered rails and chains that were fashioned of its being, explain their nature, or the hard red substance that was the mountain's heart. But at last its self-conscious children knew the secret, and called it iron.

Redness, iron, congealed earth blood,—the name is unimportant. The thing itself was the multiple-veined heart of the mountain, red, cold, and waiting.

II

THE JUDSONS

II

Sixty miles southeast of the mountain drowsed the town of Jackson, sinew of the old South as surely as Adamsville was brawn of the new. Gettysburg and even Appomattox had said their words before the earliest Ross had squared the logs for the first shanty over Ross Creek, from which the iron city grew; and at that time Jackson had already counted its half century.

It lay in the crotch where the river forked. Protected by water on two sides, and by open barrens on the third, its location had attracted wandering Cherokees into building here their huts and log stockades, until guarded Tallulah became the Indian heart of the region. The persistent seeping of pioneer migration from the eastern seaboard eddied around it; the white interloper treated here with the native, coveted the prosperous red fortress, and made it his own. Its name was changed later to that of the popular hero who drove back the redcoats from the rich levees of New Orleans, and scattered before him the redskins of the palmettoed peninsula at the southeast land's end. When the young nineteenth century brought statehood, bustling Jackson became the capital. It is hard for those who remember Jackson, or Charleston, or Richmond, in the sleepy glamor of their later years, to think of these as uncouth pioneer clearings: but such was their beginning. The first town hall in Jackson was a blockhouse, and more than once the straggly strings of huts at the split of the river, which constituted the settlement, had seen marauding Indians repelled from its main street.

Political dignity transfigured the village out of its buckskin and bowie-knife existence, into a leisurely civic siesta. Governors and legislators peopled its walks; pillared mansions grew at the heads of long avenues of water oak. The hilly barrens and sedgy river-fields were combed into ordered rows of large-bladed corn and stocky cotton bushes. Slavery came early, and the slave quarters stretched behind the mansions and in the parched treeless opens. The anomalous shanties of the poor whites sprang like fungoids on outlying poor lands, and bunched near the river pier, where the fussy side-wheelers, the Tallulah and the Southern Star, churned the muddy water, eager to paddle away past swampland and sandy waste to the gulf. Idling negroes sprawled along the pier, and on the bales before gin and compress; vehement orators in the Capitol fisted their defiance to the dastardly Liberty Men coiled like vipers in the arid North. The heavy pour of the sun, and the formal courtesy of the lords of the dark soil and the dark soul, mellowed the manner of the place, shaped it into that unhealthy beauty and charm men call the Old South.

One of the earliest white settlers had been a Potomac planter, Derrell Judson. His vigorous descendants had grown up with the town, and left their touch upon the whole somnolent section. There was a disused Judson's Landing three miles up stream, and a ramshackle Judsontown on the Greenville Road to the southwest. Two of the family had been mayors of the village; there had been a wartime lieutenant-governor, and at least one congressman, with a proud host of lesser officials. None of the family had meant more to Judson eyes than a grandson of the early settler, Judge Tom Judson, whose flashing spirit had broken from his last year at college, in the troubled early spring of '61, to enter the gray cavalry. A year later, a captain now, he had hurled himself in daily desperate charges against the imperturbable Army of the Potomac, following his beloved Stonewall. At last an exploding shell carried off an arm, and with it his military usefulness to the Confederacy. When he walked weakly out of the hospital, two years later, the cause had become too hopeless for his capable direction to be of value.

With the war's end came the order, signed by his own governor, calling for emancipation. In front of the weather-etched pillars of the portico, Judge Judson lined up his slaves, and dismissed them from servile happiness into precarious freedom. Close beside him were his three sons, Derrell, Pratt, and Paul, the eldest only six; their young minds were black with tearful rage against the "damn Yankees" who were causing the exile of the loved negroes. The black faces were grimed with tears; this changed social condition seemed nothing but a calamity to the well-tended household.

Many of the slaves could not be persuaded to leave. Old Isaac, the coachman, hung onto the reins until he dropped dead at the cemetery, one broiling Decoration Day. Aunt Jane, who superintended the cooking, dared "them Bureau-ers" to meddle around her kitchen. The younger negroes gradually straggled away; but their places were filled with servants as well known to the family. The masters' attitude toward them, as might have been expected, remained almost the same as during "slavery times."

The judge built out of the empty days an enviable practice of law, and trained one son to aid him in this. The three brothers gradually took their father's place in Jackson living; and at the beginning of the last decade of the century, they were essential to the well-ordered existence of the community. The Jackson Hotel, where the present Derrell Judson had succeeded an uncle, had been the center of the town's visiting life for fifty years. The time-specked shingle, "Judson & Judson, Practitioners in All Courts of Law and Equity," still hung above a run-down office entrance, where Pratt Judson kept the firm name in use, although there had been no partner for more than fifteen years. The youngest brother, Paul, had graduated from the State University at Greenville the year of his father's death. With an initiative tendency unpromised by his blood, he determined to lead off into a new line, deciding upon real estate, through a belief in the physical expansion of the river town.

Two doors from the Judson house was the Barbour "city" place. It was during the solemn painfulness of his father's funeral that Mary Barbour first impressed herself upon the sorrowing youngest son's imagination. They had been boy and girl together; in those days they had decocted frequent mud confections with Pratt, and Jack Lamar and Cherokee Ryland. But the girl had grasped a rare chance to attend an art school in Philadelphia, just after Paul started to college; and now, after the absence, he found her grown into a new and surprising grace of person. There was a hint of shy primitive beauty in her irregular features. The hair was chestnut, and as straight as an Indian's; the eyes possessed that quality of sympathetic comprehension that spoke the mother-soul. His heart, emptied by the gap of his father's absence, needed a new object to cling to; and she was attractive, obvious, and near.

Mary Barbour had already admired Paul with an artist's aloof gaze; she saw in him a tall, black-eyed young beau, the best shot in the Jackson Grays, the invariable cotillion leader. Now she began to know him as the ardent lover as well. With characteristic determination, he elbowed all tentative rivals out of the way. The girl found herself escorted with gallant insistence everywhere by this headstrong and heartstrong