قراءة كتاب The History of Painting in Italy, Vol. 5 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century

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The History of Painting in Italy, Vol. 5 (of 6)
From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century

The History of Painting in Italy, Vol. 5 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century

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the
HISTORY OF PAINTING
in
ITALY.



the
HISTORY OF PAINTING
in
ITALY,

from the period of the revival of
THE FINE ARTS
to the end of the eighteenth century:

translated
From the Original Italian
of the
ABATE LUIGI LANZI.


By THOMAS ROSCOE.


IN SIX VOLUMES.

VOL. V.
CONTAINING THE SCHOOLS OF BOLOGNA, FERRARA, GENOA, AND PIEDMONT.


LONDON:
printed for
W. SIMPKIN AND R. MARSHALL,
stationers'-hall court, ludgate street.


1828.

J. M'Creery, Tooks Court,
Chancery Lane, London.

CONTENTS

of

THE FIFTH VOLUME.


HISTORY OF PAINTING IN UPPER ITALY.

BOOK THE THIRD.
BOLOGNESE SCHOOL.
Page
Epoch I. The ancient masters 6
Epoch II. Various styles, from the time of Francia to that of the Caracci 50
Epoch III. The Caracci, their scholars and their successors, until the time of Cignani 96
Epoch IV. Pasinelli, and in particular Cignani, cause a change in the style of Bolognese painting. The Clementine academy and its members 217
BOOK THE FOURTH.
SCHOOL OF FERRARA.
Epoch I. The ancient masters 281
Epoch II. Artists of Ferrara, from the time of Alfonso I. till Alfonso II., last of the Este family in Ferrara, who emulate the best Italian styles 301
Epoch III. The artists of Ferrara borrow different styles from the Bolognese school—Decline of the art, and an academy instituted in its support 328
BOOK THE FIFTH.
Epoch I. The ancient masters 359
Epoch II. Perino and his followers 369
Epoch III. The art relapses for some time, and is re-invigorated by the works of Paggi and some foreigners 392
Epoch IV. The Roman and Parmesan succeed to the native style—Establishment of an academy 424
BOOK THE SIXTH.
HISTORY OF PAINTING IN PIEDMONT AND THE ADJACENT TERRITORY.
Epoch I. Dawn and progress of the art until the sixteenth century 447
Epoch II. Painters of the seventeenth century, and first establishment of the academy 466
Epoch III. School of Beaumont, and restoration of the academy 483

HISTORY OF PAINTING
in
UPPER ITALY.

BOOK III.


BOLOGNESE SCHOOL.

During the progress of the present work, it has been observed that the fame of the art, in common with that of letters and of arms, has been transferred from place to place; and that wherever it fixed its seat, its

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