قراءة كتاب The Scarecrow, and Other Stories
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The Scarecrow, and Other Stories
"Naw—naw—!"
"He wouldn't even let us be burying him in it. 'Put my country's flag next my skin'; he told us. 'When I die keep the ole uniform.' Just like a part of him, he thought it. Wouldn't I have kept it, falling to pieces as it is, if there'd have been anything else to put up there in that there corn field?"
She felt the boy stiffen suddenly.
"And with him a soldier—"
He broke off abruptly.
She sensed what he was about to say.
"Aw, Benny—. That was different. Honest, it was. He warn't the only one in his family. There was two brothers."
The boy got to his feet.
"Why won't you let me go?" He asked it passionately. "Why d'you keep me here? You know I ain't happy! You know all the men've gone from these here parts. You know I ain't happy! Ain't you going to see how much I want to go? Ain't you able to know that I want to fight for my country? The way he did his fighting?"
The boy jerked his head in the direction of the figure standing waist deep in the corn field; standing rigidly and faintly outlined beneath the haunting flood of moonlight.
"Naw, Benny. You can't go. Naw—!"
"Why, maw? Why d'you keep saying that and saying it?"
"I'm all alone, Benny. I've gave all my best years to make the farm pay for you. You got to stay, Benny. You got to stay on here with me. You just plain got—to! You'll be glad some day, Benny. Later—on. You'll be right glad."
She saw him thrust his hands hastily into his trouser pockets.
"Glad?" His voice sounded tired. "I'll be shamed. That's what I'll be. Nothing, d'you hear, nothing—but shamed!"
She started to her feet.
"Benny—" A note of fear shook through the words. "You wouldn't—wouldn't—go?"
He waited a moment before he answered her.
"If you ain't wanting me to go—; I'll stay. Gawd! I guess I plain got to—stay."
"That's a good boy, Benny. You won't never be sorry—nohow—I promise you!—I'll be making it up to you. Honest, I will!—There's lots of ways—I'll—!"
He interrupted her.
"Only, maw—; I won't let it come after me. If it beckons I—got—to—go—!"
She gave a sudden laugh that trailed off uncertainly.
"'Tain't going to beckon, Benny."
"It if beckons, maw—"
"'Tain't going to, Benny. 'Tain't nothing but the wind that moves it. It's just the wind, sure. Mebbe you got a touch of fever. Mebbe you better go on to bed. You'll be all right in the morning. Just you wait and see. You're a good boy, Benny. You'll never go off and leave your maw and the farm. You're a fine lad, Benny."
"If—it—beckons—" He repeated in weary monotone.
"'Tain't, Benny!"
"I'll be going to bed," he said.
"That's it, Benny. Good night."
"Good night, maw."
She stood there listening to his feet thudding up the stairs. She heard him knocking about in the room overhead. A door banged. She stood quite still. There were footsteps moving slowly. A window was thrown open.
She looked up to see him leaning far out over the sill.
Her eyes went down the slope of the moonlight-bathed corn field.
Her right hand curled itself into a fist.
"Ole—scarecrow—!"
She half laughed.
She waited there until she saw the boy draw away from the window. She went into the house and bolted the door behind her. Then she went up the narrow steps.
That night she lay awake for a long time. The heat had grown intense. She found herself tossing from side to side of the small bed.
The window shade had stuck at the top of the window.
The moonlight trickled into the room. She could see the window-framed, star-specked patch of the skies. When she sat up she saw the round, reddish-yellow ball of the moon.
She must have dozed, because she woke with a start. She felt that she had had a fearful, evil dream. The horror of it clung to her.
The room was like an oven.
She thought the walls were coming together and the ceiling pressing down.
Her body was covered with sweat.
She forced herself wide awake. She made herself get out of the bed. She stood for a second uncertain. Then she went to the window.
Not a breath of air stirring.
The moon was high in the sky.
She looked out across the hills.
Down there to the left the acres of potatoes. Potatoes were paying. She counted on a big harvest. To the right the wheat. Only the second year for those five fields. She knew that she had done well with them.
She thought, with a smile running over her lips, back to the time when less than half of the place had been under cultivation. She remembered her dream of getting the whole of her farm in work. She and the boy had made good. She thought of that with savage complacency. It had been a struggle; a bitter, hard fight from the beginning. But she had made good with her farm.
And there down the slope, just in front of the house, the corn field. And in the center of it, standing waist deep in the corn, the antiquated, military figure.
The smile slid from her mouth.
The suffocating heat was terrific.
Not a breath of air.
Suddenly she began to shake from head to foot.
Her eyes wide and staring, were fixed on the moonlight-whitened corn field; her eyes were held to the moonlight-streaked figure standing in the ghostly corn.
Moving—
An arm swayed—swayed to and fro. Backwards and forwards—backwards—The other arm—swaying—A tremor ran through it. Once it pivoted. The head shook slowly from side to side. The arms rose and fell—; and rose again. The head came up and down, and rocked a bit to either side.
"Dancing—" She whispered stupidly. "Dancing—"
She thought she could not breathe.
She had never felt such oppressive heat.
The arms were tossing and stretching.
She could not take her eyes from it.
And then she saw both arms reach out, and slowly, very slowly, she saw the hands of them, beckoning.
In the stillness of the room next to her she thought she heard a crash.
She listened intently, her eyes stuck to those reaching arms, and the hands of them that beckoned and beckoned.
"Benny—" She murmured—"Benny—!"
Silence.
She could not think.
It was his talk that had done this—Benny's talk—He had said something about it—walking out—If it should come—out—! Moving all over like that—If its feet should start—! If they should of a sudden begin to shuffle—; shuffle out of the cornfield—!
But Benny wasn't awake. He—couldn't—see—it. Thank Gawd! If only something—would—hold—it! If—only—it—would—stop—; Gawd!
Nothing stirring out there in the haunting moon-lighted night. Nothing moving. Nothing but the figure standing waist deep in the corn field. And even as she looked, the rigid, military figure grew still. Still, now, but for those slow, beckoning hands.
A tremendous dizziness came over her.
She closed her eyes for a second and then she stumbled back to the bed.
She lay there panting. She pulled the sheets up across her face; her shaking fingers working the tops of them into a hard ball. She stuffed it between her chattering teeth.
Whatever happened, Benny mustn't hear her. She mustn't waken, Benny. Thank Heaven, Benny was asleep. Benny must never know how, out there in the whitened night, the hands of the figure slowly and unceasingly beckoned and beckoned.
The sight of those reaching arms stayed before her. When, hours later, she fell asleep, she still saw the slow-moving, motioning hands.
It was morning when she wakened.
The sun streamed into the room.
She went to the door and opened it.
"Benny—" She called. "Oh, Benny."
There was no answer.
"Benny—" She called again. "Get on up. It's late, Benny!"
The house was quiet.
She half dressed herself and went into his room.
The bed had been slept in. She saw