women journalists in the world. Even had he been in the habit of reading those American Sunday journals whose overseas cables in a surprisingly small space manage to mention the doings of everyone of importance, he would have realised that so far from being the "small-headed, yellow journalist" he supposed, she occupied a unique and enviable position in the newspaper world. But he had never concerned himself with the doings of European journalists. America is a big country, with big enough personalities and interests of its own to absorb such attention as a man wrapped up in his work and the great scientific facts of life has to give to public affairs. Thus it came to pass that he did not know there was one thing Mrs. Valdana, with her odd eccentric gowns and ornaments, a hole in the heel of her stocking, and her black hair endlessly coming down, was not careless about, and that one thing was her work--and that because of her work she was famous.

Certainly she was not the person to tell him, being as reticent about the astonishing things she had done as she was childishly frank about her picturesque tastes and fancies. She would show her ivory bracelets cut green from the tusks of an elephant in Central Africa, or howl in the moonlight like a jackal, or dance like a Somali warrior (as she did at the concert got up for the sailors' benefit), or describe the orchids that hang like glowing lamps from the trees in the deep steaming forests of the Congo; but she would say nothing of her articles on sleeping sickness and Congo atrocities, or how she had nearly lost a foot on a terrible march in Somaliland, but turned out an amazing Odyssey on the manners and customs of a little known people. She always forgot to mention that it was she who had shot the elephant from whose tusks the bracelets came, and that her knowledge of jackal music was acquired in a lion-infested part of Bechuanaland, where she had got lost from her party and spent a sinister night up a tree.

Next to Africa she loved India best in the world, and could discourse alluringly on the subject of phul-karries, and silk embroideries from Delhi, of sunsets seen across the plains when the buffaloes and the goats are being herded home in a mist of golden dust; of paddy-birds standing in shallow grey pools, and the grace of the swathed women coming from the wells. Chanting through her nose a thin monotonous wail, while with three fingers and her thumb she made a measured thrumming tattoo on the table, she could conjure up the very heart-throb of the Indian Bazaar until the never-ending rhythmic torment of the East dragged at the heart of those who listened. She could tell too every kind of amusing story and scandal about Anglo-Indian society; but she would never mention that she had been sent out in '97 to get for her paper the truth about the Tochi rising--and had got it; that she was at Simla when the English were waiting breathlessly for news from their men at the front, knowing that any serious reverse in the Tirah might possibly mean an attempt at a general rising and massacre in the plains and hill stations of the Punjab, and that she was one of those women who had gone out as usual to balls, and laughed and jested with sickening fear in their hearts, under the keen eyes of the native servants--and afterwards had sat in her room hour after hour sorting and classifying her facts, embodying them in the strong vivid articles that a few weeks later made England "sit up" for awhile and realise that all was not peace and fair contentment in the Indian Empire.

There were lots of other interesting things Mrs. Valdana never told. She had been in Russia on a mission for Mr. Stead, and in Turkey to probe out the affair of a secret concession for turquoise searching granted by the Sultan to an English Member of Parliament. She had interviewed De Witte, the Red Sultan, and Paul Kruger, and stayed at Groot Schuur as Cecil Rhodes's guest. But all these things were part of her work, and of her work (except to other journalists) she never spoke. It spoke for itself.

Though she had done special work for many of the big London papers she was a free lance and under bonds to no journal. No inducement that could be held out to her was strong enough to lure her from her ways, which were the ways of a literary vagabond who came and went at no man's bidding, but achieved her best work by wandering only where she listed, and writing only what her heart urged. This might have been fatal to financial success, but that it was allied to an instinct that amounted to genius for the big vivid things that take hold of the public imagination. Every good journalist has a nose for news; Valentine Valdana had the added gift of an "eye for colour"; she saw it across continents, recognised it overseas, followed it as her star; and what she wrote concerning it editors were pleased to scramble for. If one disapproved of her "stuff" another was only too glad to embrace it. She revised and blue-pencilled for no man. Her creed was Byron's when he wrote to Murray: "Cut me up in the Quarterly, rend me in the Reviews, do unto me as did the Levite unto his concubine, but do not ask me to revise, for I cannot and I will not." She would not either, and she did not have to. Enough that her stuff was signed with her well-known nom-de-plume "Wanderfoot" for it to sell like hot cakes. In fact, in her own line Valentine Valdana was famous; and Garrett Westenra did not know it.

Nor would he have been greatly impressed if he had known. He was entirely opposed to that kind of fame for a woman.

All Irishmen, whatever their rank or situation, are at bottom profound lovers of nature, virtue, and simplicity; and from this great quality of the heart springs the singular charm that makes them the most attractive people in the world; but it has a defect in its almost peasant standardising of women. Lack of money in Ireland has created in the Irish an eternal oversense of the value of riches; but though there has never been any lack of women in Ireland they are not undervalued on this account (in fact, as has been shown, they are given shrines to occupy). Still there is a secret and peculiar hatred in the Irishman's nature for any change in the status of women, moral or intellectual, since the time of Mother Eve or the beloved Madonna. The wife-and-mother is the ideal, and very rightly so, but she is a meek and submissive and gentle wife-and-mother, and she sits eternally by the fireside with a child on her knee. Yes, though in his heart he will crown her with a golden crown and burn incense before her, that is where an Irishman always sees the ideal woman--by the fireside, with a child on her knee. No true Irishman will ever be a suffragist.

Considering these things it was surely unwise of Garrett Westenra, very much an Irishman, to linger day after day by the deck chair of a vagabond woman, who, from all accounts and appearances, had never possessed a fireside of her own, nor was ever likely to appreciate one. Yet linger he did, and day by day her charm wrought upon him and wound itself round him and penetrated him until it seemed to become part of him. By no effort of hers was the thing done. She grew strangely silent as the voyage drew towards an end, sitting in her chair with still eyes and hands, like a woman in a dream drifting down a dream river. Once more she began to resemble the woman Westenra knew so well--the mystery woman with whom he had walked for many years in his secret garden. And when he came on deck and did not find her in her place, the deck and the ship and the world seemed to become suddenly empty--with an appalling emptiness.

But always when alone in his cabin he made the same observation to himself.

"This thing has