class="pg">296

LX.— The Untreasured Chamber 299 LXI.— The Cart and the Straw 302 LXII.— The Council 308 LXIII.— Parting 311 LXIV.— Mistress Martha and Black M'Guinness 315 LXV.— The Conference 319 LXVI.— The Bed-Chamber 322 LXVII.— The Expulsion 327 LXVIII.— The Fray 332 LXIX.— The Bolted Window 337 LXX.— The Baronet's Room 341 LXXI.— The Farewell 345 LXXII.— The Rope and the Riot 349 LXXIII.— The Last Look 354   Conclusion 357

---

LIST OF FULL PAGE ILLUSTRATIONS.

"Farewell, my lord," said Swift, abruptly		Frontispiece
Threw himself luxuriously into a capacious leather-bottomed chair	to face page	4
Again the conqueror crowed the shrill note of victory	"	34
Parucci approached the prostrate figure	"	156
"Painted! varnished!" she screamed hysterically	"	188
He made his way to the aperture	"	223
Glide noiselessly behind Chancey	"	293
Driven to bay … he drew his sword	"	338
His horse, snorting loudly, checked his pace	"	354

---

THE "COCK AND ANCHOR."

 

CHAPTER I.

THE "COCK AND ANCHOR"—TWO HORSEMEN—AND A SUPPER BY THE INN FIRE.

Some time within the first ten years of the last century, there stood in the fair city of Dublin, and in one of those sinuous and narrow streets which lay in the immediate vicinity of the Castle, a goodly and capacious hostelry, snug and sound, and withal carrying in its aspect something staid and aristocratic, and perhaps in nowise the less comfortable that it was rated, in point of fashion, somewhat obsolete. Its structure was quaint and antique; so much so, that had its counterpart presented itself within the precincts of "the Borough," it might fairly have passed itself off for the genuine old Tabard of Geoffry Chaucer.

The front of the building, facing the street, rested upon a row of massive wooden blocks, set endwise, at intervals of some six or eight feet, and running parallel at about the same distance, to the wall of the lower story of the house, thus forming a kind of rude cloister or open corridor, running the whole length of the building.

The spaces between these rude pillars were, by a light frame-work of timber, converted into a succession of arches; and by an application of the same ornamental process, the ceiling of this extended porch was made to carry a clumsy but not unpicturesque imitation of groining. Upon this open-work of timber, as we have already said, rested the second story of the building; protruding beyond which again, and supported