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قراءة كتاب China and Pottery Marks

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China and Pottery Marks

China and Pottery Marks

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دار النشر: Project Gutenberg
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CHINA
AND
POTTERY
MARKS

 

GILMAN COLLAMORE & CO. INC.

15 EAST 56th STREET
NEW YORK

 

 

Traditions and Old China

Copyright, 1920, Gilman Collamore & Company, Inc.

 

Traditions and Old China

From early days when the ancients showed their appreciation of fine pottery and old glassware by burying “these most esteemed possessions” with the dead, fine china has been synonymous with culture and breeding. With our ancestors for generations we share the tradition that, just as first editions give prestige to one’s book shelves, old china or the finest work of the modern kilns express readily that good taste and discrimination that is characteristic of our old families.

A wealth of association and historic data is to be acquired from the study of the “fabrique marks” and periods of the master craftsmen. If in America there was a general tendency toward acquiring, even a smattering, of this knowledge, there would be less of these drawing-room atrocities which Arthur Hayden in his “Chats on English Earthenware” points out, “To have a modern set of vases adorning a Georgian cabinet is like putting new wine in old bottles.”

For the convenience of the seasoned collector, as well as the beginner, in this book is a representative list of better known marks by which china can be identified. While it is not possible to include a complete list, particularly those of extremely rare specimens, those compiled have particular reference to the marks of English china which is greatly in demand by collectors. These will suffice to enable the reader to identify pieces whenever encountered.

The signatures or mark which the master craftsmen in earth or clay signed their products, just as a painter signs his work, were often specially designed devices of various kinds, often a combination of initials and dates. Each “fabrique mark” stands for a certain potter’s art just as the modern trade-mark.

Beginning more than a half century ago in the old La Farge House in lower Broadway (where John La Farge was born) the house of Gilman Collamore and Company has done much to develop an appreciation of fine china in America. It was one of the first houses to bring over from England and France china, both modern and old, for its American clients. At this time many fine specimens of old china are on view as well as complete stocks from the modern English and Continental manufacture.

GILMAN COLLAMORE & COMPANY, Inc.
15 East 56th Street
New York

 

 


Germany and Austria

DRESDEN
MEISSEN. Established in 1709. Mark used to 1712, in blue. Hard paste.
DRESDEN
Mark used from 1712 to 1720, in blue. Hard paste.
DRESDEN
About 1720, mark in blue. Hard paste.
DRESDEN
1730, mark in blue. Hard paste.
DRESDEN
1796. MARCOLINI (Director) PERIOD. Mark in blue. Hard paste.
DRESDEN
Royal pieces only. Mark in blue. Hard paste.
DRESDEN
Present mark. This mark with two scratches across it shows imperfect pieces which may or may not have been decorated in the factory. Hard paste.
VIENNA
Established in 1718. This mark first used in 1744. Hard paste.

Royal factory discontinued in 1864.
BERLIN
Established in 1751. Wegeleys’ mark. Hard paste.
BERLIN
In 1763 became a royal establishment. Mark in blue. Sometimes an eagle added.
BERLIN
Different kind of sceptre. In blue. Hard paste.
BERLIN
An extra mark used in 1830 with the sceptre, which is the present mark. This mark complete is never used except with perfect pieces decorated in the factory. Decorated pieces bearing the blue sceptre mark only are decorated outside of the factory.
HOCHST, near MAYENCE
Founded in 1720. This

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