at last, and yet—for there was this singular hint in her attitude and behaviour—that she had taken me, because she had this curious deep need of me.

This sharply moving touch was graven into me, increasing the tenderness of my pity, subsequently, a thousandfold. The necessity lay in her very soul. She gave to me all she had to give, and in so doing she tried to satisfy some hunger of her being that lay beyond my comprehension or interpretation. For, note this—she gave herself into my keeping, I remember, with a sigh.

It seems as of yesterday the actual moment when, urged by my vehement desires, I made her consent to be my wife; I remember, too, the doubt, the shame, the hesitation that made themselves felt in me before the climax when her beauty overpowered me, sweeping reflection utterly away. I can hear to-day the sigh, half of satisfaction, yet half, it seemed, of pain, with which she sank into my arms at last, as though her victory brought intense relief, yet was not wholly gamed in the way that she had wanted. Her physical beauty, perhaps, was the last weapon she had wished to use for my enslavement; she knew quite surely that the appeal to what was highest in me had not succeeded...

The party in our mother's house that week in July included yourself; there is no need for me to remind you of its various members, nor of the strong attraction Marion, then a girl of twenty-five, exercised upon the men belonging to it. Nor have you forgotten, I feel sure, the adroit way in which she contrived so often to find herself alone with me, both in the house and out of it, even to the point of sometimes placing me in a quasi-false position. That she tempted me is, perhaps, an overstatement, though that she availed herself of every legitimate use of feminine magic to entrap me is certainly the truth. Opportunities of marriage, it was notorious, had been frequently given to her, and she had as frequently declined them; she was older than her years; to inexperience she certainly had no claim: and from the very first it was clear to me—if conceited, I cannot pretend that I was also blind—that flirtation was not her object and that marriage was. Yet it was marriage with a purpose that she desired, and that purpose had to do, I felt, with sacrifice. She burned to give her very best, her all, and for my highest welfare. It was in this sense, I got the impression strangely, that she had need of me.

The battle seemed, at first, uneven, since, as a woman, she did not positively attract me. I was first amused at her endeavours and her skill; but respect for her as a redoubtable antagonist soon followed. This respect, doubtless, was the first blood she drew from me, since it gained my attention and fixed my mind upon her presence. From that moment she entered my consciousness as a woman; when she was near me I became more and more aware of her, and the room, the picnic, the game of tennis that included her were entirely different from such occasions when she was absent, I became self-conscious. It was impossible to ignore her as formerly had been my happy case.

It was then I first knew how beautiful she was, and that her beauty made a certain difference to my mood. The next step may seem a big one, but, I believe, is very natural: her physical beauty gave me definite pleasure. And the instant this change occurred she was aware of it. The curious fact, however, is that, although aware of this gain of power, she made no direct use of it at first. She did not draw this potent weapon for my undoing; it was ever with her, but was ever sheathed. Did she discern my weakness, perhaps, and know that the subtle power would work upon me most effectively if left to itself? Did she, rich in experience, deem that its too direct use might waken a reaction in my better self? I cannot say, I do not know.... Every feminine art was at her disposal, as every use of magic pertaining to young and comely womanhood was easily within her reach. As you and I might express it bluntly, she knew men thoroughly, she knew every trick; she drew me on, then left me abruptly in the wrong, puzzled, foolish, angry, only to forgive me later with the most enchanting smile or word imaginable. But never once did she deliberately make use of the merciless weapon of her physical beauty although—perhaps because—she knew that it was the most powerful in all her armoury.

For listen to this: when at last I took her in my arms with passion that would not be denied, she actually resented it. She even sought to repel me from her touch that had undone me. I repeat what I said before: She did not wish to win me in that way. The sigh of happiness she drew in that moment—I can swear to it—included somewhere, too, the pain of bitter disappointment.

The weapon, however, that she did use without hesitation was her singing. There was nothing special either in its quality or skill; it was a voice untrained, I believe, and certainly without ambition; her repertoire was limited; she sang folk-songs mostly, the simple love-songs of primitive people, of peasants and the like, yet sang them with such truth and charm, with such power and conviction, somehow, that I knew enchantment as I listened. This, too, she instantly divined, and that behind my compliments lay hid a weakness of deep origin she could play upon to her sure advantage. She did so without mercy, until gradually I passed beneath her sway.

I will not now relate in detail the steps of my descent, or if you like it better, of my capture. This is a summary merely. So let me say in brief that her singing to the harp combined with the revelation of her physical beauty to lead me swiftly to the point where I ardently desired her, and that in this turmoil of desire I sought eagerly to find real love. There were times when I deceived myself most admirably; there were times when I plainly saw the truth. During the former I believed that my happiness lay in marrying her, but in the latter I recognised that a girl who meant nothing to my better self had grown of a sudden painfully yet exquisitely desirable. But even during the ascendancy of the latter physical mood, she had only to seat herself beside the harp and sing, for the former state to usurp its place, I watched, I listened, and I yielded. Her voice, aided by the soft plucking of the strings, completed my defeat. Now, strangest of all, I must add one other thing, and I will add it without comment. For though sure of its truth, I would not dwell upon it. And it is this: that in her singing, as also in her playing, in the "colour" of her voice as also in the very attitude and gestures of her figure as she sat beside the instrument, there lay, though marvellously hidden, something gross. It woke a response of something in myself, hitherto unrecognized, that was similarly gross....

It was in the empty billiard-room when the climax came, a calm evening of late July, the dusk upon the lawn, and most of the house-party already gone upstairs to dress for dinner. I had been standing beside the open window for some considerable time, motionless, and listening idly to the singing of a thrush or blackbird in the shrubberies—when I heard the faint twanging of the harp-strings in the room behind me, and turning, saw that Marion had entered and was there beside the instrument. At the same moment she saw me, rose from the harp and came forward. During the day she had kept me at a distance. I was hungry for her voice and touch; her presence excited me—and yet I was half afraid.

"What! Already dressed!" I exclaimed, anxious to avoid a talk a deux. "I must hurry then, or I shall be later than usual."

I crossed the room towards the door, when she stopped me with her eyes.

"Do you really mean to say you don't know the difference between an evening frock and—and this," she answered lightly, holding out the skirt in her fingers for me to touch. And in the voice was that hint of a sensual caress that, I admit, bewildered both my will and judgment. She was very close and her fragrance came on me with her breath, like the