rivalry with simple old- fashioned faith, was blent harmoniously with it. They [23] were hardly distinguishable elements of an amiable character, susceptible generally to the poetic side of things—two neighbourly apprehensions of a single ideal.

The great passions, the fervid sentiments, of which Gaston dreamed as the true realisation of life, have not always softened men's natures: they have been compatible with many cruelties, as in the lost spirits of that very age. They may overflow, on the other hand, in more equable natures, through the concurrence of happier circumstance, into that universal sympathy which lends a kind of amorous power to the homeliest charities. So it seemed likely to be with Gaston de Latour. Sorrow came along with beauty, a rival of its intricate omnipresence in life. In the sudden tremor of an aged voice, the handling of a forgotten toy, a childish drawing, in the tacit observance of a day, he became aware suddenly of the great stream of human tears falling always through the shadows of the world. For once the darling of old age actually more than responded in full to its tenderness. In the isolation of his life there had been little demand for sympathy on the part of those anywhere near his own age. So much the larger was the fund of superfluous affection which went forth, with a delicacy not less than their own, to meet the sympathies of the aged people who cherished him. In him, their old, almost forgotten sorrows bled anew.

[24] Variety of affection, in a household in which many relations had lived together, had brought variety of sorrow. But they were well- nigh healed now—those once so poignant griefs—the scars remaining only as deeper lines of natural expression. It was visible, to their surprise, that he penetrated the motive of the mass said so solemnly, in violet, on the Innocents' Day, and understood why they wept at the triumphant antiphons:—"My soul is escaped as a bird out of the snare of the fowler!"—thinking intently of the little tombs which had recorded carefully almost the minutes of children's lives, Elizabeth de Latour, Cornélius de Latour, aged so many years, days, hours. Yes! the cold pavement under one's feet had once been molten lava. Surely the resources of sorrow were large in things! The fact must be duly marked and provided for, with due estimate of his own susceptibility thereto, in his scheme of life. Might he pass through the world, unriven by sorrows such as those! And already it was as if he stept softly over the earth, not to outrage its so abundant latent sensibilities.

The beauty of the world and its sorrow, solaced a little by religious faith, itself so beautiful a thing; these were the chief impressions with which he made his way outwards, at first only in longer rambles, as physical strength increased, over his native plains, whereon, as we have seen, the cruel warfare of that age had [25] aggravated at a thousand points the everyday appeal of suffering humanity. The vast level, stretching thirty miles from east to west, thirty from north to south:—perhaps the reader may think little of its resources for the seeker after natural beauty, or its capacity to develope the imagination. A world, he may fancy, in which there could be no shadows, at best not too cheerful colours. In truth, it was all accent, so to speak. But then, surely, all the finer influences of every language depend mostly on accent; and he has but to think of it as Gaston actually lived in it to find a singularly companionable soul there. Gaston, at least, needed but to go far enough across it for those inward oppositions to cease, which already at times beset him; to feel at one with himself again, under the influence of a scene which had for him something of the character of the sea—its changefulness, its infinity, its pathos in the toiling human life that traversed it. Featureless, if you will, it was always under the guidance of its ample sky. Scowling back sometimes moodily enough, but almost never without a remnant of fine weather, about August it was for the most part cloudless. And then truly, under its blue dome, the great plain would as it were "laugh and sing," in a kind of absoluteness of sympathy with the sun.

II. OUR LADY'S CHURCH

"I had almost said even as they."

[26] Like a ship for ever a-sail in the distance, thought the child, everywhere the great church of Chartres was visible, with the passing light or shadow upon its grey, weather-beaten surfaces. The people of La Beauce were proud, and would talk often of its rich store of sacred furniture, the wonder-working relics of "Our Lady under the Earth," and her sacred veil or shift, which kings and princes came to visit, returning with a likeness thereof, replete in miraculous virtue, for their own wearing. The busy fancy of Gaston, multiplying this chance hearsay, had set the whole interior in array—a dim, spacious, fragrant place, afloat with golden lights. Lit up over the autumn fields at evening, the distant spires suggested the splendour within, with so strong an imaginative effect, that he seemed scarcely to know whether it was through the mental or bodily eye that he beheld. When he came [27] thither at last, like many another well- born youth, to join the episcopal household as a kind of half- clerical page, he found (as happens in the actual testing of our ideals) at once more and less than he had supposed; and his earlier vision was a thing he could never precisely recover, or disentangle from the supervening reality. What he saw, certainly, was greater far in mere physical proportion, and incommensurable at first by anything he knew—the volume of the wrought detail, the mass of the component members, the bigness of the actual stones of the masonry, contrary to the usual Gothic manner, and as if in reminiscence of those old Druidic piles amid which the Virgin of Chartres had been adored, long before the birth of Christ, by a mystic race, possessed of some prophetic sense of the grace in store for her. Through repeated dangers good-fortune has saved that unrivalled treasure of stained glass; and then, as now, the word "awful," so often applied to Gothic aisles, was for once really applicable. You enter, looking perhaps for a few minutes' cool shelter from the summer noonday; and the placid sunshine of La Beauce seems to have been transformed in a moment into imperious, angry fire.

It was not in summer, however, that Gaston first set foot there; he saw the beautiful city for the first time as if sheathed austerely in repellent armour. In his most genial subsequent impressions of the place there was always a lingering [28] trace of that famous frost through which he made his way, wary of petrifying contact against things without, to the great western portal, on Candlemas morning. The sad, patient images by the doorways of the crowded church seemed suffering now chiefly from the cold. It was almost like a funeral— the penitential violet, the wandering taper-light, of this half- lenten feast of Purification. His new companions, at the head and in the rear of the long procession, forced every one, even the Lord Bishop himself, to move apace, bustling along, cross-bearer and acolyte, in their odd little copes, out of the bitter air, which made the jolly life Gaston now entered on, around the great fire of their hall in the episcopal palace, seem all the more winsome.

Notre-Dame de Chartres! It was a world to explore, as if one explored the entire Middle Age; it was also one unending, elaborate, religious function—a life, or a continuous drama, to take one's part in. Dependent on its structural completeness, on its wealth of well- preserved ornament, on its unity in variety, perhaps on some undefinable operation of genius, beyond, but concurrently with, all these, the church of Chartres has still the gift of a unique power of impressing. In comparison, the other famous churches of