with a bell-tower that looks over the wall like an eye. It don’t wink, Pedr, but I’m thinkin’, indeed, it could tell a good deal, if it had a mind to. It’s next to the church the Parrys used to live.”

Pedr, tying the parcel and snapping the string, maintained his silence.

“It’s there old Parry used to be drunk as a faucet; aye, an’, Pedr,” she whispered, “I could be tellin’ you somethin’ else. Nelw Parry——”

“Tut!” said Pedr angrily; “here’s your parcel, Catrin Griffiths. You’ll have to be excusin’ me this morning, for I’m busy.”

“Pooh, busy!” and Catrin laughed shrilly; “you’re always busy when there’s a mention of Nelw Parry. Well, ask Nelw herself what it is she can tell you that you don’t know. Perhaps you’ll be wantin’ to know before you marry her.”

And with a flounce Catrin Griffiths betook herself out of the shop.

Pedr with his back to the counter was the same as Pedr with his face to the shop-door; however, he did not seem the same. The back suggested middle age, but the face was the face of a boy in its expression, with something perennially young about it: it may have been innocence or untouched pride or something that looked from his eyes as if they had been those of a mere girl. Indeed, except for a conscious awkwardness of hand and a certain steadfast, almost impassive look about the mouth, he might have recited an awdl or been a bard. Howbeit, he could neither play a harp nor recite an ode. And because he kept only a stationer’s shop, which contained a fine medley of inferior post-cards scattered everywhere, piles of newspapers, books, shelves of letter-paper, trinkets of rustic and plebeian sort, it would not be safe to conclude that he was no more than a thoroughly commonplace man. Because he spent his leisure from the shop in taking pictures of the country he loved, it would not be wise to decide that he was therefore a poor, mediocre thing who had not brains enough to make even a very wretched artist; who was, in short, a mere factotum to higher ability.

Pedr’s shop, which lay on a steep winding cobblestone street next to the Cambrian Pill Depôt, five doors down from Plas Mawr and twenty doors up from the Castle Gate, was tenanted by dreams as fair and holy in service, although they never found their way into the world except by means of sensitised paper or by an occasional expression in Pedr’s eye or tremble of his impassive lips—this shop was tenanted by dreams as fair as any which had ever waited upon accepted painter or poet. They had a habit of tiptoeing about unseen, so that the usual customer who entered Pedr’s door would not have felt their presence. Nelw Parry had come to know them well, but before Catrin Griffiths they vanished away. The lovely colour of dawn itself was not gobbled up faster by the smoke of trade than these entities disappeared at the sound of Catrin Griffiths’ heels upon the street. In fact the tiny beings were troubled by the presence of even post-cards, for, dream-like, they wished to give all they had, if need be, to the hearts which could be seen beating through the hands that held them, and these cards lying upon the floor, these flaunting things of many colours, were commerce; things, they thought, which were to steal something from men. Over the counter, from which a few minutes ago he had recoiled, Pedr Evans had often leaned, many invisible eyes smiling upon him, taking from some old folio pictures which had caught the very lustre of the sky; or the mingled shadow and iridescence of a hillside, mysteriously suggestive of the sea; or some flow and subsidence of light itself. Like any other mortal, poor Pedr had to live, and that is why he was obliged to keep a shop next to the Cambrian Pill Depôt. If he had been an artist, the world might willingly have forgotten that he had to live at all and paid him just nothing for his work. But it was not the necessity of existence which made him lean upon the counter, showing a picture another man never would have had the wit to take. To Pedr something beautiful was always worth a plate, so he had many pictures no one bought, and he was not often given a chance to show.

Later in the day, after his encounter with Catrin Griffiths, Pedr was with Nelw Parry in the sitting-room of the Raven Temperance, drinking tea. Nelw’s house, from the outside, was a quaint, stuccoed building with a quantity of chimney-pots sticking up into the sky, neat steps and a brass sill at the front door, a painted sign “Raven Temperance,” and printed cards at the windows, one bearing a cyclist’s wheel decorated with mercurial wings, the other the gratifying word, “Refreshments.” Within the room were two people, both middle-aged, drinking tea—a commonplace enough scene the casual observer would have said; however, at that moment these two people, even if they were doing nothing more romantic than talking quietly together, lifting their teacups once in a while and looking at each other a good deal, were very much like good children in a fairy tale. It may have been merely a trick of the light due to the low casement windows, that the room seemed more peaceful than most rooms in Conway; the subdued light touched the soft green walls gently, reaching for the top of the walls as if it were some enchanted region, to enter which it must climb. Indeed, it was an enchanted region, for there a shining silver river ran in and out, in and out, among alleys of green trees. In and out, in and out, it ran noiselessly, and yet it seemed to Pedr, as to some strangers who entered the little room for refreshments, to sing a song heard before—just when, just how, was another question. Some visitors who had been in that room once came again to sit, often bodily weary, while their eyes travelled to that border of the shining river, and the mistress of the “Raven” waited upon them tranquilly, placing the tea-service before them, and, it may be, adjusting a wrap about a stranger’s shoulders as delicately as if she were adding to the comfort of some happy fancy, some ideal, some dream, that a burdened touch might shatter. Grateful, there were tired travellers glad to come and go phantom-like, putting down their silver gently, in a room where reality seemed the greatest phantom of all.

To Pedr it was better than the best picture he had ever taken—better than the best because the thought of taking it would have seemed like desecration. He looked at Nelw, as he did every few seconds, alternately, over his teacup and then without that barrier to his gaze. Coils of dark hair made the shapely head heavy on the slender neck, as if the weight of that abundant beauty were great. It was wonderful hair, making in its shadowy depth a shade for the white, sensitive face, quiet as the reverie of her eyes. In a land where comely hair blessed poor and rich alike with its wealth, Nelw Parry’s was even lovelier than that of her neighbours. It had one peculiarity, however, which her neighbours did not admire but which to Pedr—perhaps to something untutored in Pedr—was dear. Around the edges of its abundance little curls escaped.

“Nelw,” he said, glancing at her wistfully, “they’re prettier than ever.”

She brushed the curls back and looked at him with reproach, as if something she was thinking about, or something of which they had been talking, had been rudely disturbed. As an actual matter of fact they had been saying nothing for two or three minutes, indulging the speechlessness of those who know their way even by day to another land. But Pedr was aware what sort of answer any remark about Nelw’s hair always fetched, so he changed the subject.

“Dearie,