beautiful ideal in Grecian sculpture. The muscles and the veins, which are anatomically correct, exhibit the soft flexibility of life, and every motion of the body is in scientific harmony with that of nature. The limbs are strong, though not Herculean, and elegant without effeminacy; no preposterous muscular protuberance, no unnatural feminine delicacy offends the eye. They are noble without being harsh or rigid, and are composed with Doric severity mingled with the airy grace of youthful forms; the perfection of the finish is quite wonderful; every part being in a style worthy of the most beautiful cameo. The extremities of the hands and feet merit more particular admiration. Indeed, the ancients thought that elegant fingers and nails were essential ingredients in the composition of the beautiful. The most extraordinary circumstance, however, in these statues, is the want of expression, and the sameness of countenance, which is to be observed in all the heads. This approximation to identity is certainly not fortuitous; for the artists, who were able to throw so much varied beauty into the forms of the bodies, were, no doubt, fully able to infuse a similar diversity of expression into the features. Their talent was probably confined to one style of countenance by some religious prejudice. Perhaps some ancient and much venerated statue served as a model, from which it might not have been consistent with the feeling of reverence, or with the state of opinion, to deviate. The formation and posture of the bodies afforded a greater scope and a wider field for the talent of the sculptor; for while the Doric severity of the early Æginetic school is evidently diffused through the whole, yet a correctness of muscular knowledge; and a strict adherence to natural beauty, are conspicuously blended in every statue. An unmeaning and inanimate smile is prevalent in all the faces; every one of the heroes, who is mortally wounded, is supporting himself in the most beautiful attitude, and smiling upon death! In short, the conquerors and the conquered, the dying and dead, have all one expression, or rather none at all. The high finish of the hair is particularly worthy of notice. Some in curls, which hang down in short ringlets, are of lead, and still remain. The helmets were ornamented with metallic accessories, and the offensive weapons were probably of bronze; but they have not been found. All the figures have been painted; the colour is still visible, though nearly effaced. The colour on the ægis of Minerva is very distinguishable; but the white marble, of which the statues are composed, has assumed a yellow dye from the soil in which they were buried."

Dr. Clarke tells us, that Lusieri found here both medals and vases in such numbers, that he was under the necessity of dismissing the peasants who amassed them, without purchasing more than half that were brought to him; although they were offered for a very trifling consideration, and were of very high antiquity[6].

NO. V.—AGRIGENTUM.

The citadel of Agrigentum (Sicily) was situated on Mount Agragas; the city in the vale below; forming a magnificent spectacle at a distance. It was founded by a native of Rhodes, according to Polybius; but by a colony from Ionia, according to Strabo; about one hundred and eighty years after the founding of Syracuse. Thucydides, however, says that it was founded by a colony from Gela. The government was at first monarchical; afterwards democratical.

Phalaris, so well known for his superior talent and tyranny, usurped the sovereignty, which for some time afterwards was under the sway of the Carthaginians. In its most flourishing condition, it is said to have contained not less than two hundred thousand persons, who submitted, without resistance, to the superior authority of the Syracusans.

Some idea of the wealth of this city may be imagined, from what is stated by Diodorus Siculus, of one of its citizens. At the time when Exenetes, who had been declared victor in the Olympic games[7], entered the city in triumph, he did so in a magnificent chariot, attended by three hundred more, all drawn by white horses. Their habits were adorned with gold and silver; and nothing was ever more splendid than their appearance. Gellias, the most wealthy citizen of the place, erected several apartments in his house for the reception and entertainment of guests. Servants waited by his order at the gates of the city, to invite all strangers to lodge at their master's house, whither they conducted them. A violent storm having obliged one hundred horsemen to take shelter there, Gellias entertained them all in his house, and supplied them immediately with dry clothes, of which he had always a great quantity in his wardrobe.

Though this gives us some notion of his wealth, there is another description still more indicative of his humanity. He entertained the people with spectacles and feasts; and, during a famine, prevented the citizens from dying with hunger; he gave portions to poor maidens also, and rescued the unfortunate from want and despair. He had houses built in the city and the country, purposely for the accommodation of strangers, whom he usually dismissed with handsome presents. Five hundred shipwrecked citizens of Gela, applying to him, were bountifully relieved; and every man supplied with a cloak and a coat out of his wardrobe.

Agrigentum was first taken by the Carthaginians. It was strongly fortified. It was situated, as were Hymera and Selinuntum, on that coast of Sicily which faces Africa. Accordingly, Hannibal, imagining that it was impregnable except on one side, turned his whole force that way. He threw up banks and terraces as high as the walls; and made use, on this occasion, of the rubbish and fragments of the tombs standing round the city, which he had demolished for that purpose. Soon after, the plague infected the army, and swept away a great number of the soldiers. The Carthaginians interpreted this disaster as a punishment inflicted by the gods, who revenged in this manner the injuries done to the dead, whose ghosts many fancied they had seen stalking before them in the night. No more tombs were therefore demolished; prayers were ordered to be made according to the practice of Carthage; a child was sacrificed to Saturn, in compliance with a most inhumanly superstitious custom; and many victims were thrown into the sea in honour of Neptune.

The besieged, who at first had gained several advantages, were at last so pressed by famine, that all hopes of relief seeming desperate, they resolved to abandon the city. The following night was fixed on for this purpose. The reader will naturally imagine to himself the grief with which these miserable people must be seized, on their being forced to leave their houses, rich possessions, and their country; but life was still dearer to them than all these. Never was a more melancholy spectacle seen. To omit the rest, a crowd of women, bathed in tears, were seen dragging after them their helpless infants, in order to secure them from the brutal fury of the victor. But the most grievous circumstance was the necessity they were under of leaving behind them the aged and sick, who were unable either to fly or to make the least resistance. The unhappy exiles arrived at Gela, which was the nearest city in their way, and there received all the comforts they could expect in the deplorable condition to which