THE PYROTECHNIST'S TREASURY.

"The Secret Out Series."

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Art of Amusing. A Collection of Graceful Arts, Games, Tricks, Puzzles, and Charades, intended to amuse everybody. By Frank Bellew. With nearly 300 Illustrations.

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THE PYROTECHNIST'S TREASURY;

OR,

COMPLETE ART OF MAKING FIREWORKS.

BY

THOMAS KENTISH.

Flammas Jovis, et sonitus imitatur Olympi.

Virgil, Æn. vi. 586.

London: CHATTO & WINDUS, PICCADILLY. 1878.

[All rights reserved.]

LONDON:
PRINTED BY J. OGDEN AND CO.,
172, ST. JOHN STREET, E.C.

PREFACE.

Until within the last few years there was scarcely any work in English, that I am aware of, on the subject of Pyrotechny, worth reading, with the exception of an Article in "Brewster's Cyclopædia," by MacCulloch; and this, besides being accessible to only a few, having been published in 1830, made no mention of colours, which form the most beautiful part of the art.

In the first year of the present century a treatise was written by a Captain Jones, which has been copied, in whole or in part, into almost every work since published. The greater portion of it is absurd and impracticable, and shows that it was written by a person who undertook to teach what he had not learnt.

The first work of any real utility that came under my notice was a series of papers by "Practicus." This was soon followed by another, varied by the new chemical nomenclature.

The subject is far from being treated exhaustively in either of these works, so that I trust the reader will find in the following pages a fund of information, both in the repertory of recipes and the methods of manipulation.

To Chertier belongs the great improvement in colours. He was, as I was informed by the late Mr. Southby, who knew him personally, and who derived much information from him while in Paris, a retired French Artillery Officer, who made colours "his study and theme." His "New Researches," published in 1856, nearly thirty years after his first pamphlet, is an excellent work, that leaves little to be desired in the way of colours. Gunpowder attracted but little of his attention.

Tessier, of Paris, has written, since, his "Pyrotechnic Chemistry," and a new edition of the "Firework-Maker," by Hutstein and Websky, was published three or four years ago at Breslau.

I have neglected none of these sources of information, but do not know that I have been able to learn much from them with which I was not previously acquainted.

Gibbon's "Artillerist's Manual," and Benton's "Ordnance and Gunnery," published at New York, have furnished me with a hint or two; also Owen's "Practice of Modern Artillery," Scoffern's "Projectile Weapons of War," and his "New Resources of Warfare;" but as all these works are on Military Pyrotechny, they have not been available to any great extent. I mention their names, that anyone desirous of a knowledge of Rockets and Shells, as instruments of destruction, may know the books from which to gain the information.

It is possible that, as Chemistry advances, a few new substances may be discovered; meanwhile, nearly every shade of colour may already be produced.

The extensive use of these colours, from their beauty and variety, for stars and lancework, has very materially altered the class of fireworks, and necessitates the employment of an enormous quantity of quick-match. The preparation of this is one of the most disagreeable parts of Pyrotechny, besides demanding a great amount of manipulative skill. Most amateurs are deterred from attempting to manufacture it, and so have to content themselves with only the simplest pieces.

I have, therefore, set myself sedulously to work to devise a different plan of preparing it; and have succeeded—not till after many years, however, and numerous failures, simple as it now seems—in discovering a process of producing a splendid and perfect match, that leaves nothing to be desired; which is easy and expeditious, and does not even soil the hands. Amateurs will now find no trouble in making any pieces they may desire.

Dangerous chemicals, that might produce spontaneous combustion, have been rigidly excluded; the fullest information throughout has been furnished for preparing the mixtures with safety; the mode of projecting balloons, and the manner of constructing steelyard scales, and every kind of tool used in the art, has been added; and no pains have been spared to make the work as complete and comprehensive as possible.

In conclusion, I may say that I have had thirty-five years' experience; and there is nothing I have not tried repeatedly: the reader may, therefore, place the greatest confidence in everything recommended. He has only to imitate to succeed.

T. K.

CONTENTS.