a man intends to convey in his picture, you have got all he wants, and all you ought to wish for; all elaboration of an idea after the idea is comprehensible is so much waste of time"—this was his constant cry, a little contradicted by the fact that he as constantly tried to paint his ideas, but in a fitful and perfunctory manner.

I can imagine the enthusiasm that was lighted up in Leech upon his first sight of one of our annual exhibitions. After a visit to one of them he was known to have gone home, and getting out easel, canvas, and colours, he would set to work in a fury of enthusiasm, which evaporated at the encounter of the first technical difficulty. He used to take pleasure in watching my own attempts at painting, and I remember on one occasion, when I was finishing a rather elaborate piece of work, he said:

"Ah, my Frith, I wasn't created to do that sort of thing! I should never have patience for it."

He was right, and, happily for the world, he became convinced that, even if he had the power to fully "carry out"—as we call it—one of his drawings into a completed oil picture, the time required would have deprived us of immortal sketches; and though he undoubtedly "left off where difficulties begin"—as I once heard a painter, who was exasperated at Leech's sneers at his manipulation, say to him—he has left behind him work which will continue to delight succeeding generations so long as wit, humour, character and beauty are appreciated—that is to say, so long as human nature endures.

I feel I ought to apologize for what I am about to tell, because it has nothing to do with my hero beyond the fact of its occurrence having taken place on the memorable morning when I first had the happiness of meeting him.

I have said that McIan was a Scotchman, a Highlander of the clan McIan, and a worshipper of Charles Stuart, whose usual cognomen, the Pretender, I should have been sorry to have used in the presence of my Jacobite friend. As Leech left the room to go to his "grind," as he called his woodwork, McIan entered, and we were discussing Leech's prospects when McIan's servant—an old, hard-featured Scotchwoman—hurried into the room, and, in an awe-stricken voice, said:

"Sir—sir, here's the Preences!"

The words were scarcely out of her mouth, when two gentlemen entered—tall, rather distinguished but melancholy, looking young men. No sooner did McIan and his wife catch sight of them, than, without a word, they both dropped upon their knees, and while the lady kissed the hands of one of the gentlemen, her husband paid a similar attention to the hands of the other. I was holding my hat, and I remember I dropped it in my astonishment, for I was not aware that I was in the presence of the last of the Stuarts; or that these two young men claimed to be the great-grandsons of the hero of Culloden, and amongst a large section of Scotchmen, and not a few Englishmen, had their claim allowed. Anyone curious about this delusion can read for himself how it was dispelled, but the men themselves implicitly believed in their royal descent. They are both dead now. I once saw one of them again at a garden-party at Chelsea Hospital, where his likeness to the Stuarts was the talk of the company. It was certainly striking.

It is a melancholy task to me to try to recall the social scenes in which Leech so often figured—sad indeed to think how few of his friends, more intimate with him than I, now remain amongst us! Though Leech very seldom illustrated any ideas but his own, I can recall an example or two to the contrary; and still oftener have I seen, by the sparkle of his eye, that something occurring in conversation had suggested a "cut."

I think it was Dickens who said that a big cock-pheasant rising in covert under one's nose was like a firework let off in that locality. Elsewhere we have Leech's rendering of the idea.

When cards, or some other way of getting rid of time after dinner, had been proposed, I have heard Leech say:

"Oh, bother cards! Let us have conversation."

And talk it was, often good talk; but Leech was more a listener than a partaker. Not that he could not talk, and admirably; but he was always on the watch for subjects which he hoped something in conversation might suggest.

Leech's mental condition was certainly deeply tinged with the sadness so common to men who possess wit and humour to a high degree. He sang well, but his songs were all of a melancholy character, and very difficult to get from him. Indeed, the only one I can remember, and that but partially, was something about "King Death," with allusions to a beverage called "coal-black wine," which that potentate was supposed to drink. As I write I can see the dear fellow's melancholy face, with his eyes cast up to the ceiling, where Dickens said the song was written in ghostly characters which none but Leech could read.

I may give another example—rare, no doubt—of Leech's having used a suggested subject. Many years ago my brother-in-law, long since dead, took a party of friends to the Derby. They drove, or, rather, were driven, down to Epsom, the usual post-boy being recommended as a careful, steady driver—a character very desirable, considering the crowded state of the road, more especially on the return journey. The post-boy quite realized all that was said of him as the party went to the course, but when the time came for departure he was found, after considerable searching, to be as nearly dead-drunk as possible. What was to be done? The man could scarcely stand; his driving was, of course, out of the question.

The Drunken Post-boy.

"Well," said my brother-in-law to his friends, "if you will trust yourselves to me, I will ride and drive you back;" and, after tying the post-boy on to the carriage, where he soon fell fast asleep, my brother mounted and drove his party safely home.

This I thought a good subject for Leech, and I suggested it to him. He smiled faintly, and said not a word. Very nearly a year after I had told him of the incident, as I was walking with him one day, he said:

"By the way, Frith, are you going to use the subject you mentioned to me of the drunken post-boy and your brother-in-law?"

"I? No," said I; "it's more in your way than mine."

"Then I'll do it next week."

He was as good as his word.

Nothing could be less like my brother-in-law than the delightful "swell" who is driving home some charming women, who are, however, left to our imagination; and as to the post-boy, the artist has awoke him to some purpose. What could surpass that drunken smile?

They may be Officers but they are not Gentlemen.

Long, long ago there might have been seen on the sands at Ramsgate two stuffed figures, the size of life, intended to represent soldiers; for they were bedecked with the red coat, cap, and trousers of the ordinary private. The clothes were simply stuffed out into something resembling human forms, but the effect, as may be supposed, was ludicrous in the extreme. They were the work of a professor of archery, who supplied his customers with bows and arrows, with which the archer showed how seldom he could hit the target made by the two soldiers. Leech and I watched the