good opinion, and Emon-a-knock, who watched him closely, was content that he should be her sole beau for the rest of the evening.

Refreshments were now brought in; cold punch for the boys and "nagus" for the girls; for old Murdock could afford to make a splash, and this he thought "was his time to do it. If any one was hungry, there was plenty of cold mate and bread on the kitchen dresser." But after the calcannon and tea, nobody seemed to hear him.

After the liquor on the first tray was disposed of, and the glasses collected for a replenish, a solo jig was universally called for. The two best dancers in the province were present—Tom Murdock and Edward Lennon, so there could be no failure.

Old Murdock had never seen young Lennon dance until that night, and so far as he could judge, "he was not the man that Tom need be afraid of." He had often seen Tom's best dancing, and certainly nothing which young Lennon had exhibited there up to that time could at all touch it.

"Come, Tom," said he, "give the girls a specimen of what you can do, your lone," and he laid the poker and tongs across each other in the middle of the floor.

Paddy Murrin struck up a spirit-stirring jig, which no one could resist. The girls were all dancing it "to themselves," and young Lennon's feet were dying to be at it, but of course he must wait.

Indeed he was not anxious to exhibit in opposition to his host's son, but feared his reputation as a dancer would put him in for it.

Tom Murdock having been thus called on, was tightening the fung of one of his pumps, to begin. Turning then to Murrin, he called for "the fox-hunter's jig."

He now commenced, and like a knowing professor of his art "took it easy" at the commencement, determined however to astonish them ere he had done. He felt that he was dancing well, but knew that he could dance much better, and would presently do so. He had often tried the "poker and tongs jig," but hitherto never quite to his satisfaction. He had sometimes come off perfectly victorious, without touching them, but as often managed to kick them about the floor. He was now on his mettle, not only on account of Winny Cavana, but also because "that whelp, Lennon, was looking on, which he had no right to be." For a while he succeeded admirably. He had tipped each division of the cross with both heel and toe, several times with rapid and successful precision; but becoming enthusiastic, as the plaudits passed round, he called to Murrin "to play faster," when after a few moments of increased speed, he tripped in the tongs, and came flat on his back upon the floor. He was soon up again, and a few touches of the clothes-brush set all to rights, except the irrepressible titter that ran round the room.

Of course there was an excuse one of the fungs of his pump had again loosened and caught in the tongs. This was not merely an excuse, but a fact, upon which Tom Murdock built much consolation for his "partial failure," as he himself jocosely called it; but he was savage at heart.

There was a general call now from the girls for young Lennon, and "Emon-a-knock, Emon-a-knock," resounded on all sides. He would not rise, however; he was now more unwilling than ever to "dance a match," as he called it to himself, with his host's son.

The "partial failure" of his rival—and he was honest enough to admit that it was but partial, and could not have been avoided—gave him well-founded hopes of a triumph. He too had tried his powers of agility by the poker and tongs test, and oftener with success than otherwise. It was some time now since he had tried it, as latterly he had not much time to spare for such amusements. He was unwilling, but not from fear of failure, to get up; but no excuse would be taken; he was caught by the collar of his coat by two sturdy handsome girls, and dragged into the middle of the room. Thus placed before the spectators, he could not refuse the ordeal, as it might be called.

He had his wits about him, however. He had seen Tom Murdock whisper something to the piper when he was first called on to stand up, and it proved that he was not astray as to its purport.

Recollecting the jig he was in the habit of dancing the poker and tongs to, he asked the piper to play it. Murrin hesitated, and at last came out with a stammer that "he hadn't it, but he'd give him one as good," striking up the most difficult jig in the Irish catalogue to dance to.

"No," said Lennon stoutly, "I heard you play the jig I called for a hundred times, and no later than last night, Pat, at Jemmy Mullarky's, as I passed home from work, and I'll have no other."

"I took whatever jig he happened to strike up," said Tom with a sneer.

"You might have had your choice, for that matter, and I daresay you had," replied Lennon, "and I'll have mine! It is my right."

"If a man can dance," continued Tom, "he ought to be able to dance to any jig that's given him; it's like a man that can only say his prayers out of his own book." And there was a suppressed smile at Lennon's expense.

He saw it, and his blood was up in a moment.

"He may play any jig he chooses now," exclaimed Lennon, "except one, and that is the one you told him to play," taking his chance that his suspicions were correct as to the purport of the whisper.

"I'll play the one I pled for the young masther himself; an' if that doesn't shoot you, you needn't dance at all," said Murrin, apparently prompted again by Tom Murdock.

This was a decision from which no impartial person could dissent, and Lennon seemed perfectly satisfied, but after all this jaw and interruption he felt in no great humor to dance, and almost feared the result.

As he stood up he caught a glance from Winny's eye which banished every thought save that of complying with that look. If ever a look planted an undying resolve in a man's heart it was that. It called him "Emon" as plain as if she had spoken it, and said, "Don't let that fellow put you down," and quick as the glance was it added, "he's a nasty fellow."

To it now Emon went with his whole heart. He cared not what jig Pat Murrin played, "or any other piper," he was able for them.

At first the quiet tipping of his heel and toe upon the floor, with now and then a flat stamp which threw up the dust, was inimitable. As he got into the "merits of the thing," the music was obliged to vie with him in activity. It seemed as much as if he was dancing for the piper to play to, as that the piper was playing for him to dance. Those who were up to the merits of an Irish jig, could have told the one he was dancing to if there had been no music at all. There was a tip, a curl, or a stamp for every note in the tune. In fact he played the jig upon the floor with his feet. He now closed the poker and tongs with confidence, while Tom Murdock looked on with a malicious hope that he too would bungle the business; and Winny Cavana looked on with a timid fear of the same result. But he danced through and amongst them as if by magic—a toe here, and a heel there, in each compartment of the crossed irons with the rapidity of lightning, but he never touched one of them.

"Quicker! quicker," cried Murdock to the piper, seeing that Lennon was perfect master of his position.

"Aye, as quick as you like," stammered Lennon, almost out of breath; and the increased speed of the music brought forth more striking performance, testified to by the applause which greeted his finishing bow.

He caught a short glance again from Winny's eye, as he passed to a vacant seat. "Thank you, Emon, from my heart," it said, as plainly as the other had spoken when he stood up.

It was now well on in the small hours, and as old Murdock and his son had both ceased in a manner to do any more honors, their silence was accepted as a sort of "notice to quit," and there was a general move in search of bonnets and cloaks. Tom Murdock knew that he was in the dumps, and wisely left Winny to her father's escort. Lennon's way lay by the Mulveys, and he was