she had married to get away from.

To get away--it had more to do with her marrying than any other thought. To get away from the house, the spreading pastures, the bright garden, and above all from the old deer pond in the park--the most beautiful of all the many lovely spots that nature and art, and time and taste, had joined to create and adorn Beremouth. The old deer pond in the park! Sheltered by ancient oak; backed by interlacing boughs of old hawthorn trees; shadowed by tall, shining, dark dense holly, that glowed through the winter with its red berries, and contrasted with the long fair wreaths of hawthorn flowers in the sweet smiling spring. There, in this now dreaded place, Horace Erskine had first spoken of love; and there how often had he promised her the happiness that had gone out of her life--for ever. In the terrible nights, when her broken-hearted pains were strongest, this deer pond in the park had been before her closed eyes like a vision. In its waters she saw in her sleep her face and his, so happy, so loving, so trusting, so true. Then the picture in that water changed, and she watched it in her feverish dreams with horror, but yet was obliged to gaze, and the truth went out of his face, and the terror came into hers. And, worse and worse, he grew threatening--he was cold--he had never loved--he was killing her; and she fell, fell from her height of happiness; no protecting arm stayed her, and the dark waters opened, and she heard the rushing sound of their deadly waves closing over her, as she sunk--sunk--again and again, night after night Oh, to get away, to get away! And she blessed Sir Geoffrey, and when he said he was too old to wait for a wife she was glad, for she had no wish to wait. Change, absence, another home, another life, another world--these things she wanted, and they had come. Is it any wonder that she took them as the man who is dying of thirst takes the longed-for draught, and drains the cup of mercy to the dregs?

It was a happy day to marry. Mr. Brewer had not only an excuse, but a positively undeniable reason for being bountiful and kind. For once he could openly, and as a matter of duty, make the sad hearts in Marston--and elsewhere--sing for joy. His blessings flowed so liberally that he had to apologize. It was only for once--he begged everybody's pardon, but it could never happen again; he had but this one child, and she was a bride, and so if they would forgive everything this once! And many a new life of gladness was begun that day; many a burden then lost its weight; many a record went up to the Eternal memory to meet that man at the inevitable hour.

Little Mary was the loveliest bridesmaid the world ever saw; standing alone like an angel by her dark sister's side. She was the only thing that Claudia grieved to leave. She was glad to flee away from "Mother-Mary." She dreaded lest those sweet wistful eyes should read her heart one day; and she could not help rejoicing to get away from that honest, open-hearted father's sight. Her poor, wrecked, shrunken heart--her withered life, could not bear the contrast with his free, kind, bounteous spirit that gave such measure of love, pressed down and running over, to all who wanted it. Her old husband, Sir Geoffrey, resembled that great good heart in whose love she had learnt to think all men true, more than did her young lover Horace Erskine--she could be humble and thankful to Sir Geoffrey; a well-placed approval was a better thing than an ill-placed love. So with that little vision of beauty, Minnie Lorimer, by her side, Claudia became Sir Geoffrey's wife.

Four months past, the bride and bridegroom were entertaining a grand party at their fine ancestral home, and Mr. Brewer was the father of a son and heir. Horace Erskine read both announcements in the paper one morning, and ground his teeth with vexation. He went to his desk and took out three letters, a long lock of silky hair, a small miniature--these things he had begged to keep. Laughing, he had argued that he was almost a relation. His uncle had married "Mother-Mary's" sister. She had had no strength to debate with him. She had chosen to wear the mask of indifference, too, to him. He now made these things into a parcel and sent them to Sir Geoffrey Greystock without one word of explanation. When they were gone he wrote to his uncle, begged for some money, got it, and started for Vienna. The money met him in London, and he crossed to France the same day.

In the midst of great happiness the strong heart of good Sir Geoffrey stood still. His wife sought him. She found him in his chair in a fit. On a little table by his side was the parcel just received. Claudia knew all. She took the parcel into the room close by, called her dressing room, rung for help, but in an hour Sir Geoffrey was dead; and Claudia had burnt the letters and the lock of silky hair.

The business of parliament, the excitement attendant on his marriage with that beautiful girl, the entertainment of that great house full of company--these reasons the world reckoned up, and found sufficient to answer the questions and the wonderings on Sir Geoffrey's death. But when those solemn walls no longer knew their master, Claudia, into whose new life the new things held but an unsteady place, grew ill. First of all, sleepless nights: how could she sleep with the sound of those waters by the deer pond in her ears? How could she help gazing perpetually at the picture on the pond's still surface: Horace and Sir Geoffrey, and herself not able to turn aside the death-stroke, but standing, fettered by she knew not what, in powerless misery, only obliged to see the changing face of her husband till the dead seemed to be again before her, and Horace melted out of sight, and she woke, dreading fever and praying against delirium? She was overcome at last. Terrible hours came, and "Mother-Mary's" sweet face mingling with some strong, subduing, life-endangering dream, was the first thing that seemed to bring her back to better things, and to restore her to herself.

In fact, Claudia had had brain fever, and whether or not she was ever to know real health again was a problem to be worked out by time. Would she come back to her father's house? No! The very name of Beremouth was to be avoided. Would she go abroad? Oh, no; there was a dread of separation upon her. "Somewhere where you can easily hear of me, and I of you; where you can come and see me, for I shall never see Beremouth again." It was her own thought, and so, about five miles from Beremouth, in the house of a Doctor Rankin, who took ladies out of health into his family, Claudia determined to go. It was every way the best thing that could be done, for every day showed more strongly than the last that Claudia would never be what is emphatically called "herself" again. So people said.

Dr. Rankin was kind, learned, and wise; Mrs. Rankin warm-hearted and friendly. Other patients beside Lady Greystock were there. It was not a private asylum, and Claudia was not mad; it was really what it called itself, a home which the sick might share, with medical attendance, cheerful company, and out-door recreations in a well-kept garden and extensive grounds of considerable beauty. Claudia had known Dr. and Mrs. Rankin, and had called with her father at Blagden, where they lived. And there her father and "Mother-Mary" took her three months after her husband's death, looking really aged, feeble, and strangely sad.

After a time--it was a long time--Claudia was said to be well. "Perfectly recovered," said Dr. Rankin, "and in really satisfactory health." So she was when Minnie Lorimer stood in the room at the inn in Hull, talking to that very Horace Erskine, who was bringing her home from her aunt's in Scotland to her mother at Beremouth.

"Sweet seventeen!" Very sweet and beautiful, pleasing the eye, gratifying the mind, filling the heart with hope, and setting imagination at play--Minnie Lorimer was beautiful, and with all that peculiar beauty about her that belongs to "a spoilt child" who has not been spoilt after all.