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EARLY PLOUGHING.

Back and forth through the sloping lot the ploughman slowly turns the dingy sward, and in the rich brown furrow, following in his track, we see the cackling troop of hens, and the lordly rooster, with great ado, searches out the dainty tidbits for his motley crowd of favorites. The whole landscape has become infused with human life and motion. Wherever the eye may turn it sees the evidences of varied and hopeful industry. Yonder we notice an oft-recurring little puff of mist, like a burlesque snow-drift, ever and anon bursting into view, and softly vanishing against the sward; another glance detects the slow progress of horse and cart, as the farmer sows his load of plaster across the whitening field. Farther up, where the brow of the hill stands clear against the sky, a pacing figure, with measured sweep of arm, scatters the handfuls of wheat, and team and harrow soon are in his path, combing and crumbling the dark-brown mould. High curling wreaths of smoke wind upward from the flat swamp lot beyond, where hilarious boys enjoy both work and play in burning off the brush. Here we shall see the first welcome nibble of fresh grass for the poor bereaved cow, whose lamenting bleat now echoes through the barn near by; and for those oxen, too, that with swaying, clumsy gait lug the huge roller across the neighboring field. And what strange yells and exclamations guide them in their labored progress! “Ho back! Gee up, ahoy! Ho haw!” From every direction, in voices near, and others faint with distance, we hear this same queer jargon. Who could believe that so much good work hung upon the incessant reiteration of that brief and monotonous vocabulary? Rather would we listen to the musical ring of the laughing children riding on the big “brush harrow” down through that barn-yard lane beyond. Now they are out upon the broken ground where John has strewn the “compost” to be “brushed in.” A broad flat wake follows them around the field, and that same troop of hens and turkeys revel in the lively feast spread out before them in the loose upturning.

RETURN FROM THE FIELDS.

VOICES OF THE NIGHT.

So runs the record of a busy day in the early New England springtime, and with its all-absorbing industry it is a day that passes quickly. The afternoon runs into evening. Cool shadows creep across the landscape as the glowing sun sinks through the still bare and leafless trees and disappears behind the wooded hills. The fields are now deserted, and through the uncertain twilight we see the little knots of workmen with their swinging pails, and hear their tramp along the homeward road. In the dim shadows of the evergreens beyond, a faint gray object steals into view. Now it stops at the old watering-trough, and I hear the sip of the eager horse and the splash of overflowing water. Some belated ploughman, fresh, perhaps, from a half-hour’s gossip at the village store. I hear the sound of hoofs upon the stones as they renew their way, the dragging of the chain upon the gravelly bed, and the receding form is lost in the darkening road. One by one the scattered barns and houses have disappeared in the gathering dusk, marked only by the faint columns of blue smoke that rise above the trees, and melt away against the twilight sky. I look out upon a wilderness of gloom, where all above is still and clear, and all below is wrapped in impenetrable mystery. A plaintive piping trill now breaks the impressive stillness. Again and again I hear the little lonely voice vibrating through the low-lying mist. It is only a little frog in some far-off marsh; but what a sweet sense of sadness is awakened by that lowly melody! How its weird minor key, with its magic touch, unlocks the treasures of the heart. Only the peeping of a frog; but where in all the varied voices of the night, where, even among the great chorus of nature’s sweetest music, is there another song so lulling in its dreamy melody, so full of that emotive charm which quickens the human heart? How often in the vague spring twilight have I yielded to the strange, fascinating melancholy awakened by the frog’s low murmur at the water’s edge! How many times have I lingered near some swampy roadside bog, and let these little wizards weave their mystic spell about my willing senses, while the very air seemed to quiver in the fulness of their song! I remember the tangle of tall and withered rushes, through whose mysterious depths the eye in vain would strive to penetrate at the sound of some faint splash or ripple, or perhaps at the quaint, high-keyed note of some little isolated hermit, piping in his sombre solitude. I recall the first glimpse of the rising moon, as its great golden face peered out at me from over the distant hill, enclosing half the summit against its broad and luminous surface. Slowly and steadily it seemed to steal into view, until, risen in all its fulness, I caught its image in the trembling ripples at the edge of the soggy pool, where the palpitating water responded to the frog’s low, tremulous monotone. Higher and higher it sails across the inky sky, its glow now changed to a silvery pallor, across whose white halo, in a floating film, the ghostly clouds glide in their silent flight. A dull tinkling of some distant cow-bell breaks the spell, and recalls my wandering thoughts, and as I again take up my way along the moonlit road, the glimmering windows on right and left betray the hiding-places of a score of humble homes. Not far beyond I see the swinging motion of a flickering lantern, as some tardy farmer’s boy, whistling about his work, clears up his nightly chores. Now he enters the old barn-door. I see the light glinting through the open cracks, and hear the lowing of the cows, the bleating of the baby-calf, and rattling chains of oxen in the stanchion rows. Now again I catch the gleam at the open door; the swinging light flits across the yard, and the old corn-crib starts from its obscurity. I see the boyish figure relieved against the glow within as a basketful of yellow ears are gathered for the impatient mouths in the noisy manger stalls. Sing on, my boy, enjoy it while you may! That venerable barn will yield a fragrance to you in after-life that will conjure up in your heart a throng of memories as countless as the shining grains that glimmer in the light you hold, and as golden, too, as they. I wonder if those soft-winged bats squeak among the clapboards, or make their fluttering zigzag swoops about your lantern as they were wont to do in olden times.

Then there was that big-eyed owl, too, that perched upon the maple-tree outside my window, and cried as if its heart would break at the doleful tidings it foretold. What a world of kind solicitude that dolorous bird awakened in our superstitious neighbor across the road! How she overwhelmed us with her sympathy, aroused by that sepulchral omen! But I still live, and so does the owl, for aught I know; and I sometimes think that this aged, stooping dame over the way has never fully recovered from her disappointment, for she always greets me with a sigh and an injured expression, as she says, in her high and tremulous voice, “Well! well! back agin ez hale ’n hearty ’s ever; an’ arter the way thet ar witch bird yewst teu call ye, too, night arter night. Jest teu think on’t! an’ we’d all a’ gi’n ye up fer sartin. Well! well! I never see the beat on’t. Yen deu seem teu hang on