under that house, in a secret cellar!

In half a minute I was standing beside Miss Watts, shaking her arm and trying to wake her. Almost before I was able to make her understand what I had seen she was through the front door and half-way down the avenue, dragging me with her.

"Where are we going?" I gasped.

"To the next house, idiot, to telephone to the police," she said. "Do you think we could stay there and do it?"

We left the avenue and came into the road, and as we ran on, stumbling into mud-holes and whipped by wind and rain, she panted out that the men were probably escaped convicts from some prison or patients from some asylum. I ran faster after that, though I hadn't thought I could. I wondered if I were having a bad dream. Several times I pinched myself, but I didn't wake up. Instead, I kept on running and stumbling and gasping, until I felt sure I had been running and stumbling and gasping for years and must keep on doing it for eons more. But at last we came to a house set far back in big grounds, and we raced side by side up the driveway that led to the front door. Late as it was, there were lights everywhere, and through the long windows opening on the veranda we could see people moving about.

Miss Watts gave the bell a terrific pull; some one opened the door, and we stumbled in. After that everything was a mixture of questions and answers and excitement and telephoning, followed by a long wait for the police. A man led Miss Watts and me into a room where a fire was burning, and left us to get warm and dry. When we were alone I asked Miss Watts if she thought they would keep us overnight. She stared at me.

"You won't have much time for sleep," she answered, almost kindly. "It will take you an hour or two to write your story."

It was my turn to stare, and I did it. "My story?" I asked her. "To-night? What do you mean?"

She swung round in her chair and stared at me harder than ever. Then she cackled in her nastiest way. "And this is a New York reporter!" she said. "Why, you little dunce, you know you've got a story, don't you?"

"Yes," I answered, doubtfully. "But I'm to write it to-morrow, after I talk to Mr. Hurd."

Miss Watts uttered a squawk and then a squeal. "I don't know what fool sent you here," she snapped, "or what infant-class you've escaped from. But one thing I do know: You came here to write a Sunday 'thriller,' I suppose, which would have destroyed what little value my property has left. By bull-headed luck you've stumbled on the truth; and it's a good news story. It will please your editor, and it will save my property. Now, here's my point." She pushed her horrible little face close to mine and kept it there while she finished. "That story is coming out in the Searchlight to-morrow morning. I'd do it if I could, but I'm not a writer. So you're going to write it and telephone it in to the Searchlight office within the next hour. Have I made myself clear?"

She had. I felt my face getting red and hot when I realized that I had a big story and had not known it. I wondered if I could ever live that down. I felt so humble that I was almost willing to let Miss Watts see it.

But before I could answer her there was the noise of many feet in the hall, with the voices of men. Then our door was flung open, and a young man came in, wearing a rain-coat, thick boots covered with mud, and a wide grin. He was saving time by shaking the rain off his soft hat as he crossed the room to us. His eyes touched me, then passed on to Miss Watts as if I hadn't been there.

"Miss Watts," he said, "the police are here, and I'm going back to the house with them to see the capture. I'm Gibson, of the Searchlight."

Miss Watts actually smiled at him. Then she held out her skinny little claw of a hand. "A real reporter!" she said. "Thank Heaven! You know what it means to me to have this thing put straight. But how do you happen to be here?"

"Hurd sent me to look after Miss Iverson," he explained, glancing at me again. "He couldn't put her in a haunted house without a watch-dog, but, to do her justice, she didn't know she had one. I was in a summer-house on the grounds. I saw you leave and followed you here. Then I went up the road to meet the police."

He grinned at me, and I smiled a very little smile in return. I wasn't going to give him a whole smile until I found out how he was going to act about my story. Miss Watts started for the door.

"Come on," she said, with her hand on the knob.

The real reporter's eyes grew big. "Are you going along?" he gasped.

"Certainly I'm going along," snapped Miss Watts. "I'm going to see this thing through. And I'll tell you one thing right now, young man," she ended, "if you don't put the facts into your story I'm going to sue your newspaper for twenty-five thousand dollars."

He did not answer. His attention seemed to be diverted to me. I was standing beside Miss Watts, buttoning my rain-coat and pulling my hat over my eyes again, preparatory to going out.

"Say, kid," said the real reporter, "you go back and sit down. You're not in this, you know. We'll come and get you and take you to the hotel after it's all over."

I gave him a cold and dignified glance. Then I buttoned the last button of my coat and went out into the hall. It was full of men. The real reporter hurried after me. He seemed to expect me to say something. So finally I did.

"Mr. Hurd told me to write this story," I explained, in level tones, "and I'm going to try to write it. And I can't write it unless I see everything that happens."

I looked at him and Miss Watts out of the corner of my eye as I spoke, and I distinctly saw them give each other a significant glance. Miss Watts shrugged her shoulders as if she didn't care what I did; but the real reporter looked worried.

"Oh, well, all right," he said, at last. "I suppose it isn't fair not to let you in on your own assignment. There's one good thing—you can't get any wetter and muddier than you are." That thought seemed to comfort him.

We had a hard time going back, but it was easier because there were more of us to suffer. Besides, the real reporter helped Miss Watts and me a little when we stumbled or when the wind blew us against a tree or a fence. When we got near the house everybody moved very quietly, keeping close to the high hedge. We all went around to the back entrance. There the chief constable began to give his men orders, and the real reporter led Miss Watts and me into a grape-arbor, about fifty feet from the house.

"This is where we've got to stay," he whispered, pulling us inside and closing the door. "We can see them come out, and get the other details from Conroy, who's in charge."

The police were creeping closer to the house. Three of them took places outside while the rest went forward. First there was a long silence; then a sudden rush and crash—shouts and words that we didn't catch. Gleams of light flashed up for a minute—then disappeared. The men stationed outside the house ran toward the cellar. There was the flashing of more light, and at last the police came out with their prisoners—and the whole thing was over. There had not been a pistol-shot.

I was as warm as toast in my wet clothes, but my teeth were chattering with excitement, and I knew Miss Watts was excited, too, by the grip of her hand on my shoulder. The men came toward us through the rain on their way to the gate, and Mr. Conroy's voice sounded as if he had been running a race. But he hadn't. He had been right there.

"Well, Miss Watts, we've got 'em," he crowed. "A nice little gang of amachur counterfeiters. They've