قراءة كتاب Wisconsin in Story and Song; Selections from the Prose and Poetry of Badger State Writers
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Wisconsin in Story and Song; Selections from the Prose and Poetry of Badger State Writers
were young and vigorous, and their action was swift and supple. Sometimes it was hot to the danger point, especially on the windless side of the stack (no one had haybarns in those days) and sometimes the pitcher complained of cold chills running up his back. Sometimes Jack flung a pail full of water over his head and shoulders before beginning to unload, and seemed the better for it. Mr. Stewart kept plenty of "switchel" (which is composed of ginger and water) for his hands to drink. He had a notion that it was less injurious than water or beer, and no sun strokes occurred among his men.
Once, one hot afternoon, the air took on an oppressive density, the wind died away almost to a calm, blowing fitfully from the south, while in the far west a vast dome of inky clouds, silent and portentous, uplifted, filling the horizon, swelling like a great bubble, yet seeming to have the weight of a mountain range in its mass. The birds, bees, and all insects, hitherto vocal, suddenly sank into silence, as if awed by the first deep mutter of the storm. The mercury is touching one hundred degrees in the shade.
All hands hasten to get the hay in order, that it may shed rain. They hurry without haste, as only adept workmen can. They roll up the windrows by getting fork and shoulder under one end, tumbling it over and over endwise, till it is large enough; then go back for the scatterings, which are placed, with a deft turn of the fork, on the top to cap the pile. The boys laugh and shout as they race across the field. Every man is wet to the skin with sweat; hats are flung aside; Lincoln, on the rake, puts his horse to the trot. The feeling of the struggle, of racing with the thunder, exalts him.
Nearer and nearer comes the storm, silent no longer. The clouds are breaking up. The boys stop to listen. Far away is heard the low, steady, crescendo, grim roar; intermixed with crashing thunderbolts, the rain streams aslant, but there is not yet a breath of air from the west; the storm wind is still far away; the toads in the marsh, and the fearless king-bird, alone cry out in the ominous gloom cast by the rolling clouds of the tempest.
"Look out! here it comes!" calls the boss. The black cloud melts to form the gray veil of the falling rain, which blots out the plain as it sweeps on. Now it strikes the corn-field, sending a tidal wave rushing across it. Now it reaches the wind-break, and the spire-like poplars bow humbly to it. Now it touches the hay-field, and the caps of the cocks go flying; the long grass streams in the wind like a woman's hair. In an instant the day's work is undone and the hay is opened to the drenching rain.
As all hands rush for the house, the roaring tempest rides upon them like a regiment of demon cavalry. The lightning breaks forth from the blinding gray clouds of rain. As Lincoln looks up he sees the streams of fire go rushing across the sky like the branching of great red trees. A moment more, and the solid sheets of water fall upon the landscape, shutting it from view, and the thunder crashes out, sharp and splitting, in the near distance, to go deepening and bellowing off down the illimitable spaces of the sky and plain, enlarging, as it goes, like the rumor of war.
In the east is still to be seen a faint crescent of the sunny sky, rapidly being closed in as the rain sweeps eastward; but as that diminishes to a gleam, a similar window, faint, watery, and gray, appears in the west, as the clouds break away. It widens, grows yellow, and then red; and at last blazes out into an inexpressible glory of purple and crimson and gold, as the storm moves swiftly over. The thunder grows deeper, dies to a retreating mutter, and is lost. The clouds' dark presence passes away. The trees flame with light, the robins take up their songs again, the air is deliciously cool. The corn stands bent, as if still acknowledging the majesty of the wind. Everything is new-washed, clean of dust, and a faint, moist odor of green things fills the air.
Lincoln seizes the opportunity to take Owen's place in bringing the cattle, and mounting his horse gallops away. The road is wet and muddy, but the prairie is firm, and the pony is full of power. In full flower, fragrant with green grass and radiant with wild roses, sweet-williams, lilies, pinks, and pea-vines, the sward lies new washed by the rain, while over it runs a strong, cool wind from the west. The boy's heart swells with unutterable joy of life. The world is exaltingly beautiful. It is good to be alone, good to be a boy, and to be mounted on a swift horse.
AMONG THE CORN ROWS
From "MAIN TRAVELLED ROADS." Printed by permission of Harper Bros.
A corn-field in July is a sultry place. The soil is hot and dry; the wind comes across the lazily murmuring leaves laden with a warm, sickening smell drawn from the rapidly growing, broad-flung banners of the corn. The sun, nearly vertical, drops a flood of dazzling light upon the field over which the cool shadows run, only to make the heat seem the more intense.
Julia Peterson, faint with hunger, was toiling back and forth between the corn-rows, holding the handles of the double-shovel corn plow, while her little brother Otto rode the steaming horse. Her heart was full of bitterness, her face flushed with heat, and her muscles aching with fatigue. The heat grew terrible. The corn came to her shoulders, and not a breath seemed to reach her, while the sun, nearing the noon mark, lay pitilessly upon her shoulders, protected only by a calico dress. The dust rose under her feet, and as she was wet with perspiration it soiled her till with a woman's instinctive cleanliness, she shuddered. Her head throbbed dangerously. What matter to her that the king bird flitted jovially from the maple to catch a wandering blue bottle fly, that the robin was feeding her young, that the bobolink was singing. All these things, if she saw them, only threw her bondage to labor into greater relief.
Across the field, in another patch of corn, she could see her father—a big, gruff-voiced, wide-bearded Norwegian—at work also with a plow. The corn must be plowed, and so she toiled on, the tears dropping from the shadow of the ugly sun-bonnet she wore. Her shoes, coarse and square-toed, chafed her feet; her hands, large and strong, were browned, or, more properly, burnt, on the backs by the sun. The horse's harness "creak-cracked" as he swung steadily and patiently forward, the moisture pouring from his hide, his nostrils distended.
The field bordered on a road, and on the other side of the road ran a river—a broad, clear, shallow expanse at that point—and the eyes of the girl gazed longingly at the pond and the cool shadow each time that she turned at the fence.
This same contrast is expressed by Hamlin Garland in two poems presented here. The first, "Ploughing," sets forth the irksome toll to which the undeveloped boy was subjected. The second, "Ladrone," portrays the joy which the youth in the country acquires from association with the animals of the farm. These poems and all the following selections are taken from "Boy Life on the Prairie," and are here published by permission of the Macmillan Company.