might have pulled up just then, Herrick. I was tired of my old follies, sick to death of all our extravagances, smoking porters, breaking windows, beating watchmen, cock-pit and bear-garden, dicing and drinking. I meant to become a better man, and Judith Walberton's husband. But Wharton and his gang jeered at my reformation—twitted and taunted and teased and exasperated me into a braggadocio wager, and I lost her who should have been my redeeming angel."

"Nay, Jack, methinks that lady was never so angelic as you deemed her, and that she has too much of Lucifer's pride to rank with seraphs that have not fallen. She is a fine creature, but a dangerous friend for you; and you are a fatal companion for her. In a word, you ought not to be in this house. The same roof should not shelter you and Lady Judith."

"Grateful, after I have brought you here to play the traitor and court my mistress—vastly grateful, after I have surrendered the lady and her fortune!"

"Dear Jack, I was never your flatterer—should I flatter when I see you on the road to perdition?"

"What matter, if it be the only way to happiness? O, for some occult power by which I could read and rule the thoughts of her I love! There are moments when I fancy that I do so rule her—that I can creep into her heart, stir her bosom with the same fire that thrills my own, transfer every thought of my brain to hers. Our eyes have met in such moments—met across the babble and folly of the crowd, and I have known that we were reading each other's mind as plainly as in an open book. And then came that sleek profligate Bolingbroke, with his false handsome face and honeyed tongue, and her vanity or her caprice was at once engaged. Pleasant to have so great a man in leading-strings. She would as readily take fox-hunting, heavy-jowled, beef-eating Walpole for her flirt. She is made up of extravagance and vanity."

"She is a woman of fashion. What else would you have her but vain and extravagant? They are all cast in the same mould. Vanity, extravagance, and coquetry in youth; envy, malice, white lead, and ratafia in age. Believe me, Jack, thou hadst best go back to town!"

"Why, so I will, Herrick, when the Craftsman goes. They tell me that is the name of the new paper which Bolingbroke and Pulteney are plotting. I will not leave Henry St. John master of the field."

"He is old enough to be her father."

"He is handsome enough and seductive enough to be her lover. I swear I will not leave him on the ground. Ah, here comes our dilettante host, with his usual semiquaver and diminished-seventh air."

"What, gentlemen!" exclaimed Mr. Topsparkle, "is it possible two Englishmen can spend a morning without cock-fighting, donkey-racing, or some other equally national entertainment? Do you know that there are races at Stockbridge to-day, and that most of my friends have gone off on horseback or in coaches to see the sport? Shall I order another coach for you two?"

"I am profoundly obliged for the offer," said Lavendale, "but I had enough of horse-racing when I was in my teens. I contrived to lose a small fortune and exhaust the pleasures of the Turf before my majority. I have not the staying power of my Lord Godolphin, who frequented the racecourse to his dying day. But I could suggest an amusement, Mr. Topsparkle, if you have a spare half-hour to bestow upon me."

"All my hours are at your lordship's service."

"You are vastly kind. My friend Durnford and I are both burning with impatience to see your library—that is to say, those choicer books which are not shown to the outer world, the crypto-jewels of your collection."

"I shall be delighted to exhibit those gems to such fine judges. I always think of a rare book or curio as if it were a living thing, and could feel a slight. To an appreciative friend I am ever charmed to unlock my choicest cases: those in my own study, for instance, where I keep my private collection. Will you walk that way? I have been spending a wearisome hour there with my land-steward, and your presence will be an agreeable relief."

Lavendale and Durnford followed their host along a corridor to the further end of the house, where there was a spacious room fronting the south, but shaded by the old Gothic cloister upon which the windows opened. There was a glass door also opening into the cloister, and here on sunny mornings, and sometimes even in rainy weather, Mr. Topsparkle walked up and down, sometimes with a book, sometimes in meditative solitude.

The room was handsome and picturesque: the bookcases which lined the walls on all sides were of richly carved oak—the spoils of Flemish churches, the wreckage of old choir-stalls and demolished pulpits. The ceiling was also of oak, heavily bossed. The floor was polished oak, covered in part by a large Oriental carpet. Mr. Topsparkle had not been quite such a Goth as that Lord Westmoreland who built a Grecian front to one side of a fine old cloistered court at Apethorpe; but his taste was of the rococo order, and he had not altogether spared the monastic building which caprice, rather than veneration for antiquity, had tempted him to buy. He had built out an alcove at one end of the room, and had lighted it with painted windows from the wreck of an Italian palace—a patch of renaissance art stuck like a wen upon a purely mediæval building. This alcove Mr. Topsparkle loved better than any other part of his house. It was his own secret cell, in which he delighted to read or meditate, write letters, or survey his financial position, alone or with the attendance of his man of business. Rich as he was, Mr. Topsparkle was not above making more money. He had his dabblings and speculations on 'Change, and was, like Roland Bosworth, in advance of his contemporaries in clearness of insight and breadth of view.

To-day the appearance of this alcove indicated that he had lately been at work there. A large old-fashioned Dutch bureau stood open, the secrétaire littered with papers. It was a wondrous old piece of furniture which filled one side of the recess. The double doors were richly ornamented with the story of the Crucifixion and Entombment carved in high relief. These doors stood open, and the light from the painted window on the opposite side of the recess shone with prismatic hues upon the writing-desk, with its scattered papers and innumerable drawers and pigeon-holes.

"I fear we are intruders here at an awkward time, Mr. Topsparkle," said Lavendale, noting that appearance of recent occupation.

"No, upon my veracity. I have dismissed my man of business; I mean to work no more to-day."

"Hard that Crœsus should have to labour," said Herrick lightly.

"My dear Durnford, be assured that if Crœsus was as rich as we are told, he had been obliged to toil in the maintenance of his fortune, to look to the collection of king's taxes, and see that his people did not plunder him. 'Tis almost as hard labour to keep a fortune as to win one, and I doubt if any man is as happy as the miser who keeps his money in a hole under his pallet, and counts it every night. That, for pure enjoyment, is your true use of money. But let me show you my books."

He unlocked a case and displayed some of his treasures,—curious hooks in all languages, from classic Greek to modern French; from Anacreon to the author of the "Philippiques," those terrible lampoons upon the late Regent, published but a few years earlier in Paris. They were strange and unholy books some of them, the possession of which could not give any man the slightest pleasure, were it not the foolish pride of owning something rare and costly and unparalleled in wickedness. Mr. Topsparkle was intensely proud of them.

"You could never imagine the pains it has cost me to collect these rarities," he said, "and upon my soul I know not if they are worth having. 'Tis like those dulcimers in the music-room which belonged to Marguerite of Valois—Clément Marot's Marguerite, you understand—and for which I gave a small fortune to a Jew dealer in