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قراءة كتاب The Divine Comedy of Dante Alighieri The Inferno
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The Divine Comedy of Dante Alighieri The Inferno
together, retreating, as it were in the order of war, to camps of observation they found ready prepared for them in the nearest cities and fortresses held by those of their own way of thinking. All their wits were then bent on how, by dint of some fighting and much diplomacy, they might shake the strength and undermine the credit of their successful rivals in the city, and secure their own return in triumph. It was an art they were proud to be adepts in.[8]
In a rapid sketch like this it would be impossible to tell half the changes made on the constitution of Florence during the second part of the thirteenth century. Dante in a well-known passage reproaches Florence with the political restlessness which afflicted her like a disease. Laws, he says, made in October were fallen into desuetude ere mid-November.[9] And yet it may be that in this constant readiness to change, lies the best proof of the political capacity of the Florentines. It was to meet new necessities that they made provision of new laws. Especial watchfulness was called for against the encroachments of the grandees, whose constant tendency—whatever their party name—was to weaken legal authority, and play the part of lords and masters of the citizens. But these were no mere weavers and quill-drivers to be plundered at will. Even before the return of the Guelfs, banished in 1248, the citizens, taking advantage of a check suffered in the field by the dominant Ghibelines, had begun to recast the constitution in a popular sense, and to organise the townsmen as a militia on a permanent footing. When, on the death of Frederick in 1250, the Imperialist nobles were left without foreign aid, there began a period of ten years, favourably known in Florentine history as the Government of the Primo Popolo or Popolo Vecchio; that is, of the true body of the citizens, commoners possessed of franchises, as distinguished from the nobles above them and the multitude below. For it is never to be forgotten that Florence, like Athens, and like the other Italian Republics, was far from being a true democracy. The time was yet to come, and it was not far distant, when the ranks of citizenship were to be more widely opened than now to those below, and more closely shut to those above. In the meantime the comparatively small number of wealthy citizens who legally composed the ‘People’ made good use of their ten years of breathing-time, entering on commercial treaties and widening the possessions of the Commonwealth, now by war, and now by shrewd bargains with great barons. To balance the influence of the Podesta, who had hitherto been the one great officer of State—criminal judge, civil governor, and commander-in-chief all in one—they created the office of Captain of the People. The office of Podesta was not peculiar to Florence. There, as in other cities, in order to secure his impartiality, it was provided that he should be a foreigner, and hold office only for six months. But he was also required to be of gentle birth; and his councils were so composed that, like his own, their sympathies were usually with the nobles. The Captain of the People was therefore created partly as a tribune for the protection of the popular rights, and partly to act as permanent head of the popular forces. Like the Podesta, he had two councils assigned to him; but these were strictly representative of the citizens, and sat to control his conduct as well as to lend to his action the weight of public opinion.
Such of the Ghibelines as had not been banished from Florence on the death of Frederick, lived there on sufferance, as it were, and under a rigid supervision. Once more they were to find a patron and ally in a member of the great house of Hohenstaufen; and with his aid they were again for a few years to become supreme in Florence, and to prove by their abuse of power how well justified was the mistrust the people had of them. In many ways Manfred, one of Frederick’s bastards, was a worthy son of his father. Like him he was endowed with great personal charm, and was enamoured of all that opened new regions to intellectual curiosity or gave refinement to sensual pleasure. In his public as well as in his private behaviour, he was reckless of what the Church and its doctrines might promise or threaten; and equally so, his enemies declared, of the dictates of common humanity. Hostile eyes detected in the green clothes which were his favourite dress a secret attachment to Islam; and hostile tongues charged him with the murder of a father and of a brother, and the attempted murder of a nephew. His ambition did not aim at the Empire, but only at being King of Sicily and Naples, lands which the Hohenstaufens claimed as their own through the Norman mother of Frederick. Of these kingdoms he was actual ruler, even while his legitimate brother Conrad lived. On the death of that prince he brushed aside the claims of Conradin, his nephew, and bid boldly for recognition by the Pope, who claimed to be overlord of the southern kingdoms—a recognition refused, or given only to be immediately withdrawn. In the eyes of Rome he was no more than Prince of Tarentum, but by arms and policy he won what seemed a firm footing in the South; and eight years after the rule of the Popolo Vecchio began in Florence he was the acknowledged patron of all in Italy who had been Imperialist—for the Imperial throne was now practically vacant. And Manfred was trusted all the more that he cared nothing for Germany, and stood out even more purely an Italian monarch than his father had ever been. The Ghibelines of Florence looked to him to free them of the yoke under which they groaned.
When it was discovered that they were treating with Manfred, there was an outburst of popular wrath against the disaffected nobles. Some of them were seized and put to death, a fate shared by the Abbot of Vallombrosa, whom neither his priestly office nor his rank as Papal Legate availed to save from torture and[Pg xxxvii] a shameful end.[10] Well accustomed as was the age to violence and cruelty, it was shocked at this free disposal of a great ecclesiastic by a mercantile community; and even to the Guelf chronicler Villani the terrible defeat of Montaperti seemed no more than a just vengeance taken by Heaven upon a crime so heinous.[11] In the meantime the city was laid under interdict, and those concerned in the Abbot’s death were excommunicated; while the Ghibelines, taking refuge in Siena, began to plot and scheme with the greater spirit against foes who, in the very face of a grave peril, had offended in the Pope their strongest natural ally.
The leader of the exiles was Farinata, one of the Uberti, a family which, so long ago as 1180, had raised a civil war to force their way into the consulship. Ever since, they had been the most powerful, perhaps, and certainly the most restless, clan in Florence, rich in men of strong character, fiercely tenacious of their purpose. Such was Farinata. To the Florentines of a later age he was to stand for the type of the great Ghibeline gentleman, haughty as Lucifer, a Christian in name