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قراءة كتاب Futuria Fantasia, Winter 1940

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Futuria Fantasia, Winter 1940

Futuria Fantasia, Winter 1940

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دار النشر: Project Gutenberg
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class="i0">Fast thru the stars in this evil flight;
Lead thee me out past the rim of space,
Show me that ravenous, pain-black face,
Marmok, whose myrmidons ever are questing
For souls who wander at nite, unresting.
Then shall I know an ultimate bliss
Tasting the fury of that cosmic kiss,
Whilst my earth-cloak lies limply on the floor
To waken and gibber forevermore.


What is the dim monstrosity that shimmers across the stars, what hand is that to cradle planets, earth and mars. What misshapen gargantuan of nebulous formed flesh, hurls out its flood of darkness, the systems to enmesh. What is it walks across the universes chanting cosmic choruses with endless verses—what thing unutterable has visited our Earth long years ago, and now, tonite, returns, in the shadows lurking glow. What ancient fear is with me, cold and terrible? Is that the shape of man upon the constellations, blotting out the light—or something gasping in hideous delight, plucking at the planets in insanity, at play, causing suns to boil like cauldrons, meteors to sing upon their way with mournful voices, lost ghosts upon lonely trails—wailing—wailing. Is tonight our rendezvous with the Cosmos Thing, the Colossus bigger than Andromeda that sits upon the throne of space—or are these fantasies upon my aged eyes?


HADES

Upon the shores of molten seas stand men, stand men alone,
And down below, in the molten flow, in the waves that cry and moan
Are women bare with flaming hair, whose passions have no surcease.
And in the air, midst the scarlet glare, are more who will never know Peace.

THE BEST WAYS TO GET AROUND

I don't mean socially; I mean off the Earth and between the planets. There are a few really good ways, as invented by perspiring authors in science-fiction magazines. And if I miss any, which is extremely doubtful, remember that I'm writting from memory, that I hadn't read all the scientifiction magazines from 1926 and on, and that I am not going to go researching through the tremendous stacks of old scientifiction magazines that I now have in my possession.

Now, what DO I mean by THE BEST WAYS TO GET AROUND? Briefly, by the word BEST, I mean so pseudo-logical that you could almost leave off the "pseudo". See? (No)

For instance, Jack Williamson's geodesic machinery, wherein he warps space around, appeals to me as being pure fairy tale stuff. He just gives a lot of verbal hocus-pocus, and runs off reams of litterary fertilizer until we throw up our hands in disgust and say; "O.K., O.K., Jack, to hell with that, let's get on with the 'story'. We'll grant you that you can get around."—And we're willing to grant E.E. Smith the same privilege. He DOES get around—anybody disagree? The question is; how? Oh, by useing "X", and the inertialess drive. The same with brother Burroughs. What do we care if dear old John Carter "yearns" himself to Mars? He gets there, and we are happy, or were happy.

So, we exclude all those from THE BEST WAYS TO GET AROUND. They are very nice and convenient to get people places; but, when we run across one of the "BEST WAYS" we often wonder if it REALLY WOULDN'T be possible, provided——. Of course, that word "provided" is the catch—the reason why we really aren't going around that way.

Again—So, way back there, Edmond Hamilton, and a hundred others, have used the idea of light-preasure in an attempt to get away from rockets. But he didn't tell us how, scientifictionaly. In direct contrast to vauge statements made regarding the use of light-preasure as propulsion, I remember the MOON CONQUORS, by R.H. Romans, in a 1931 (I think) (You're right, 4SJ) quarterly. You've seen radiometers. The things with black and white vanes placed in a vacuum. The theory is that the opposite shades cause unbalanced light preasure, so that the vanes go around and around. Romans invented a pseudo-scientifically logical way to use light-preasure, once he got his ship in space. His scientist invented a compound of absolute black. (Which is also obtainable in a darkroom) A small square of darkroom—or, I mean, absolute black painted on the posterior of the ship, and regulated at will, gave the same ship quite respectable speeds. Certainly it won't work outside of a story—but, I'm talking scientifictionally. Romans used his imagination, and we all had fun.

In the same story, Romans used a swell device to get the ship off the earth. He used a mile-long tube, composed of circular magnets. It was a magnetic gun. Each magnet pulled the ship towards it, and then, as the ship passed it, the magnet's poles were reversed, and made to repel the ship. With each magnet at maximum charge, either pulling or pushing the ship, according to whether it was in front or behind the latter, the same erupted from the tube with the necessary 7 M.P.S. velocity of escape, and so was off on the way to the moon. What's wrong with the idea? I dunno.

John W. Campell (Jr.) used to have brainstorms: in fact, he invented two of THE BEST WAYS TO GET AROUND. One, in the first of the ARCOT, MOREY, and WADE stories, "PIRACY PREFERRED", was that of molecular motion. All the little molecules in a bar of metal go madly around in every possible direction. If you could invent, as Campbell did in the story, an electro-magnetic vibration that would force all the mollecules to go in the same direction, then the bar of metals would go in that direction, since it would be them. So Mr. Campbell hooked the thing up to his ship, and off he went to Venus, or some other planet. Well, it would work, wouldn't it, provided (ah yes!) you could make all the mollecules go into one directional flow.

And the other brainstorm was when Aarn Munro, in the MIGHTIEST MACHINE, decided that momentum and velocity were wave formations, and therefore, one should be able to tune into them! (Anyone should be able to think up a simple theory like that.) Not a bad WAY TO GET AROUND—in a science fiction story.

Back in 1930, or some such year, Charles R. Tanner wrote THE FLIGHT OF THE MERCURY, in the old WONDER STORIES. In that story he told you just how to go ahead and make an ETHERPROPELLER, provided there is such a thing as ether, and Osmium B. The theory is: you use water screws, air propellers, and so why not an ether propeller? Put a cork in motionless water. Start a wave motion in the water with your hand. If the length of the wave is greater than the diameter of the cork, the cork just bobs up and down and stays where it is. If the lengths of the waves are shorter than the diameter of the cork, the waves go around it, and the cork still stays right where it is. If the length of the wave is exactly the diameter of the cork, tho cork rides right off, in the trough of the wave, at the same speed as that of the wave formation. Now invent an electro-magnetic vibration—by useing the metal Osmium B—exactly the length of a Copper atom. Make your ship of copper, putting the ether propeller, that which causes vibration in the ether, at the end of the ship, and presto! all the copper atoms move along in the trough of the ether waves, at the same speed as the other waves, which is the speed of light. And, Mr. Tanner is off for Mars, in a super-plausibly scientifictional way.

HELL SHIP, in last year's ASTOUNDING,

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