arraignment before his fellow peers on the charge of murdering his relative, Mr. William Chaworth, in 1765, may be read in the Nineteenth Volume of State Trials, though the most careful reading is likely to leave the rights of the case obscure.

The tragedy, whatever the rights of it, occurred after one of the weekly dinners of the Nottinghamshire County Club, at the Star and Garter Tavern in Pall Mall. The quarrel arose out of a heated discussion on the subject of preserving game—a topic which country gentlemen are particularly liable to discuss with heat. Lord Byron is said to have advocated leniency, and Mr. Chaworth severity, towards poachers. The argument led to a wager; and the two men went upstairs together—apparently for the purpose of arranging the terms of the wager—and entered a room lighted only by a dull fire and a single candle. As soon as the door was closed, they drew their swords and fought, and Lord Byron ran Mr. Chaworth through the body.

Those are the only points on which all the depositions agree. Lord Byron said that Chaworth, who was the better swordsman of the two, challenged him to fight, and that the fight was conducted fairly. The case for the prosecution was that Chaworth did not mean to fight, and that Lord Byron attacked him unawares. Chaworth, though he lingered for some hours, and was questioned on the subject, said nothing to exonerate his assailant. That, broadly speaking, was the evidence on which the peers had to come to their decision; and they found Lord Byron not guilty of murder but guilty of manslaughter. Pleading his privilege as a peer, he was released on payment of the fees.

Society, however, inclined to the view that he had not fought fairly. Two years before he had been Master of the Stag-hounds. Now he was cut by the county, and relapsed into misanthropic debauchery. He quarrelled with his son, the Honorable William Byron, sometime M.P. for Morpeth, for contracting a marriage of which he disapproved. He drove his wife away from Newstead by his brutality, and consorted with a low-born “Lady Betty.” The stories of his shooting his coachman and trying to drown his wife were untrue, but his neighbours believed them, and behaved accordingly; and an unpleasant picture of his retirement may be found in Horace Walpole’s Letters.

Playing at naval battles and bombardments, with toy ships, on the little lakes in his park, was, indeed, the favourite, if not the only, recreation of the wicked lord’s old age. It is said that his chief purpose in cutting down the timber was to spite and embarrass his heirs; and he did, at any rate, involve his heir in a law suit almost as long as the famous case of Jarndyce versus Jarndyce by means of an improper sale of the Byron property at Rochdale.

His heir, however, was not to be either his son or his grandson. They both predeceased him—the latter dying in Corsica in 1794—and the title and estates passed to the issue of his brother John, known to the Navy List as Admiral Byron, and to the navy as “foul weather Jack.”

The Admiral had been round the world with Anson, had been wrecked on the coast of Chili, and had published a narrative—“my granddad’s narrative”—of his hardships and adventures. He had later been sent round the world on a voyage of discovery on his own account, but had discovered nothing in particular. Finally he had fought, not too successfully, against d’Estaing in the West Indies, and had withdrawn to misanthropic isolation. His son, Captain Byron, of the Guards, known to his contemporaries as “Mad Jack Byron,” was a handsome youth of worthless character, but very fascinating to women. His elopement, while still a minor, with the Marchioness of Carmarthen, was one of the sensational events of a London season.

Lady Carmarthen’s husband having divorced her, Mad Jack married her in 1778. They lived together in Paris and at Chantilly—prosperously, for the bride had £4000 a year in her own right. A child was born—Augusta, who subsequently married Colonel Leigh; but, in 1784, his wife died, and Captain Byron, heavily in debt, was once more thrown on his own resources. He returned to England to look for an heiress, and he found one in the person of Miss Gordon of Gight, whom he met and married at Bath in 1786.

The fortune, when the landed estates had been realised, amounted to about £23,000; and Captain Byron’s clamorous creditors took most of it. A considerable portion of what was left was quickly squandered in riotous living on the Continent. The ultimate income consisted of the interest (subject to an annuity to Mrs. Byron’s grandmother) on the sum of £4200; and that lamentable financial position had already been reached when Captain and Mrs. Byron came back to England and took a furnished house in Holles Street, where George Noel Gordon, sixth Lord Byron, was born on January 22, 1788.

There we have, in brief outline, all that is essential of the little that is known of Byron’s heredity. If it is not precisely common-place, it is at least undistinguished. No one can ever have generalised from it and said that the Byrons were brilliant, or even—in spite of the third Lord’s conscientious attempts at versification—that they were “literary.” A far more likely generalisation would have been that the Byrons were mad.

They were not quite that, of course, though some of them were eccentric; and those who were eccentric had the courage of their eccentricity. But they were, at least so far as we know them, impetuous and reckless men—men who went through life in the spirit of a bull charging a gate, doing what they chose to do because they chose to do it, with a defiant air of “damn the consequences.” We find that note alike in the first Lord’s “improper charge” on Marston Moor, and the fifth Lord’s improvised duel in the dark room of the Pall Mall tavern, and in Captain Byron’s dashing elopement with a noble neighbour’s wife. We shall catch it again, and more than once, in our survey of the career of the one Byron who has been famous; and we shall see how much his fame owed to his pride, his determined indifference, in spite of his prickly sensitiveness, to public opinion, and his clear-cut, haughty character.

Legh Richmond, the popular evangelical preacher, once said that, if Byron had been as bad a poet as he was a man, his poetry would have done but little harm, but that criticism is almost an inversion of the truth. Byron, in fact, imposed himself far less because his poetry was good than because his personality was strong. He never saw as far into the heart of things as Wordsworth. When he tried to do so, at Shelley’s instigation, he only saw what Wordsworth had already shown; and there are many passages in his work which might fairly be described as being “like Wordsworth only less so.” None of his shorter pieces are fit to stand beside “The world is too much with us,” and he never wrote a line so wonderfully inspired as Wordsworth’s “still, sad music of humanity.”

But he had one advantage over Wordsworth. He spoke out; he was not afraid of saying things. His genius had all the hard riding, neck-or-nothing temper of the earlier, undistinguished Byrons behind it. He was “dowered with the hate of hate, the scorn of scorn,”—and he damned the consequences with the