قراءة كتاب The Real Shelley, Vol. II (of 2) New Views of the Poet's Life
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The Real Shelley, Vol. II (of 2) New Views of the Poet's Life
Political Justice and Caleb Williams were new literature, eminently successful authors derived less emolument from their most popular writings, than comes now-a-days to authors of inferior merit from works of only average popularity. But putting him in pecuniary ease for the moment, Godwin’s double triumph (though he sold the novel for a curiously small sum) placed him in a position that, to a man of his industry and frugal habits, was a promise of security from financial discomfort, so long as he retained his power of working, and persisted in the ways of prudence. That he was not likely to fall into poverty through self-indulgence appeared from his way of living when fortune smiled upon him. Remaining in the little house in Somers Town, where his yearly expenditure never exceeded 130l., he showed no disposition either for the pleasures of luxury or the pleasures of ostentation.
How came it that the man of letters, so averse to every kind of prodigality, dropt in a few years into the very troubles from which his industry and temperance seemed certain to preserve him, and, after falling into poverty in life’s middle term, whilst the productions of his pen were still fairly remunerative, passed the long remainder of his laborious years in one, vain humiliating conflict with financial embarrassment? The answer is that, with every good reason for persisting in celibacy, and no single sound excuse for surrendering the advantages of singleness, he made two imprudent marriages,—the second of which was only a few degrees less imprudent and unfortunate than the earlier alliance with Mary Wollstonecraft. In other than financial respects Godwin suffered severely from these unions. It might almost be thought that the divine powers, who have been assumed to concern themselves especially with the affairs of lovers, determined to punish the arch-maligner of lawful matrimony, by luring him into the estate he had decried, and then rendering him a signal example of some of the evils that may ensue from wedlock. It is strange that the man, who in celibatic freedom spoke so hardly of marriage, endured in later time so much from the honourable estate he had warned others to avoid. Strange also that, instead of being confirmed in his philosophic disapproval of wedlock by what he endured in his own person from marriage, he survived his repugnance to the whilom detestable institution, and towards the close of his career stoutly maintained he had never regretted either of the marriages for which he paid so dearly.
Though it is impossible for a sane biographer to write of William Godwin with enthusiasm, or any kind of cordial admiration, no fair one can deny that, if he was deficient in the graces requisite for a hero of biographical romance, the author of Political Justice possessed several admirable qualities. To take a fair view of the man, who suffered severely for kindness shown to Shelley, readers should toss aside as a mere humorous fabrication Miss Mitford’s story of the way in which the bookseller of Skinner Street used to go ‘down on his knees, flourishing a drawn dagger’ at Shelley’s feet, and ‘threaten to stab himself if his dutiful son-in-law would not accept his bills.’ They must also throw away as vile tattle all the stories of William Godwin’s delight at finding himself the father-in-law of a young gentleman who might some day be a baronet. Whatever his failings, William Godwin was no such creature as these anecdotes imply,—no such snob as snobs have declared him. In the financial difficulties of his later time, and in the moral debasement that almost invariably results in some degree from long exposure to such difficulties, he was capable of begging for gifts from exalted persons, and getting up a pecuniary testimonial in acknowledgment of his own public services. But these were the acts of his declining age, when his brain was losing its alertness and his pen its cunning; when publishers treated him coldly as a man ‘no longer what he was,’ and children (not his own) hung about him, asking him, not only for bread, but for costly education. They were also acts done in a period when men of letters were taught by social usage to be something less than self-dependent. At his worst, Godwin never (like Leigh Hunt) sought the gifts of rich people in order that he might enjoy indolence and luxuries. Ever industrious to the utmost of his ability, and ever glad to be so, Godwin at the worst sought help only that he might be more helpful to those who were dependent on him. Moreover, Godwin was one of the men who have so strong a title to the world’s tenderness and even to its reverence, that whilst gratitude enjoins us to judge them at their best, justice forbids us to judge them at their worst.
Flattered on Northcote’s canvas, and flattered still more in Mr. Kegan Paul’s photograph of Northcote’s picture, William Godwin’s presence was on the whole by no means agreeably impressive; but for the badness of the worst feature of his more remarkable than pleasing countenance he was almost compensated by the goodness of his eyes. ‘He has,’ Southey wrote in 1797, ‘large noble eyes, and a nose,—oh, most abominable nose! Language is not vituperatious enough to describe the effect of its downward elongation.’ Interfering with the effect of a shapely mouth, this grotesquely elongated nose seemed set on moving down to the chin of corresponding prominence. From the portrait to which reference has been made, Godwin seems in his earlier middle age to have had a visage remarkable rather for tenuity than massiveness; but Hogg’s account of the philosopher’s appearance affords evidence that delicacy was no characteristic of the Skinner-Street bookseller’s personal aspect. It would have been well if, on dropping his title to reverence, the young littérateur had also dropt the garb and manner that long afterwards reminded beholders of his original calling. When he dined tête-à-tête, and for the first time with William Godwin, Hogg observed that the ‘short, stout, thickset old man, of very fair complexion,’ and a head no less remarkable for baldness than magnitude, had altogether the ‘appearance of a Dissenting minister;’—a statement to be regarded as sufficient testimony that the author of Caleb Williams had not altogether the appearance of a gentleman, at least in the opinion of Mr. Hogg, ever disdainful of Dissenters.
Another thing to come under the saucy young Templar’s notice was that, whilst having altogether the ‘appearance of a Dissenting minister,’ his companion lacked the colloquial address of a gentleman of society and breeding. His articulation wanted distinctness, and his uneasy utterance was attended by a show of effort and distress, that might almost be called an impediment. But though painful on being noticed for the first time, this difficulty ceased to trouble listeners when they grew accustomed to it, and even gave an agreeable distinctiveness to a somewhat harsh and discordant voice.
William Godwin’s moral nature resembled his appearance and manner, in comprising several agreeable and commendable qualities, without being altogether pleasing or in any degree remarkable for dignity. To the last, also, it resembled them in affording indications of the humility of his original condition and earlier circumstances. The man of intellect, whose costume and bearing reminded people that he had formerly been a Dissenting minister in small market-towns, never survived the influence of the rural conventicle; never outlived the social influences of the humble and unrefined people, who had surrounded him in his days of ministerial service. The egregious vanity, that animated him from youth to old age, was not the almost generous infirmity to be observed in the elegant and refined, but the mean and despicable vanity of the rude and