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قراءة كتاب Practical Graining With Description of Colors Employed and Tools Used

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Practical Graining
With Description of Colors Employed and Tools Used

Practical Graining With Description of Colors Employed and Tools Used

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The Project Gutenberg eBook, Practical Graining, by William E. (William Edmund) Wall

This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org

Title: Practical Graining

With Description of Colors Employed and Tools Used

Author: William E. (William Edmund) Wall

Release Date: December 31, 2012 [eBook #41749]

Language: English

Character set encoding: ISO-8859-1

***START OF THE PROJECT GUTENBERG EBOOK PRACTICAL GRAINING***

 

E-text prepared by Chris Curnow, Diane Monico,
and the Online Distributed Proofreading Team
(http://www.pgdp.net)
from page images generously made available by
Internet Archive
(http://archive.org)

 

Note: Images of the original pages are available through Internet Archive. See http://archive.org/details/practicalgrainin00wall

 


 

 

 

Practical Graining

WITH DESCRIPTION OF

COLORS EMPLOYED AND TOOLS USED

ILLUSTRATED BY

FORTY-SEVEN COLORED PLATES

REPRESENTING THE VARIOUS WOODS USED IN INTERIOR FINISHING

BY

WILLIAM E. WALL

GRAINER TO THE TRADE.


 

PHILADELPHIA:
HOUSE PAINTING AND DECORATING PUBLISHING CO.
EIGHTEEN-NINETY-ONE.


Entered according to act of Congress in the year 1890 by
The House Painting and Decorating Publishing Co.
in the office of the Librarian of Congress at Washington, D. C.
All Rights Reserved.


CONTENTS.

Page
Chapter I.
Groundworks for graining; graining compared with plain painted work; removing old paint; mixing ground colors 5
Chapter II.
The graining color; imitating simple woods; graining color for light oak; mixing graining color; applying the color; representing champs or lights of oak 9
Chapter III.
Quartered oak; overgraining; heart of oak; use of the check roller 13
Chapter IV.
Graining oak in distemper; the light veins in oak; graining ash; putting in heart work; over-graining ash; ash in distemper; matching white ash 16
Chapter V.
Hungarian ash; burl ash in water color and in oil 19
Chapter VI.
Chestnut; colors for graining chestnut; wiping the hearts and blending; chestnut in water color; bird's-eye maple; putting in lights and shades; putting in the curly or rock maple; silver maple 21
Chapter VII.
Satinwood; groundwork for satinwood; putting in the mottling 26
Chapter VIII.
Pollard oak; cherry; cherry in distemper; glue size for distemper binder 27
Chapter IX.
Black walnut in oil; black walnut in distemper 31
Chapter X.
French walnut burl in distemper 32
Chapter XI.
Mahogany; Honduras feathered mahogany; stippling in mahogany; feathered mahogany 35
Chapter XII.
Rosewood; the use of the bamboo brush; imitating rosewood in water color; cypress wood 37
Chapter XIII.
Hard pine; white wood 40
Chapter XIV.
Varnishing over grained work; cracking of varnish on inside work 42
Chapter XV.
Graining considered as a fine art; graining sometimes condemned; the artistic merit of graining

Pages