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قراءة كتاب Theodore Watts-Dunton Poet, Novelist, Critic
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class="smcap">Wales
CHAPTER XX
Imaginative and Didactic Prose
CHAPTER XXI
The Methods of Prose Fiction
CHAPTER XXII
A Story With Two Heroines
The Renascence of Wonder in Religion
CHAPTER XXIV
The Renascence of Wonder in Humour
CHAPTER XXV
Gorgios and Romanies
CHAPTER XXVI
‘The Coming of Love’
CHAPTER XXVIII
“Christmas at the ‘Mermaid’”
CHAPTER XXVIII
Conclusion
ILLUSTRATIONS
Theodore Watts-Dunton. From a painting by Miss H. B. Norris |
Frontispiece |
Reverie. Crayon by D. G. Rossetti at ‘The Pines’ |
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The Ouse at Houghton Mill, Hunts. (From a Water Colour by Fraser at ‘The Pines.’) |
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‘The Thicket,’ St. Ives. (From a Water Colour by Fraser at ‘The Pines.’) |
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Slepe Hall: Cromwell’s Supposed Residence at St. Ives. (From an Oil Painting at ‘The Pines.’) |
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‘Evening Dreams with the Poets.’ (From an Oil Painting at ‘The Pines.’) |
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A Corner in ‘The Pines,’ showing the Painted and Carved Cabinet |
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A Letter Box on the Broads. (From an Oil Painting at ‘The Pines.’) |
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Pandora. Crayon by D. G. Rossetti at ‘The Pines’ |
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‘The Green Dining Room,’ 16 Cheyne Walk. (From a Painting by Dunn, at ‘The Pines.’) |
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One of the Carved Mirrors at ‘The Pines,’ decorated with Dunn’s copy of the lost Rossetti Frescoes at the Oxford Union |
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Kelmscott Manor. (From a Water Colour by Miss May Morris.) |
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‘The Pines.’ (From a Drawing by Herbert Railton.) |
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