merely as the country of the Sky-scraper and the Almighty Dollar, so long as Americans insist upon regarding France merely as the home of the Yellow Novel and the Everlasting Dance, so long will it be difficult for the ancient amity between these two countries to expand and deepen into a true and vital concord.

France and America must know each other better. They must learn to look each into the other’s mind, to read each the other’s heart. They must recognize each other less by their foibles and more by their faiths, less by the factors of national weakness and more by the elements of national strength. Then, indeed, I hope and believe they will be good and faithful friends.

It is to promote this serious and noble purpose that an American gentleman, Mr. James Hazen Hyde, has founded two chairs, one at the University of Paris, and one at Harvard University, for an annual interchange of professors, (and possibly of ideas,) between France and America. Through this generous arrangement we have had the benefit of hearing, in the United States, MM. Doumic, Rod, de Régnier, Gaston Deschamps, Hugues Le Roux, Mabilleau, Anatole Leroy-Beaulieu, Millet, Le Braz, Tardieu, and the Vicomte d’Avenel. On the same basis Messrs. Barrett Wendell, Santayana, Coolidge, and Baker have spoken at the Sorbonne and at the other French Universities. This year Harvard has called me from the chair of English Literature at Princeton University, and the authorities of the Sorbonne have graciously accorded me the hospitality of this Amphithéâtre Richelieu, to take my small part in this international mission.

Do you ask for my credentials as an ambassador? Let me omit such formalities as academic degrees, professorships, and doctorates, and present my claims in more simple and humble form. A family residence of two hundred and fifty years in America, whither my ancestors came from Holland in 1652; a working life of thirty years which has taken me among all sorts and conditions of men, in almost all the states of the Union from Maine to Florida and from New York to California; a personal acquaintance with all the Presidents except one since Lincoln; a friendship with many woodsmen, hunters, and fishermen in the forests where I spend the summers; an entire independence of any kind of political, ecclesiastical, or academic partisanship; and some familiarity with American literature, its origins, and its historical relations,—these are all the claims that I can make to your attention. They are small enough, to be sure, but such as they are you may find in them a partial explanation of the course which these lectures are to take.

You will understand that if I have chosen a subject which is not strictly academic, it is because the best part of my life has been spent out of doors among men. You will perceive that my failure to speak of Boston as the centre of the United States may have some connection with the accident that I am not a Bostonian. You will account for the absence of a suggestion that any one political party is the only hope of the Republic by the fact that I am not a politician. You will detect in my attitude towards literature the naïve conviction that it is not merely an art existing for art’s sake, but an expression of the inner life and a factor in the moral character. Finally, you will conclude, with your French logicality of mind, that I must be an obstinate idealist, because I am going to venture to lecture to you on The Spirit of America. That is as much as to say that I believe man is led by an inner light, and that the ideals, moral convictions, and vital principles of a people are the most important factors in their history.

All these things are true. They cannot be denied or concealed. I would willingly confess them and a hundred more, if I might contribute but a little towards the purpose of these lectures: to help some of the people of France to understand more truly the real people of America,—a people of idealists engaged in a great practical task.

I

THE SOUL OF A PEOPLE

THE SPIRIT OF AMERICA

I
THE SOUL OF A PEOPLE

There is a proverb which affirms that in order to know a man you have only to travel with him for a week. Almost all of us have had experiences, sometimes happy and sometimes the reverse, which seem to confirm this saying.

A journey in common is a sort of involuntary confessional. There is a certain excitement, a confusion and quickening of perceptions and sensations, in the adventures, the sudden changes, the new and striking scenes of travel. The bonds of habit are loosened. Impulses of pleasure and of displeasure, suddenly felt, make themselves surprisingly visible. Wishes and appetites and prejudices which are usually dressed in a costume of words so conventional as to amount to a disguise now appear unmasked, and often in very scanty costume, as if they had been suddenly called from their beds by an alarm of fire on a steamboat, or, to use a more agreeable figure, by the announcement in a hotel on the Righi of approaching sunrise.

There is another thing which plays, perhaps, a part in this power of travel to make swift disclosures. I mean the vague sense of release from duties and restraints which comes to one who is away from home. Much of the outward form of our daily conduct is regulated by the structure and operation of the social machinery in which we quite inevitably find our place. But when all this is left behind, when a man no longer feels the pressure of the neighbouring wheels, the constraint of the driving-belt which makes them all move together, nor the restraint of the common task to which the collective force of all is applied, he is “outside of the machine.”

The ordinary sight-seeing, uncommercial traveller—the tourist, the globe-trotter—is not usually a person who thinks much of his own responsibilities, however conscious he may be of his own importance. His favourite proverb is, “When you are in Rome, do as the Romans do.” But in the application of the proverb, he does not always inquire whether the particular thing which he is invited to do is done by the particular kind of Roman that he would like to be, if he lived in Rome, or by some other kind of Roman quite different, even contrary. He is liberated. He is unaccountable. He is a butterfly visiting a strange garden. He has only to enjoy himself according to his caprice and to accept the invitations of the flowers which please him most.

This feeling of irresponsibility in travel corresponds somewhat to the effect of wine. The tongue is loosened. Unexpected qualities and inclinations are unconsciously confessed. A new man, hitherto unknown, appears upon the scene. And this new man often seems more natural, more spontaneous, more vivid, than our old acquaintance. “At last,” we say to ourselves, “we know the true inwardness, the real reality of this fellow. He is not acting a part now. He is coming to the surface. We see what a bad fellow, or what a good fellow, he is. In vino et in viatore veritas!”

But is it quite correct, after all, this first impression that travel is the great revealer of character? Is it the essential truth, the fundamental truth, la vraie verité, that we discover through this glass? Or is it, rather, a novel aspect of facts which are real enough, indeed, but not fundamental,—an aspect so novel