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قراءة كتاب A Complete Guide to the Ornamental Leather Work

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A Complete Guide to the Ornamental Leather Work

A Complete Guide to the Ornamental Leather Work

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دار النشر: Project Gutenberg
الصفحة رقم: 5

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Camillas vary in the form of leaves, and the petals vary in number. To make a camilla, cut out two pieces, as in the annexed diagram, containing four petals in each; then cut out one or two larger pieces, with six petals in each, and one or more still larger, with seven or eight petals; then, having a natural camilla at hand, mould them all into form, fasten all the pieces of leather together, the smallest at the top, and the largest at the bottom, so that the petals alternate, with liquid glue, and put a piece of wire through the whole for the stalk; cover it with skiver leather.

Decoration

JESSAMINE.

Sketch of jessamine.No. 14.

To make the Jessamine, copy the corolla from the annexed design, by cutting a star-like piece of basil, into which insert the wire for the stalk as closely as possible. As the stamina are not visible in this flower, it is needless to make them. The tube upon which the corolla rests, can be made by rolling a piece of leather round the wire thickest at the flower, and then add another piece of leather about an inch below the corolla, which must have five fine pointed leaves for the calyx.

Decoration

DAISY.

Sketch of daisy.No. 15.

The Daisy is formed by making two pieces of leather, like the pattern, one larger than the other, and putting the wire, for stalk, through both of them. The little golden centre of the daisy, can be well imitated by placing a round piece of leather, rather thick, in the centre, shaved off at the edges, and marked with the veining tool full of dots.

Decoration

ROSES.

Sketch of rose.No. 16.

A Wild Rose is made by cutting out two pieces of leather, exactly as in the engraving, putting the wire through two holes made in the centre of the pieces with a fine bradawl, and pass a piece of wire through the holes, leaving both ends of the wire at the back to be twisted for the stalk. To form the stamina, cut fine strips of leather as long again as the stamina are required to be, and insert them under the eye of the wire which forms the stalk; then cut the stamina, and pinch them up into form; the top piece, containing five petals, must be moulded and curved upward, inclosing the stamina; the bottom piece also, containing five petals, must be moulded downwards, curving and bending them into form.

To make a larger Rose, cut out a smaller piece than is shewn in the engraving, of the same form, also the two in the engraving, and a larger piece of the same form making four pieces, containing twenty petals; then proceed as before-mentioned, and a fuller Rose is produced; thus the character of the flower and the number of petals can be regulated with comparative ease.

The rose leaves can be moulded at the back by pressing them into the grape mould with one of the pressing tools.


OAK AND IVY BRACKET.

Sketch of oak and ivy bracket.No. 17.

The Bracket annexed is out of the usual run of brackets which have generally been ornamented with leather work. The vine and the convolvulus pattern are much used with very beautiful effect. We intended this design to exhibit old oak: it should be stained very dark, the oak stems being very thick, while the stems of ivy can be formed of tendrils. To make the oak stems get very thick wire, and have it cut to the desired lengths, then cover the wires with leather, and bend them to resemble knarled oak; attach, as naturally as possible, oak leaves and acorns at the back of the wires, and on the wood work as shewn in the skeleton bracket in a former part of this work; then attach the ivy tendrils, leaves, and berries around the oak stems, and the bracket is completed.

We have found it much improves the appearance of any piece of work we have been ornamenting, to give the whole when completed a slight coat of varnish.

Decoration

WATCH STAND FINISHED.

Sketch of finished watch stand.No. 18.

The design for a Watch Stand will illustrate one of the various modes of ornamenting this kind of work; it is very light, and better than too much crowding the ornamented parts, which, besides being a waste of time, would not look so elegant as lighter work.


CARD RACKS

Sketch of card rack.No. 19.

Can be made in a variety of

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