You are here

قراءة كتاب Cooley's Cyclopædia of Practical Receipts and Collateral Information in the Arts, Manufactures, Professions, and Trades..., Sixth Edition, Volume II

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
Cooley's Cyclopædia of Practical Receipts and Collateral Information in the Arts, Manufactures, Professions, and Trades..., Sixth Edition, Volume II

Cooley's Cyclopædia of Practical Receipts and Collateral Information in the Arts, Manufactures, Professions, and Trades..., Sixth Edition, Volume II

تقييمك:
0
No votes yet
المؤلف:
دار النشر: Project Gutenberg
الصفحة رقم: 1


COOLEY’S CYCLOPÆDIA

OF

PRACTICAL RECEIPTS

AND

COLLATERAL INFORMATION

IN THE

ARTS, MANUFACTURES, PROFESSIONS, AND TRADES

INCLUDING

Medicine, Pharmacy, Hygiene, and Domestic Economy

DESIGNED AS A COMPREHENSIVE

SUPPLEMENT TO THE PHARMACOPŒIA

AND

GENERAL BOOK OF REFERENCE

FOR THE MANUFACTURER, TRADESMAN, AMATEUR, AND
HEADS OF FAMILIES


SIXTH EDITION

REVISED AND GREATLY ENLARGED BY

RICHARD V. TUSON, F.I.C., F.C.S.

PROFESSOR OF CHEMISTRY IN THE ROYAL
VETERINARY COLLEGE; FORMERLY LECTURER
ON CHEMISTRY AT THE CHARING CROSS HOSPITAL.


VOL. II
Medicina Literis.
LONDON
J. & A. CHURCHILL, NEW BURLINGTON STREET
1880

A CYCLOPÆDIA
OF
PRACTICAL RECEIPTS, &c.

VOLUME II

Ink, Lithograph′ic. Prep. 1. Mastic (in tears), 8 oz.; shell-lac, 12 oz.; Venice turpentine, 1 oz.; melt together, add, of wax, 1 lb.; tallow, 6 oz.; when dissolved, further add of hard tallow soap (in shavings), 6 oz.; and when the whole is perfectly combined add of lampblack, 4 oz.; lastly, mix well, cool a little, and then pour it into moulds, or upon a slab, and when cold cut it into square pieces.

2. (Lasteyrie.) Dry tallow soap, mastic (in tears), and common soda (in fine powder), of each 30 parts; shell-lac, 150 parts; lampblack, 12 parts; mix as last. Both the above are used for writing on lithographic stones.

3. (Autographic.)—a. Take of white wax, 8 oz., and white soap, 2 to 3 oz.; melt, and when well combined, add of lampblack, 1 oz.; mix well, heat it strongly, and then add of shell-lac, 2 oz.; again heat it strongly, stir well together, cool a little, and pour it out as before. With this ink lines may be drawn of the finest to the fullest class, without danger of its spreading, and the copy may be kept for years before being transferred.

b. From white soap and white wax, of each 10 oz.; mutton suet, 3 oz.; shell-lac and mastic, of each 5 oz.; lampblack, 312 oz.; mix as above. Both the above are used for writing on lithographic paper. When the last is employed, the transfer must be made within a week.

Obs. The above inks are rubbed down with a little water in a small cup or saucer for use, in the same way as common water-colour cakes or Indian ink. In winter the operation should be performed near the fire, or the saucer should be placed over a basin containing a little tepid water. Either a steel pen or a camel-hair pencil may be employed with the ink. See Lithography.

Ink, Mark′ing. Syn. Indelible ink, Permanent i. Of this there are several varieties, of which the following are the most valuable and commonly used:—

1. Nitrate of silver, 14 oz.; hot distilled water, 7 fl. dr.; dissolve, add of mucilage, 14 oz.; previously rubbed with sap green or syrup of buckthorn, q. s. to colour. The linen must be first moistened with ‘liquid pounce,’ or ‘the preparation,’ as it is commonly called, and when it has again become dry, written on with a clean quill pen. The ink will bear dilution if the writing is not required very black.

The POUNCE or PREPARATION. A solution

of carbonate of soda, 112 oz.; in water, 1 pint, slightly coloured with a little sap green or syrup of buckthorn, to enable the spots wetted with it to be afterwards known.

2. (Without preparation.) Take of nitrate of silver, 14 oz.; water, 34 oz.; dissolve, add as much of the strongest liquor of ammonia as will dissolve the precipitate formed on its first addition, then further add of mucilage, 112 dr., and a little sap green, syrup of buckthorn, or finely powdered indigo, to colour. Writing executed with this ink turns black on being passed over a hot Italian iron, or held near the fire.

3. Terchloride of gold, 112 dr.; water, 7 fl. dr.; mucilage, 2 dr.; sap green, q. s. to colour. To be written with on a ground prepared with a weak solution of protochloride of tin, and dried. Dark purple.

4. (Rev. J. B. Reade.) Nitrate of silver, 1 oz., tartaric acid (pure), 3 dr., are triturated together in a mortar in the dry state; a little water is then added, by which crystals of tartrate of silver are formed, and the nitric acid set free; the latter is then saturated with liquor of ammonia, sufficient being added to dissolve all the newly-formed tartrate of silver, avoiding unnecessary excess; lastly, a little gum and colouring matter is added.

5. (Rev. J. B. Reade.) To the last is added an ammoniacal solution of a salt of gold. Mr Reade has used for this purpose the ‘purple of Cassius,’ the hyposulphate, the ammonio-iodide, the ammonio-periodide of gold, but any other compound of gold which is soluble in ammonia will do as well. This ink is unacted on by nearly all those reagents which remove writing executed with solutions of the salts of silver alone, as cyanide of potassium, the chlorides of lime and soda, &c.

6. (Redwood.) Nitrate of silver and pure bitartrate of potassa, of each 1 oz. (or 4 parts), are rubbed together in a glass or Wedgwood-ware mortar, and after a short time liquor of ammonia, 4 oz. (16 parts, or q. s.), is added; when the solution is complete, archil, 4 dr. (or 2 parts); white sugar, 6 dr. (or 3 parts); and powdered gum, 10 dr. (or 5 parts), are dissolved in the liquor, after which sufficient water is added to make the whole measure exactly 6 fl. oz., when it is ready to be bottled for use. The last three are used in the same manner as No. 2.

7. (Dr Smellie.) From sulphate of iron, 1 dr.; vermilion, 4 dr.; boiled linseed oil, 1

oz.; triturated together until perfectly smooth. Used with type.

8. (Soubeiran.) Nitrate of copper, 3 parts; carbonate of soda, 4 parts; nitrate of silver, 8 parts; mix, and dissolve in liquor of ammonia, 100 parts. Used like No. 2.

9. (Ure.) A strong solution of chloride of platinum, with a little potassa, and sugar and gum, to thicken.

10. The fluid contained between the kernel and shell of the cashew nut. On linen and cotton it turns gradually black, and is very durable. This has been called ANACARDIUM or CASHEW-NUT INK.

11. Sulphate of manganese, 2 parts; lampblack, 1 part; sugar, 4 parts; all in fine powder, and triturated to a paste with a little water. Used with types or stencil-plates; the part, when dry, being well rinsed in water. Brown.

12. Black oxide of manganese and hydrate of potassa are mixed, heated to redness in a crucible, and then triturated with an equal weight of pure white clay, and water, q. s. to give it due consistence. Used like the last. (Brown.)

13. (Aniline Black Marking Ink.) This ink is prepared by means of two solutions, one of copper, the other of aniline, prepared as follows:—

(1.) Copper solution. 8·52 grams of crystallised chloride of copper, 10·65 grams of chlorate of soda, and 5·35 grams of chloride of ammonium are dissolved in 60 grams

Pages